Former POC

On August 3rd, 1979, a Vietnamese refugee shoots and kills a white crab fisherman at the town docks in Seadrift, TX. What began as a fishing dispute erupts in violence and ignites a resurgence of the KKK and open hostilities against the Vietnamese along the Gulf Coast. Set during the early days of Vietnamese refugee arrival, “Seadrift” examines the circumstances that led up to the shooting, its tumultuous aftermath, and the unexpected consequences that continue to reverberate today.

A racist officer is put in charge of an all-black squad of troops charged with the mission of blowing up an important hydro-dam in Nazi Germany. Their failure would delay the Allies' advance into Germany, thus prolonging the war.

AMERICAN SONS is a provocative examination of how racism shapes the lives of Asian American men. A simple but compelling performance piece featuring four of the country's best Asian American actors, AMERICAN SONS is a challenging exploration of how prejudice, bigotry and violence twists and demeans individual lives.

THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.

Through the eyes of a British "documentary", this film takes a satirically humorous, and sometimes frightening, look at the history of an America where the South won the Civil War.

For years, right-wing politicians and pundits have repeatedly criticized the left for playing “the race card” and “the woman card.” This new film turns the tables and takes dead aim at the right’s own longstanding – but rarely discussed – deployment of white-male identity politics in American presidential elections. Ranging from Richard Nixon’s tough-talking, law-and-order campaign in 1968 to Donald Trump’s hyper-macho revival of the same fear-based appeals in 2020, "The Man Card" shows how the right has mobilized dominant ideas about manhood and enacted a deliberate strategy to frame Democrats and liberals as soft, brand the Republican Party as the party of “real men,” and position conservatives as defenders of white male power and authority in the face of transformative demographic change and ongoing struggles for racial, gender, and sexual equality.

Imagine what it would be like if black settlers arrived to settle a continent inhabited by white natives? In 1788, the first white settlers arrived in Botany Bay to begin the process of white colonisation of Australia. But in Babakiueria, the roles are reversed in a delightful and light-hearted look at colonisation of a different kind. This satirical examination of black-white relations in Australia first screened on ABC TV in 1986 to widespread acclaim with both critics and audiences alike. This is the story of the fictitious land of Babakiueria, where white people are the minority and must obey black laws. Aboriginal actors Michelle Torres and Bob Maza (Heartland) and supported by a number of familiar faces from the time, including Cecily Polson (E-Street) and Tony Barry, who starred in major ABC-TV hits such as I Can Jump Puddles and his Penguin award-winning Scales of Justice. Babakiueria was awarded the United Nations Media Peace Prize in 1987.

A real-time portrait of 2020 unfolds as an Asian-American family in Trump’s rural America fights to keep their restaurant and American dream alive in the face of a pandemic, Neo-Nazis, and generational scars from the Cambodian Killing Fields.

Taking place in real time, elementary school teacher Emily organizes a mixer of like-minded women, but an altercation between a woman from Emily’s past and the group leads to a volatile chain of events.

Filmed in the coal country of West Virginia, "Matewan" celebrates labor organizing in the context of a 1920s work stoppage. Union organizer, Joe Kenehan, a scab named "Few Clothes" Johnson and a sympathetic mayor and police chief heroically fight the power represented by a coal company and Matewan's vested interests so that justice and workers' rights need not take a back seat to squalid working conditions, exploitation and the bottom line.

In the early 1970s, Lakhdar, an Algerian peasant, is forced to leave his desert land and his family for France, but immigration weighs on him and he dreams of returning. This day arrives, he walks in Paris, events decide otherwise.

A visual journey that challenges us to think about a universal belonging that doesn’t confine itself to a city, region or national boundary, in an age in which xenophobia, nationalism and intolerance are a daily occurrence.

Powerful, uncompromising drama about two boys' struggle for survival in the nightmare world of Britain's notorious Borstal Reformatory.

Five hot sexy young big-breasted chicks are raped, abused, tortured, and killed (?) by an evil jive-ass talking doll possessed by the spirit of an executed black militant death row inmate. Who will survive...

Two FBI agents investigating the murder of civil rights workers during the 60s seek to breach the conspiracy of silence in a small Southern town where segregation divides black and white. The younger agent trained in FBI school runs up against the small town ways of his partner, a former sheriff.

In post-Sept. 11 Los Angeles, tensions erupt when the lives of a Brentwood housewife, her district attorney husband, a Persian shopkeeper, two cops, a pair of carjackers and a Korean couple converge during a 36-hour period.

A young lawyer defends a black man accused of murdering two white men who raped his 10-year-old daughter, sparking a rebirth of the KKK.

Elle Marja, 14, is a reindeer-breeding Sami girl. Exposed to the racism of the 1930s and phrenological examinations at her boarding school, she starts dreaming of another life. To achieve this other life she has to become someone else and break all ties with her family and culture.

A childhood story is narrated while home movie footage is displayed. The narrator recounts her assimilation experience: moving to America, learning English, giving up your culture and a part of yourself.

Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.