Soviet Milk

A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.

The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

An absurd combination of circumstances turns two idle young men into fugitives from the law.

Teenage Mutsuko comes to Tokyo for work but ends up at a repair shop. She befriends the owner's family. Neighbors Hiromi, writer Chagawa with admirer Junnosuke strive alongside them in postwar Tokyo's evolution.

Fashion icon Coco Chanel, steeped in wealth and fame, still issues game-changing designs and collections. The audience is taken backwards in time to the woman's upbringing in an orphanage, and traces her path to ubiquity as it winds through poverty, wars, doomed romances, and rather glamorous betrayals.

Two different students—a successful but aloof academic and a rebellious but kindhearted delinquent—form a friendship through their love of jazz music.

A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.

As children in the loving Ekdahl family, Fanny and Alexander enjoy a happy life with their parents, who run a theater company. After their father dies unexpectedly, however, the siblings end up in a joyless home when their mother, Emilie, marries a stern bishop. The bleak situation gradually grows worse as the bishop becomes more controlling, but dedicated relatives make a valiant attempt to aid Emilie, Fanny and Alexander.

Ruthless silver miner, turned oil prospector, Daniel Plainview, moves to oil-rich California. Using his son to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance. However, local preacher Eli Sunday suspects Plainview's motives and intentions, starting a slow-burning feud that threatens both their lives.

In the first decades of the 20th century, when life was being transformed by scientific innovations, researchers made a thrilling new claim: they could tell whether someone was lying by using a machine. Popularly known as the “lie detector,” the device transformed police work, seized headlines and was extolled in movies, TV and comics as an infallible crime-fighting tool. Husbands and wives tested each other’s fidelity. Corporations routinely tested employees’ honesty and government workers were tested for loyalty and “morals.” But the promise of the polygraph turned dark, and the lie detector too often became an apparatus of fear and intimidation. Written and directed by Rob Rapley and executive produced by Cameo George, The Lie Detector is a tale of good intentions, twisted morals and unintended consequences.

In 1900, young Reverend Henry Bull and his sister, Kitty, are tasked with taking over the duties of their family home in Essex, a majestic Victorian mansion built on the site of an old monastery. Unaware of the sinister forces that lurk within, the pair are soon confronted by terrifying paranormal activities that threaten their loved ones. Desperate to protect themselves from the demonic intrusion, they call upon the services of a trusted family friend to investigate the origins of the vengeful ghosts which haunt their property. But these are spirits who will not rest, and Borley Rectory is doomed to gain a chilling reputation, as the most haunted house in all of Britain.

In pre-WWII Vancouver, second-generation Japanese immigrants had it tough. Daily, they faced discrimination, hatred and injustice at the hands of their Caucasian counterparts. But one thing made their lives worth living: baseball. They may be the underdogs, but the Vancouver Asahi baseball team have a sense of fair play and smart tactics that set them apart from the brute force of their opponents. Under the guidance of new team captain Reggie Kasahara, can they be able to rise above all the negativity to win the tournament? This film is based on the true story of Vancouver Asahi, the Japanese-Canadian baseball team that was inducted into The Canadian Baseball Hall of Fame in 2003.

An ongoing experiment, evolving from a biopic about Soviet physicist Lev Landau into a large scale project – part cinematic cycle, part behavioral experiment – involving hundreds of participants from around the world. Combining elements of film, theatre, science, psychology, architecture, visual arts and performance, it has created a complex and absorbing world that has to be lived as much as seen.

Depicts the life of Sidi Lakhdar Ben Khlouf, an eminent symbolic figure who is part of the memory of Algerian poetry and popular fight. Sidi Lakhdar Ben Khelouf became famous thanks to his poems about the Prophet Muhammad (earning him the nickname "praiser of the Prophet") and the epic he dedicates to the Battle of Mazagran on August 26, 1558, against the Spaniards. Counted among the patron saints of the Mostaganem region, his poems are often interpreted by chaâbi singers.

1999 biographical documentary PBS film about the life and death of Jackie Kennedy Onassis

At an Austrian boys' boarding school in the early 1900s, shy, intelligent Törless observes the sadistic behavior of his fellow students, doing nothing to help a victimized classmate—until the torture goes too far. Adapted from Robert Musil's acclaimed novel, Young Törless launched the New German Cinema movement and garnered the 1966 Cannes Film Festival International Critics' Prize for first-time director Volker Schlöndorff.

A-yuan and A-yun are both from the small mining town of Jio-fen. They move to Taipei, where A-yuan is an apprentice by day and goes to night school, and A-yun works as a helper at a tailors. Everyone thinks they are meant for each other, and so do they. They fail to see time and fate are beyond their control.

After losing his parents, a young Jewish boy wanders Eastern Europe, seeking refuge during World War II.

At the end of the 1960s, when the air is filled with rock-and-roll and student rebellions are changing the world, the older of two brothers joins a prestigious newsroom of the public radio broadcaster. Not long after, he finds himself in the middle of a dangerous conflict between journalists and the secret service.