With the construction of the Indian planned city of Chandigarh, the Swiss and French architect Le Corbusier completed his life's work 70 years ago. Chandigarh is a controversial synthesis of the arts, a bold utopia of modernity. The film accompanies four cultural workers who live in the planned city and reflects on Le Corbusier's legacy, utopian urban ideas and the cultural differences between East and West in an atmospherically dense narrative.
Crownsville Hospital: From Lunacy to Legacy is a feature-length documentary film highlighting the history of the Crownsville State Mental Hospital in Crownsville, MD.
A biography documentary of the Argentine modernist architect Amancio Williams.
What’s it like to dedicate your life to work that won’t be completed in your lifetime? Fifteen years ago, filmmaker David Licata focused on four projects and the people behind them in an effort to answer this universal question.
Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.
Like an indelible memory, this Olympic closing ceremony will be marked by audacity, fraternity and emotion. In the heart of the Stade de France, athletes from all over the world will represent their countries one last time in an incredible moment of celebration and sharing. With their eyes riveted to the flame, the emotion will be immense as we close the great Olympic book of Paris 2024.
The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.
France, 1920s: An affluent ladies' man finds himself in love with a homely married woman.
On 26 July 2024, the largest-ever Olympic Games Opening Ceremony took place, beginning at 7.30 p.m. CET. The Opening Ceremony of the Olympic Games Paris 2024 was an unprecedented experience drawing on the natural light of the setting sun with all its nuances to illuminate the world’s best athletes as they travelled down the Seine, in the heart of the French capital.
World-renowned Drag Queen Miz Cracker helps a Texas family that’s experiencing strange occurrences after renovating their 1892 home. As a lover of the paranormal, can Miz Cracker solve their ghost problem and help them coexist peacefully with the spirits?
A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.
In 1970, a British film crew set out to make a straightforward literary portrait of James Baldwin set in Paris, insisting on setting aside his political activism. Baldwin bristled at their questions, and the result is a fascinating, confrontational, often uncomfortable butting of heads between the filmmakers and their subject, in which the author visits the Bastille and other Parisian landmarks and reflects on revolution, colonialism, and what it means to be a Black expatriate in Europe.
Documentary on the work of Frank Lloyd Wright's architecture.
“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.
1942 Paris. Annette is 20 years old, Jean is barely older, they love each other and the future is bright for them. But the deportation of the Jews of France will change their destiny. Upset at the idea of their only son marrying a Jewish woman, Jean Jausion's parents decide to keep young Annette Zelman away from them... and denounce her to the Gestapo. The machine was launched, but it was too late. Annette was deported to Auschwitz on June 22, 1942.
In his own words, the burglar behind the 2010 robbery of the Paris Museum of Modern Art tells how he pulled off the biggest art heist in French history.
Frank Lloyd Wright’s Modern Masterpiece, Unity Temple is an homage to America’s most renowned architect. The film pulls back the curtain on Wright’s first public commission in the early 1900’s to the painstaking efforts to restore the 100 year old building back to its original beauty. The dedicated team of historians, craftspeople, members of the Unitarian congregation and Unity Temple Restoration Foundation reveal the history of one of Wright’s most innovative buildings that merged his love of architecture with his own spiritual values. The film intersperses the architect’s philosophies with quotes narrated by Brad Pitt.
A spy thriller involving an American who is enlisted by British intelligence to replace one of its recently murdered agents and smash a ring of blackmailers -- James Bond style -- headed by a nefarious figure known as Scorpio.
Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' He also says that 'memory is the past that has never had the form of the present.'
Art historian and filmmaker Sundaram Tagore travels in the footsteps of Louis Kahn to discover how the famed American architect built a daringly modern and monumental parliamentary complex in war-torn Bangladesh.