Short animated film by Yoji Kuri
Originally titled Stone No. 2, this is considered a seminal work of Japanese independent animation. Stones, houses and the surrounding natural landscape transform continuously.
Independent animation by Shimamura Tatsuo.
Short animated film by Manabe Hiroshi
“My name is Klementhro. Without my paddle, I have nowhere to go”. Klementhro may not have it all, but at least he has his paddle to direct him through the world. What happens if he loses his dear paddle? It is not easy to navigate with empty hands.
Fuku-chan was one of the most popular newspaper comic strip boy-characters in Japan at the time. The film portrays a submarine attack on an enemy cargo ship. Though this, too, was to boost patriotism, Japanese children particularly enjoyed the scenes in which the kitchen crew cooked in the submarine kitchen. Released in November of the same year, the food shortage was quite serious in Japan, and the abundant food supply in the submarine kitchen -- vegetables, fruit, fish, rice, and more which were already luxury items in Japan at the time -- was prepared into various dishes along with a merry, rhythmic song.
It should have been just another day, but Ruben’s scheduled meeting with Dave is making him nervous. Fearful imaginings haunt his morning. He forgets to lock his door, misses the bus and when he enters the office he sees a deer waiting for him.
The second animated work from filmmaker, sculptor and painter Jerzy Kalina. Using multi-plane techniques mixed with paper animation and coloured grains (an element found in his first film, ...i stała się światłość, W trawie is a fantastical exploration of the world beneath our feet.
A collection of one-minute cartoons produced by the National Film Board of Canada animators for government sponsors. Showcasing a playful selection of animation techniques, the clips include reminders about t4levision programs, traffic safety rules, and admonition from the Department of Labour.
Kaleidoscopic one minute animation windfall from Jake Fried, like penetrating the third eye. Hand-drawn animation with ink and white-out .
The first film directed by influential German-born silhouette animator Lotte Reiniger is delightfully reminiscent of a Valentine’s Day card come to life. Two lovers interact with an ornate background that shifts and changes in tandem with their own balletic movements as they express their feelings for each other.
Zip, a 17 year-old Nisei (second-generation Japanese American) baseball pitcher, faces the tragic circumstances of the World War II internment of 110,000 Americans of Japanese ancestry. Set in a relocation camp in the summer of 1943, this film chronicles the journey of an American family torn apart by a forced and unjust incarceration, a father's decision that challenges his son to find strength, and ultimately his son's triumph through courage, sacrifice and the All-American game of baseball.
An abstract ballet set to "I've Never Seen a Smile Like Yours".
Arichan the Ant finds a violin in a sandbox and keeps it. However, realizing how important it is to its owner, he returns it to her.
In 1955 Tadahito Mochinaga was asked to create commercials for Asahi beer, which he created using stop-motion, followed by the 1956 short film "Beer Mukashi Mukashi" (Beer, those were the days...), created specifically for theatres. With the help of Kikachiro Kawamoto and Noburo Ofuji, this is the first animated short/commercial in stop-motion made for Japanese cinemas!
An early silhouette animated film by Hidehiko Okuda, Hakusan Kimura and Tomu Uchida. The original story is a Buddhist tale of a young lady who saved a crab (a spiritual being according to Japanese Buddhist faith) from being eaten, and was later saved from danger by the same crab.
A western occupation propaganda film in which a boy repairs a western style doll that comes to life and uses a magic pen to rebuild his bleak and war torn world into a happy place resembling western civilization.
A war propaganda film by Oofuji Noburou.
Animated short about a dog's role in his family
2ⁿ is a story about the exponential growth of numbers raised to powers. Part of the Mathematica Peep Shows, one of five films made to accompany the Mathematica: A World of Numbers and Beyond exhibition at the California Museum of Science and Industry and the Museum of Science and Industry in Chicago.