Bighorn Rams 2

Shot To Death is the finest filmed, composed and edited movie I have in the Mark Sullivan Dangerous Game Collection. Without a doubt, Shot To Death features the finest maned lion and big leopard footage ever recorded. Filmed entirely on location on the banks of the famous Rungwa River Shot To Death entertains you with 11 heart-pounding hunts!

In 1995 I conducted my safaris in one of Tanzania's most remote and beautiful regions called Mlele. Located along the northeast boundary of Katavi National Park, Mlele holds a wealth of game including great maned lion, heavy leopard and truly big buffalo.

There are six other heart-pounding hunts including what many say was the largest tusked elephant taken that year in Tanzania. Expertly filmed, "Death At My Feet" is played out on some of Africa's finest hunting grounds.

Archery expert Howard Hill and a cameraman go to Wyoming to film this wild-animal three-reel short. Besides the scenery, the scenes include a buffalo killed by an arrow shot by Hill (for food); a wildcat and a coyote in a battle, and a fight-to-the-death between a mother bear protecting her cubs against a killer male bear.

One last time, Hubertus Meckelmann sounds the horns for a big drive hunt in the wild. In the central area of the former military training ground, hunting will soon be prohibited. For the hunting grounds in the area, this is quite an imposition: the populations of red deer, fallow deer and wild boar, limited only with great effort, will get out of control. Nor will the return of the wolf change anything – according to the hunters in the area, the wolf has no place here, anyway. The film accompanies three hunters in their forests and in long, tranquil shots provides insights into the hidden world behind hunting terminology and loden coats.

This short follows two duck hunters in the Sacramento River Valley.

Recorded by pioneers as far back as 1805, the Tasmanian tiger has become an intensely mystifying Australian icon, whose entire existence has become the stuff of both fable and legend. This program investigates a chequered past and puts the speculation into perspective, taking into account the tragic culling and ‘bounty era’ where the carnivorous creatures were thought to be solely responsible for a considerable loss of farmers’ livestock. Balancing the facts with personal reflections from Tasmanian locals, scientists and other informed practitioners, The Tasmanian Tiger is a thought-provoking and revealing look at the extraordinary life and death of one of Australia’s most mysterious marsupials.

Sea Trip

Africa. In the wild expanses, where bush-bucks, impalas, zebras, gnus and other creatures graze by the thousands, they are on holiday. German and Austrian hunting tourists drive through the bush, lie in wait, stalk their prey. They shoot, sob with excitement and pose before the animals they have bagged. A vacation movie about killing, a movie about human nature.

The goddess Diana and her two attendants traverse the rugged terrain of Idaho’s Sawtooth Mountains in pursuit of the elusive wolf. An Engraver (Matthew Barney) furtively documents their actions in copper engravings and provokes a series of confrontations. The characters communicate through dance, letting movement replace language as they pursue each other and their prey.

In this RKO Sportscope short, a naturalist and his wife go to Louisiana bayou country to hunt a particular species of goose.

This short film showcases the skills of Howard Hill, known as the "World's Greatest Archer".

An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.

One day in the lives of an average Greenlandic family, which happens to be of great importance for 8-year old Kali - he's about to catch his first prey with the harpoon. The whole family is looking forward for the huge step in boy's maturation.

This documentary focuses on the lives of American hunters, presented as an honest exploration of the controversies, emotions, and traditions inherent to this most primal human activity.

In this feature-length documentary, three generations of the Caribou Inuit family come together to tell the story of their journey as Canada's last nomads. From the independent life of hunting on the Keewatin tundra to taking the reins of the new territory of Nunavut on April 1, 1999, we see it all. The film is the result of a close collaboration between Ole Gjerstad, a southern Canadian, and Martin Kreelak, an Inuk. It's Martin's family that we follow, as the story is told through his own voice, through those of the Elders, and through those of the teens and young adults who were born in the settlements and form the first generation of those growing up with satellite TV and a permanent home.

An NFB crew filmed a group of three families, Cree hunters from Mistassini. Since times predating agriculture, this First Nations people have gone to the bush of the James Bay and Ungava Bay area to hunt. We see the building of the winter camp, the hunting and the rhythms of Cree family life.

Indian elephants in action as working animals and in hunting.

In Caribou in the Archive, rustic VHS home video of a Cree woman hunting caribou in the 1990s is combined with NFB archival film footage of northern Manitoba from the 1950s. In this experimental film, the difference between homemade video and official historical record is considered. Northern Indigenous women hunting is at the heart of this personal found footage film in which the filmmaker describes the enigmatic events that led to saving an important piece of family history from being lost forever.

This in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as commodities.