Fed Up

Daughter explores the way women are viewed in society by following three female characters on a Friday night out in St Kilda, who's lives become entwined and affected by an act of violence this fateful night. The award winning short film and an awareness project was inspired by the tragic murder cases of Jill Meagher in Brunswick and St Kilda's own Tracy Connelly, whose occupation as a sex worker was highlighted in the media, leading to her murder and personal story being sadly overshadowed. The main themes explored in the film are violence against women and victim blaming, shown through the eyes of three female leads, lead by Katherine Langford (13 Reasons Why) as Scarlett, Aisha Tara (Heartbreak High) as Jemma and Carolyn Rey as Alethea.

In the heart of a Dominican family’s home, the youngest daughter’s thirteenth birthday is being celebrated. Balloons, cake, and music cannot hide the tension that lingers in the air. Amid the party, between music and applause, Minerva receives a special gift from her father. What seems like an innocent gesture turns into a silent revelation of the fear that has long resided in her heart. Through glances, restrained gestures, and meaningful details, the short film portrays domestic violence from a child’s perspective, where joy and horror coexist in the same space.

Vivante(s)

A young woman travels abroad trying to realize her dream of being a model, but there she is deceived and subjected to prostitution at the Cabaret Tango Bar, where she experiences the horrors as a victim of a sex trafficking network.

A young woman struggles with living a life wherein her identity is still tied to the abuse she experienced as a child. One night, she falls victim to an episode triggered by her PTSD and is forced to confront her struggles through two strange but poignant interactions with strangers.

Joy, a mother of a 4 year-old girl, finally decides to file a case under domestic violence against her abusive husband, Dante.

A young couple's relationship clashes with the harsh realities of the California Gold Rush of 1850. Angel, experiencing love for the first time and facing demons unsurmountable, runs from the new life she doesn't believe she deserves. When Michael sets out to find her, Angel discovers that she indeed has the power to choose the life she wants.

Nohemí and Mary are two women resisting structural violence in Ciudad Juárez. United by pain and hope, both mothers find inspiration to move their families forward. The dragonfly, a symbol they share, embodies their resilience and capacity for change.

4 stories about 4 criminal children. Two teenagers trapped in a world full of drugs and human trafficking, another two kids bring their loved ones to the limit, other two resentful kids want to fulfill their most evil desires, and one kid who has to decide between killing or loving.

Paty, an employee of an advertising company, is summoned to a business dinner by Mr. Gutiérrez, a successful businessman. She cannot refuse the invitation since the signing of the contract depends on this meeting. In 1993 this film received the Ariel Award from the Academy of Motion Picture Arts and Sciences for best medium-length fiction film.

A single mother goes out for a run and never returns.

Mireia has just come out of a toxic relationship that prevents her from enduring physical contact when she is offered the lead role of "Sleeping Beauty" at the ballet school where she attends, and has to dance with the Blue Prince.

Sága is a strange, withdrawn, androgynous young girl. She has no friends and spends most of her time locked away at home. But Sága wasn't always like this; her life and personality changed dramatically at puberty when a terrible curse took hold of her. For years, she has managed to hide her dark secret from the world... But for how much longer?

Origami

Jimena is a hungry girl who wanders through the mountains in search of food and comes across the carrot garden of an old indigenous farmer. She steals the last carrot from the garden and is caught and imprisoned by the old man. She tries to escape by any means necessary, even at the cost of other's well being.

Sergio maintains a relationship with Marta, who mistreats him. Through an argument in a store, Sergio realizes that people are passing him by and imagines what would happen if he were the abuser.

La búsqueda del tesoro

Three objects are used in a manner in which they weren't supposed to be. Something unprecedented happens: armed with a voice and conscience, these objects will reflect on the absurd arguments that support domestic violence.

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

Notas de Cambio