The Life of Buffalo Bill

The 1939 dramatic short "Angel of Mercy," about Red Cross founder Clara Barton, is reedited to relate the story to America's involvement in World War II. Edited from Angel of Mercy (1939)

The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.

As Cathy Linton nears death, she finds herself in a loop of memories while coming to terms with the truth of the world she’s lived and loved in.

A damsel in distress agrees to run away with her wealthy lover in order to escape from her abusive husband. But all is not as it seems in this 1940s film noir.

Isolated after the death of her abolitionist husband, pioneer woman Joan must decide if she'll help Martha, a former slave fleeing for her life, along the Underground Railroad. As Martha forces Joan's hand, they make their way North, leaving behind bodies in their wake.

After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.

An Edgar A. Guest Poetic Gem. It features the original song Take Me Home to the Mountain by Loesser & Herscher.

In 1945, beneath the oppressive shadow of the Francoist dictatorship, Juan, a university teacher assistant, meets Manuel during a chance encounter at night in a park. With their initial reservations, a complex love story unfolds between them, shaped by the turbulent political climate and the misunderstanding of those around them.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

When a quirky but deadly outlaw returns to town, it's up to a masked hero to gather a group of misfits to save the townspeople from the wrath of Todd.

A seventeen year old girl who has lived all her life on an island off the coast of Ireland is faced with the choice to remain there or emigrate to America.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

New York, May 16, 1888. Visionary Serbian inventor Nikola Tesla is about to introduce an innovative AC asynchronous motor. Before the demonstration, wealthy businessman George Westinghouse meets Tesla privately to get him to sell him his patent and go into business with him. Tesla declines the offer but during the demonstration something happens that will change the world forever.

Translating History to Screen (2008) Video Short - 10 June 2008 (USA)

A lyrical and nostalgic analysis of how Casablanca, the mythical film directed by Michael Curtiz in 1942, has influenced both film history and pop culture.

During the raid on an emigrant train the girl and her brother, the only survivors, are attacked by the villain who kidnaps the girl and takes her to the camp of Calamity Anne, who takes a liking to the girl and becomes her guardian angel. The girl's brother is killed and a ranger takes the locket containing the girl's picture from his neck and recognizes the girl in Calamity Anne's camp. Later, Calamity Anne holds the villain and his band at bay and the girl and the ranger make their escape. The girl and the ranger come to the spot where the girl's brother is buried and here she asks the ranger if he is going to leave her there alone. His answer is to take her into his arms.

A butterfly collector unwittingly wanders into an Indian encampment while chasing a butterfly, but the tribe has resolved to kill the first white man who enters their encampment because white oil tycoons are trying to force them from their land.

The Devil of Comparisons (original title: El Demonio de las Comparaciones), was a 30-hour black & white silent film from 1929 by Narding Salome Exelsio (1883-1949). It explores the cyclical lives, deaths, and rebirths of Jose Rizal and his characters (played by hitherto unidentified actors) in a wasteland ruled by demons.

Eddie Polo appears in this short showing his dexterity with a horse and lasso.

This short film looks at the life of Michel Ney, who fought at Napoleon's side and was made a Marshall of France.