L'Hôtel de ville : Mégastructure parisienne

The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.

The underworld (imaginary and real) of Paris, depicted through several sketches. Kaleidoscope of the immoral and nauseating aspects of the capital.

French architect Jean Nouvel has long been known in Europe for his bold, shimmering glass museums, concert halls, and high-rise towers. Now the much-acclaimed new Guthrie Theater in Minneapolis, Minnesota, which opened in 2006, is displaying Nouvel's remarkable talents to an American public. With a cantilevered lobby that extends 175 feet over the Mississippi River, the dark midnight-blue, aluminum-paneled structure has captivated the culturally conscious city and helped spur the rejuvenation of a once-industrial waterfront. In the tour, Nouvel takes us through three distinctive theaters he designed for the Guthrie, and out onto the cantilevered deck to view the legendary river that inspired the boldly elevated design.

A walk through the career of French filmmaker André Téchiné, from his own point of view and that of those who worked with him: Catherine Deneuve, Daniel Auteuil, Emmanuelle Béart, Juliette Binoche and Sandrine Kiberlain, among others.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.

A documentary featuring internationally renowned photographer Toni Hafkenscheid as he explores hidden stories behind iconic architectural structures once considered "Visions of the Future" from the 1960's. This film is a light-hearted look at the way we perceive life and embrace modern advancements. It is a photography expose that becomes a personal journey of self-discovery while exploring innovative Visions of the Future that celebrate memories of Toni's, and our, collective past.

Three restoration students and scholars from all over the world meet in a Palladian villa in view of a conference on Palladio. Meanwhile, in the United States of America, a young university professor asks his mentors, Kenneth Frampton and Peter Eisenman, how to be able to transmit Palladio's humanistic values to the new generations.

In 1979, the Pacific Club was opened in the basement of La Défense - the business district of Paris. It was the first nightclub for Arabs from the suburbs; a parallel world of dance, sweat, young loves, and one-night utopias. Azedine, 17 years old at the time, tells us the forgotten story of this club and of this generation who dreamed of integrating into France but who soon came face to face with racism, the AIDS epidemic, and heroin.

In May of 1982 Julio Cortázar, the Argentinean writer and his companion in life, Carol Dunlop set out in their VW bus on a journey along the highway from Paris to Marseille that, for each of them, was to be their final one. Twenty-five years later, Océane Madelaine and Jocelyn Bonnerave set out to undertake the journey again.

Le Pigalle - Une histoire populaire de Paris

This insightful documentary feature from PJ Letofsky serves as a profile of iconic Austrian-American Architect Richard Neutra, whose work and legacy have helped shape the modern understanding of design, architecture and the interconnected fabric of nature. Today, Richard's legacy lives on through his son, Dion, who has taken up his father's mantle after nearly three-decades under his mentorship.

Dora Maar, a world-class photographer who began her artistic career in the French Surrealist scene of the 30s, lived in the shadow of Spanish painter Pablo Picasso, her lover between 1935 and 1943, with whom she maintained a chaotic, even violent, relationship. Fortunately, she survived Picasso's abusive behavior and its sequels to find a new path, the best one, the one that is worth to be told, in spite of Picasso.

Thomas Pesquet : Objectif France

A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.

A portrait of the renowned Finnish architect and designer Alvar Aalto by the radical experimental filmmaker Eino Ruutsalo. Shot in the summer of 1972 at Aalto’s experimental house in Muuratsalo the film briefly and accurately covers the growth, development and creativity of the master architect, presenting his most important work.

Not many people know that there is in the center of Hong Kong, a city of 50,000 inhabitants that escape authority, a city which holds no law and no order, the ‘walled city’. Never before has a television crew been allowed to enter this labyrinth. Christa Wesemann, an Austrian documentary filmmaker, has achieved this for the first time. The recordings from the ‘walled city’ are breathtaking pictures, as it has never seen the world. The history and daily flow in Walled City are ruled by the ‘triad’, a Chinese crime syndicate.

Architecture is often seen from the outside, as an inanimate object represented in still imagery. ‘REM’ exposes the human experience of architecture through dynamic film.

A year in the life of one of America's most innovative classrooms where students design & build to transform their hometown community. The film follows Emily Pilloton and Matt Miller as they teach the fundamentals of design, architecture and construction to a class of high school juniors in rural North Carolina.

In the 70s, actress Delphine Seyrig and director Carole Roussopoulos, both militant feminists, were the pioneers of video activism in France. They documented the demonstrations of French feminists and used the new technologies to counter the poor representation of women in the public media.