From Dubrovnik to Goa

In this sequel to the award-winning You’ve Been Trumped, director Anthony Baxter once again follows American billionaire Donald Trump and a cast of other greedy characters who want to turn some of the Earth’s most precious places into golf courses and playgrounds for the super rich. From the historic site of Dubrovnik to the ancient sand dunes and rolling green hills of the seaside town of Balmedie, these tycoons bully local residents, influence governments, ignore local referendums and even meddle in national environmental policies to acquire their latest trophies. With in-depth interviews and Baxter’s expert storytelling, we learn just how devastating these golf courses can be to the surrounding countryside and water tables. In this funny, inspiring and at times heartbreaking David and Goliath story for the 21st century, the locals don’t give in easily. But will their fight be enough to protect their land and traditional way of life?

Documentary about The Armed Boats Squadron Dubrovnik, a volunteer unit of the Croatian Navy that ran the naval blockade during the siege of Dubrovnik which formed part of the Croatian War of Independence in 1991–1992.

Documentary about the second-oldest radio station in Croatia, established in 1942.

The story of unfortunate lovers from contemporary Belgrade, a young woman married for money, and a student whom she loved before marriage. Juvenile love romance gets extinguished by social intolerance, calculated and upstarted.

A solitary nurse bonds with a badly burned patient who survived an accident on an oil rig.

The film is set in mid-16th century, at a time when the entire eastern Mediterranean is dominated by two great empires, the Ottoman Empire and the Republic of Venice, with the small but wealthy maritime republic of Ragusa (modern-day Dubrovnik) managing to maintain its independence through diplomatic agreements.

Mamay draws on traditional Ukranian and Tatar folktales for its Romeo and Juliet-like love story and parable about chivalry and the struggle for freedom. Hundreds of years ago, in the wild steppes of Crimea that form an uneasy border between East and West, Europe and Asia, nomad and farmer, the proud Cossack Mamay falls in love with the Tatar beauty Omai. The title, like the storyline, holds a variety of different meanings taken from different cultures. In Turkic languages, it means "no one," but it was also the name of a famous Mongol conqueror, the great grandson of Ghengis-Khan. In Persian legends, mamay literally means "the spirit of the steppes. "

As a poster boy for hedonism, his whole life was one big party. A journalist, filmmaker, director, producer, actor, novelist, ladies' man and prolific father... Roger Vladimir Plémiannikov, a.k.a. Roger Vadim, tried everything until his death in 2000. Portrait of a man at the cutting edge of fashion and trends.

Io e il re

Film on presidential campaigns and the right to vote. Used as educational material in American classrooms.

This documentary traces the dramatically different ways in which Jesus has been represented in art throughout history and around the world. Narrated by Mel Gibson, Ricardo Montalban, Bill Moyers, Edward Herrmann, Patricia Neal and others, the program utilizes the latest digital technology and motion control photography to reconstruct and relocate works into their original locations. Amazing digital morphing sequences dramatically illustrate how the image of Jesus has changed over time while unique special effects virtually reconstruct art that has been destroyed or lost forever. A sweeping and visually riveting lesson in art history, The Face: Jesus In Art is a documentary of stunning beauty and unprecedented innovation.

There are endless gruesome ways that the world could end; through nasty, natural disasters or because of some man-made abomination. From maniac killer robots and super volcanoes, to an alien invasion and mutant psycho humans, all options are covered in Ten Ways the World Will End.

It's been 20 years since an Australian film has reached number one at the yearly Box Office and our films have consistently grossed under 5% for the years. So what can we do to make a change?

Various actors, presenters, directors and other staff who have worked at the iconic BBC Television Centre at Shepherd's Bush in London reminisce about their time there.

'Ama Lur' is a documentary, directed by Nestor Basterretxea and Fernando Larruquert, that premiered in San Sebastián in 1968, and it is considered the foundation of Basque cinema.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

"Oil Rocks" - behind the enigmatic name lies the first and largest offshore oil-platform ever built, a vast city in the middle of the Caspian Sea, built by Stalin in 1949. 60 years on, "Oil Rocks" is still operational and the first western film crew ever receives access. Just imagine: 200 kilometers of bridges, thousands of oil workers, hundreds of platforms, up to nine-story buildings, a park and sports field, nothing less then an oil-rig Atlantis, only real. Combining archive footage from the Soviet era and the exclusive new footage, the film tells the story of this timeless place and it's inhabitants.

On the Sunday after Mother’s Day in 1988, SHEN Yuan was alone at home and received a family letter from the other side that had been blocked for 40 years. The letter revealed that her mother had passed away long ago and that she had eagerly anticipated Yuanmei’s return every day. SHEN Yuan closed the curtains, pulled out a camphor wood box, and retrieved pieces of cheongsams she recalled occasionally. Singing, dancing, and chatting with her mother in spirit, she experienced moments of sadness and laughter.

Apollonie, les dieux avaient raison

In the German-occupied Paris, Helene is torn between the love for her boyfriend Jean, working for the resistance and the German administrator Bergmann, who will do anything to gain her affection.