I Am a Good Person/I Am a Bad Person

Chick Strand's SOFT FICTION is a personal documentary that brilliantly portrays the survival power of female sensuality. It combines the documentary approach with a sensuous lyrical expressionism. Strand focuses her camera on people talking about their own experience, capturing subtle nuances in facial expressions and gestures that are rarely seen in cinema. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2015.

Seventeen-year-old Athena Dizon unwittingly plays a trick on resident heartthrob and bad boy Kenji de los Reyes. All of a sudden, she finds herself pretending to be his girlfriend to make an ex jealous; however, she falls in love with him.

An accidental meeting between a man being pressured to propose to his girlfriend and a runaway bride.

A compendium of three short science-fiction films, each with a decidedly feminist slant.

Narcissus (from Greek Narkissos) shares the root nark-, with narcosis and narcotic. All these words have the same origin in the verb narkaō – to intoxicate through a strong smell. I was particularly interested to find out why a handsome and overall fortunate man says he never feels happy. He draws people in, but ends up hurting them, yet he is impossible to resist.

L’endemà

Documentary looking at a century of cycling. Commissioned to mark the arrival of the 2014 Tour de France in Yorkshire, the film makes full use of stunning British Film Institute footage to transport the audience on a journey from the invention of the modern bike, through the rise of recreational cycling, to gruelling competitive races. Award-winning director Daisy Asquith artfully combines the richly-diverse archive with a hypnotic soundtrack from cult composer Bill Nelson in a joyful, absorbing watch for both cycling and archive fans.

This story follows a young student, who is orphaned as she grows to adulthood in the shadow of the 1956 Hungarian uprising. Coming from the Communist intelligentsia, she sees her friends and family react differently. Her lover, a married factory manager, supports the patriots and later assists fellow workers in staging a strike. Meanwhile her sister and others express anger at being forced from their homes during the revolution and continue to express a hatred for the rebels afterwards. But in the end they realize that for all people, real life is not possible after the revolt and its brutal suppression by the Soviets and their collaborators.

Short directed by Lotte Reiniger.

Two teenage girls with parallel lives but coming from different socio-economic backgrounds meet one summer to discover friendship and a sexual awakening.

The movie shows a smattering of images from the story of Wilhelm Jensen's Gradiva. The subject is sublimated desire.

The author Jurga Ivanauskaitė (1961-2007) was considered a pioneer of contemporary Baltic literature well beyond the borders of Lithuania. Her work deals intensively with the tension between religion, sexuality and emancipation. Film documents and interviews serve to reconstruct the life of this independent and willful woman - from her childhood to her artistic breakthrough as a companion of the Lithuanian rock and punk scene, but also depicting her spiritual side, which brought her all the way to India, where she turned to Buddhism. She is shown as fighting for the Dalai Lama and a "free Tibet", shown as a literary mind, but first and foremost she is shown as a woman who stood bravely in the face of inconvenience, pain and inner demons.

Initially airing on HBO's "America Undercover" series, this riveting documentary focuses on three families shattered by the psychiatric disorder of schizophrenia. Subjects "Bob," "Missy" and "Steven" have lived for over a decade with schizophrenia. The film documents the difficult day-to-day existence of both those afflicted with this order and the families searching for answers to their loved ones' suffering. This film also shows the varied and variably successful treatment methods for each of the subjects—one is placed in a group home, one is placed in an institution, and one is cared for at home. The documentary was critically acclaimed for its compassionate treatment of mental illness.

“It ain’t easy…being green” is the favorite expression of Stormé DeLarverie, a woman whose life flouted prescriptions of gender and race. During the 1950s and '60s she toured the black theater circuit as a mistress of ceremonies and the sole male impersonator of the legendary Jewel Box Revue, America’s first integrated female impersonation show and forerunner of La Cage aux Folles.

A young girl abducted by a serial sex criminal and is released unharmed, but decides not to inform the police. She must face the moral consequences when the assaults continue against other women.

A very unusual exploration of the Philadelphia subway and its riders, which creatively utilizes black and white photography.

Award-winning Iranian filmmaker Rakshan Banietemad ends her eight-year hiatus from feature filmmaking with this ingenious, mosaic-like narrative, which knits together the stories of seven characters to create a microcosm of Iranian working-class society.

In 1984-85, people at Lake Tahoe fell ill with flu symptoms, but they didn't get better. Medical literature documents similar outbreaks: in 1934 at LA county hospital, in 1948-49 in Iceland, in 1956 in Punta Gorda, Florida. The malady now has a name, chronic fatigue syndrome, and filmmaker Kim Snyder, who suffered from the disease for several years, tells her story and talks to victims and their families, and to physicians and researchers: is it viral, it is psychosomatic, is it one disease or several (a syndrome) ; what's the CDC doing about it; what's it like to have a disease that's not yet understood? Her inquiry takes her to Punta Gorda and to a high-school graduation.

Paul, a teenager in the underground scene of early-nineties Paris, forms a DJ collective with his friends and together they plunge into the nightlife of sex, drugs, and endless music.

Recently released from prison, French chef Jacques pursues an obsession -- to leave his past behind and work for the great British chef Victor Ellwood. He knows Victor had an affair with his mother and may even be his dad. Working for iron-fisted Victor is back-breaking, but his existence is softened by the presence of a curious girl living in the downstairs flat. As he falls in love with her, he realises she not only has an aversion to restaurants, but food of all kinds. Is her eating disorder a force too resilient for anything, even love to cure?