Libelle, Nix's mother, possessed exceptional abilities. She not only excelled in the fields of science and engineering, but also gained fame as a distinguished inventor and composer. Nevertheless, at a tender age, Nix, an aspiring musician and inventor in her own right, is now burdened with the responsibility of upholding this remarkable legacy.
A young boy attempting to escape the mundanity of junior high runs away into the woods, only to find a preschooler who snuck into his backpack. Together, the two embark on an adventure full of excitement, hand-to-hand combat, monkeys, and friendship.
This technically quite well-made cartoon from pre-war Nazi Germany is a commercial (or propaganda piece) for Volksempfänger ("people's receiver"), inexpensive radios. First we see agricultural statistics: the far-away village of Miggershausen is quite below standards in milk and egg production. An anthropomorphic radio undertakes the long voyage by express train, steam train, hay carriage to Miggershausen to advertise its services. It is not well received. Then, it collects and leads an army of radios to try again. They flood all the farmhouses and seem to be more convincing that way - at day, they spread agricultural knowledge to bring milk and egg production up to standards; later, they just play music and illustrate how various people enjoy various kinds of music.
The Colours of My Father: A Portrait of Sam Borenstein is a 1992 short animated documentary directed by Joyce Borenstein about her father, the Canadian painter Sam Borenstein. It was nominated for an Academy Award for Best Documentary Short. In Canada, it was named best short documentary at the 12th Genie Awards.
Fate/Prototype is a reimagined version of Kinoko Nasu's original version of Fate/stay night. The storyline takes place eight years after the tragic Heaven's Feel. Here, the Holy Grail is still the so desired object. However, the darkness under this so-called "Grail" is revealed while the characters proceed to fight against each other in order to win.
Celebrate 100 magical years of Disney with this collectible compilation of animated shorts! Join Mickey and his friends in these 10 hilarious, madcap adventures which have entertained generations of children and adults alike. Highlights include The Band Concert, where Maestro Mickey and his friends face wild challenges while performing outdoors. Then see what happens when Goofy is in the driver’s seat pulling Mickey’s Trailer. In Pluto’s Sweater, Pluto gets hot under the collar when Minnie knits him a warm turtleneck, and in Pluto and the Gopher, Pluto stops to smell the flowers, but finds himself outwitted by a mischievous rodent. And there’s no stopping Donald’s nephews from coming between their uncle and the lovely Daisy Duck when Mr. Duck Steps Out. Five more charming, funny stories complete this legacy collection that’s sure to delight.
This film illustrates the life of the film director, Shui-Bo Wang in The People's Republic of China. We learn of the life of the director in his own words and images from a child steeped in the values of Chinese communism exemplified by Chairman Mao, to a young man striving to live up to those ideals both as an artist and a soldier.
One night, while his master was out, a young page notes that the door of his private workshop remained open. Out of curiosity, he goes through the door and ventures into the workshop, but he will discover what he should never have.
Whilst working on "the great South African novel," an unemployed writer gets caught up in the harsh realities of life in the city of Johannesburg.
Gerald is dealing with an unwanted sex change.
On a moonless night, a character with overlong arms walks. Preceded by his shadow, he goes to an arena where he is about to perform a ritual.
In medieval Japan, "Le Papillon" is the story of a young woman's fight to protect her boyfriend's memory , a samouraï killed during the war.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
An educational short film featuring the character of Luxo Jr. demonstrating the concept of "front" and "back."
An animated short film from 1987 that deals with the incarceration of a man in a dark cell from where there is no escape.
In the modern village of the future, everything is mechanized, but the dreams of the village musician remain the same. He wants to become an artist. Thanks to the fact that an Art Nouveau goddess gave him a helping hand, Janko Muzykant saves his life and escapes from the village on a Pegasus.
On a small Kalahari farm things look bleak. It hasn't rained for ages and the well has run dry and the residents are just about hanging on with what little they have. As the farmers' daughter prepares to gamble on the final few seeds they have left something appears on the horizon which could be the salvation they have been praying for.
This lavishly embellished, comically operetta CGI fantasy story takes place in the Indian Ocean, where a flock of “piranha birds” has settled on the back of an octopus. When an octopus is starved, it feeds on birds on its back, but because it is already threatened with extinction, they decide to send a bottle across the sea with a call for help.
“Trigger Happy” was made with hundreds of objects found on the streets and sidewalks of New York. It began as an attempt to make an animated ballet, but as I was shooting the dance turned rowdy, into more of a nocturnal revel. It was shot on a lightbox with high-contrast film. The backlight silhouetted the objects, making them into graphic icons of themselves. The resulting film is a negative, which turned the objects white and the background black as asphalt. It makes the dance almost phantasmagoric. The trigger I was happy about was on the camera, but the title also fits the velocity of the imagery. Much of the animation happens by the rapid replacement of one object with another. It’s the afterimage in your eyes that animates the difference between the shapes, as one is replaced by another, and another… The music by Shay Lynch perfectly captures the idea of dancing in the streets.” —Jeffrey Noyes Scher
2-minute animation film to music by John Coltrane.