My Friend Rashed

The true story of pianist Władysław Szpilman's experiences in Warsaw during the Nazi occupation. When the Jews of the city find themselves forced into a ghetto, Szpilman finds work playing in a café; and when his family is deported in 1942, he stays behind, works for a while as a laborer, and eventually goes into hiding in the ruins of the war-torn city.

Combat has taken its toll on Rambo, but he's finally begun to find inner peace in a monastery. When Rambo's friend and mentor Col. Trautman asks for his help on a top secret mission to Afghanistan, Rambo declines but must reconsider when Trautman is captured.

The grind of daily life as a Brick Lane Bangladessi as seen through the eyes of Nazneen (Chatterjee), who at 17 enters an arranged marriage with Chanu (Kaushik). Years later, living in east London with her family, she meets a young man Karim (Simpson).

Director: Sheikh Niamat Ali Writers: Sheikh Niamat Ali (dialogue), Sheikh Niamat Ali (screenplay) | Stars: Humayun Faridi, Bobita, Dolly Anowar

Shirja Mia is grave digger. He begs from village to village to get death news. Now he has only two things in his life. One is a doll which he bought for his daughter and other is a number which he has got from his ancestors. His ancestors believed that if someone could dig hundred graves he would surely be placed in heaven. But no one could ever reach the target. When shirja was young he came to a Char and got married. They had a lovely daughter named Rahela. He had to go to town for work. Rahela asked for a doll from the town. One day Shirja bought a doll, but he couldn't come back to Char due to bad weather. Next day he heard that the tidal bore had washed out the Char. Later he came back to Char. But he didn't find his daughter and wife anywhere. The Char was full of dead bodies. At that time he started digging graves. When one grave left to reach the hundredth, he falls in big crisis with a girl like his daughter. Will Shirja be able to complete one hundred graves?

A young mother refusing to go see Durga bishorjon with her son. Bishorjon takes place with immense celebrations as the two Bengals drown their Durga idols in the river Ichamati separating them. The young lady remembers one such day after bishorjon in her past.

Biopic of the Bengali revolutionary nationalist, Pritilata Waddedar, who had a great amount of influence in the Indian Independence Movement. She is known for leading fifteen revolutionaries in the 1932 armed attack on the Pahartali European Club.

Khaila Richards, a crack-addicted single mother, accidentally leaves her baby in a dumpster while high and returns the next day in a panic to find he is missing. In reality, the baby has been adopted by a warm-hearted social worker, Margaret Lewin, and her husband, Charles. Years later, Khaila has gone through rehab and holds a steady job. After learning that her child is still alive, she challenges Margaret for the custody.

Caught between her middle-class background and her rich university friends, Urbi navigates a world of wealth and privilege. But as she chases her dreams, she falls into a life-changing chaos, paying a high price for her ambitions.

A group of four friends, on the verge of the end of their academic life sets on a tour to Cox's Bazaar. Expecting to live their life at the fullest. But some unexpected events that take place on the tour make their worlds go upside down.

Based on 1947 short story of the same name by Hasan Azizul Haque.

Two brothers, separated by time and prison bars, reestablish contact. Inspired by James Baldwin's short story, 'Sonny's Blues.'

Children of War is a movie based on the true events of the 1971 Genocide. Can we, in search of power, become animals? A genocide; neglected! The first use of rape as a weapon of war; undocumented! The lives of millions; unaccounted! The culprits; unpunished!

Prequel to the first Missing In Action, set in the early 1980s it shows the capture of Colonel Braddock during the Vietnam war in the 1970s, and his captivity with other American POWs in a brutal prison camp, and his plans to escape.

A street level drug supplier falls in love with a college student. Despite avoiding him at first, the girl later uses him for her own benefit by acting of being in love with him. Later she falls in love with another boy but still can't break the relationship with the first lover as he accepts all her demands and changes himself leaving all his drug supplying works behind. The girl falling in dilemma hands the boy to Police. But fate brings them face to face again to experience some tragedy.

Escaped convict Sam Gillen single-handedly takes on ruthless developers who are determined to evict a widow with two young children.

The film follows Kaspar Hauser, who lived the first seventeen years of his life chained in a tiny cellar with only a toy horse to occupy his time, devoid of all human contact except for a man who wears a black overcoat and top hat who feeds him.

Park, Ohn - Ran (Kim Shin - jae) has been watching the surroundings of the pawn shop owner Min - ga, who is the enemy who killed his father with Song (Choi Dong - san) for five years. The private house tries to rape her daughter who does not recognize her daughter Sunhee to leave the ring. Young-gil (Choi In-gyu) goes in front of the pawn shop and saves Sun-hee and the two hide in a nearby warehouse. Sunhee left after the mother who was driven by the private house and came back from liberation. Song binds Sunhee and Kyungil, but Olan releases her, saying that the house is the enemy and not the daughter. And after hearing the conversation between the two, he finds that he is his younger brother.

Khorshed chairman is an honest person and rules in favor of justice. Alamin is his dearest assistant who lives with his mother at Khorshe'd house. Alamin and Khorshed's daughter are in love. When Alamin's mother gets to know about this she wants to send her son away. Khorshed denies to leave Alamin but upon knowing about the relationship, he himself sends Alamin abroad. But tragedy follows Khorshed when he gets accused of murder. Some unexpected events start to unfold since then.

In a French nightclub, choreographed song and dance routines are performed, rather than a streamlined narrative. They tell the story of Parisian culture and politics from the 1920s—1980s. A disparate, anachronistic series of characters, including an ordinary waiter, a Nazi collaborator, resistance fighters, and 1960s student protestors gather to celebrate and satirize 20th century France's icons, demons, and social changes.