ALCINA Handel — Opera North

Presented by Theatre Support Fund+, The Shows Must Go On! and National Theatre Live, the world’s most iconic musicals return to the West End stage with a stunning concert performance live from the Palace Theatre. With a multi award winning creative team, a cast of over 50 West End stars and an orchestra made up of the best musicians the West End has to offer, enjoy the biggest celebration of musicals this summer.

A film version of the famous Bizet opera, where a soldier (Don Jose) falls in love with a beautiful factory worker (Carmen), but she does not reciprocate his feelings.

DARIUSBURST ANOTHER CHRONICLE Live in O-EAST -revolt-

track list: 1.Sometimes I Just Freak Out 2.All Or Nothing At All 3.Stop This World 4.The Girl In The Other Room 5.Abandoned Masquerade 6.I'm Coming Through 7.Temptation 8.East Of The Sun (And West Of The Moon) 9.Devil May Care 10.Black Crow 11.Narrow Daylight 12.Love Me Like A Man 13.Departure Bay 14.Narrow Daylight

Day One of the three day tour ending concert for SUGA's D-Day Tour that took place in Seoul, South Korea from August 04th - August 6th 2023. On this day of the event Jung Kook came out and joined for a rendition of "Burn It" while also singing "Seven" for the crowd.

Day Two of the three day tour ending concert for SUGA's D-Day Tour that took place in Seoul, South Korea from August 04th - August 6th 2023. On this day of the event Jimin came out and joined for a rendition of the rarely heard live and tour debut of "Tony Montana" while also singing "Like Crazy" for the crowd.

The Final Day of the three day tour ending concert for SUGA's D-Day Tour that took place in Seoul, South Korea from August 04th - August 6th 2023. On this day of the event RM came out and joined for the live debut of "Strange" while also singing a brand new Unreleased and Untitled song for the fans in attendance.

End of an Era is a BluRay, DVD and double CD from the Finnish symphonic metal Nightwish. Recorded at the Hartwall Areena in Helsinki, Finland on October 21st. 2005, the final concert of a long worldwide tour for their album Once. During the concert the band was joined on-stage by John Two-Hawks, who performed "Stone People" from his album Honor as an introduction to "Creek Mary's Blood", which featured his voice and cedar flutes. End of an Era is the final Nightwish production to feature Tarja Turunen. She and the rest of the band parted mere hours after this concert. Set-List: 1. Dark Chest of Wonders / 2. Planet Hell / 3. Ever Dream / 4. The Kinslayer / 5. The Phantom of the Opera / 6. The Siren / 7. Sleeping Sun / 8. High Hopes / 9. Bless the Child / 10. Wishmaster / 11. Slaying the Dreamer / 12. Kuolema tekee taiteilijan /13. Nemo / 14. Ghost Love Score / 15. Stone People / 16. Creek Mary's Blood / 17. Over the Hills and Far Away / 18. Wish I Had an Angel.

With a devilish sway of the hips and a hint of Andalusian flair, Carmen, the beautiful cigar-maker sets her sights on a soldier: Don José. Fate will do the rest. Composed to a libretto by Meilhac and Halévy based on Prosper Mérimée’s novella, the opera exploded the boundaries between tragedy and comedy with a modernity that caused a scandal at the time. Can we kill the one we love with love? The fiery beauty of Bizet’s music, where one unforgettable aria follows another, has worked year in, year out to make it the world’s most performed opera.

An impressive masked figure, Trompe‑la‑mort reveals his true character through his impalpable latent energy and a plot abounding in tragic twists of fate. An ambivalent character, both regal in bearing and warmly protective, cruel and yet loving, rapacious and indomitable even in the face of madness, this ’Machiavelli among miscreants’ destined to become chief of police, uses his conquests to advance relentlessly in the pursuit of his aims whilst keeping his hand closely hidden. Guy Cassiers, working for the first time with the Paris Opera, portrays a three-tiered society where some rise and others fall.

Snegurochka was born in times of old in Tsar Berendey’s mythical kingdom, the fruit of the union between Spring the Beauty and Grandfather Frost. Protected by her parents from the jealousy of the Sun god Yarilo who has vowed to warm her heart when she gets older and falls in love, Snegurochka the snow maiden is entrusted to the wood sprite…Aida Garifullina sings the role of Snegurochka whilst the production and musical direction have been left in the capable hands of two other Russian artists: the young conductor Mikhail Tatarnikov and director Dmitri Tcherniakov.

Separated and fragmented, the scenes combine in a series of tableaux to tell the story of Wozzeck, an ordinary soldier whose only solace is the love of his companion Marie. However, the latter’s fidelity is not unfailing and Wozzeck is haunted by torment. His officers and comrades in arms do little to improve the situation. The omnipresent tension in this profoundly romantic work unifies the fifteen scenes with their complex tonalities alternating between Verist notes and the force of ritualised actions. Christoph Marthaler’s production provides an atmosphere of contemporaneity strongly accentuated by the choice of a single set, where the men’s despair is submerged in Berg’s dearly sought-after sobriety.

Inspired by Pushkin's masterpiece of Russian literature, Tchaikovsky’s opera provides a sublime portrait – both ironic and sympathetic – of a character embittered by society life, rejecting love out of vanity, killing his friend the poet Lenski out of pride and spending the rest of his days in abject despair. A repertoire classic, Willy Decker’s streamlined production makes the Paris Opera echo once more to the strains of Russian romantic music. Edward Gardner conducts an exceptional cast including Peter Mattei in the title role and Anna Netrebko as Tatiana.

Condensing the life stories – memories of prison in Silesia – related by Dostoyevsky in his work The House of the Dead, Leoš Janáček composed an opera filled with burning desire and longing. Contagious savagery, cruelty and brutality are exacerbated by the confines of the prison. However, within its concrete walls emerge both tenderness and cruelty at the sight of an injured bird; a multitude of stories and highly personal monologues. With this production, first performed at the Wiener Festwochen in 2007, the Paris Opera pays tribute to Patrice Chéreau.

No one better described the half-starved, struggling artists than Murger in his Scènes de la Vie de Bohème: artists ready to burn a manuscript to try to keep warm yet,in an era of triumphant bourgeois materialism, dreaming of another existence. Taking up these scenes of Bohemian life, Puccini offers us a heart-breaking love story and some of the most beautiful music in the history of opera in the story of the poet Rodolfo and fragile Mimi. The staging of this new production has been entrusted to Claus Guth who sets the drama in a future devoid of hope in which love and art become the sole means of transcendence.

When Jephthah, a biblical parable adapted from the Book of Judges, begins, the people of Israel are under the yoke of neighbouring nations which pillage and oppress them. Jephthah, destined to become their saviour, has grown up in the desert until becoming a powerful military leader. On leaving for battle, he swears to the god Jehovah that he will sacrifice the first person he meets on his way home. Alas, as he returns victorious, it is Iphis, his only daughter, who comes to meet him… Claus Guth directs this oratorio in which grief‑stricken voices interweave as they confront an apocalyptic situation.

The Florentine sculptor and silversmith Benvenuto Cellini rapidly attained a degree of renown that went beyond the confines of Italy. Invariably embroiled in conspiracies, intrigues and quarrels, Cellini is commissioned by the Pope to cast a large sculpture of Perseus. He is loved by Teresa, but she is promised to Fieramosca, an academic artist who has not been favoured with a papal commission. Terry Gilliam’s exuberant production draws the protagonists into a delirious and joyful yet claustrophobic and megalomaniac world: a flaring up of contagious madness.

There are elements of Macbeth in this political fable, in which the ghost of the child that Boris has had killed in order to seize the throne appears as an impostor. Adapting Pushkin's epic poem, Mussorgsky composed a meditation on the solitude of power, a populist drama in which the real protagonist is the Russian people with its burden of eternal suffering. Ivo Van Hove is no stranger to grand political frescos. This is his first production for the Paris Opera.

First performed in Paris in 1843, at the turning point of several eras, Don Pasquale, a composite and varied work, is the apotheosis of opera buffa. Performed for the first time at the Paris Opera, the production has been entrusted to the Italian director, Damiano Michieletto, who transports us directly to the sincerity and dramatic splendour at the heart of an apparently light‑hearted work.

Every morning at dawn, in the Lammermuir hills in Southern Scotland, the beautiful Lucia meets Edgardo of Ravenswood, a mysterious young man with whom she is in love. However, just as in Shakespeare’s Romeo and Juliet, the lovers are the progeny of two feuding families and do not have the right to love each other. Lucia, a magnificent flower shattered by the violence of a society of men, is embodied by South Africa’s Pretty Yende, a rising star of the opera stage, in this production by Andrei Serban, conducted by Riccardo Frizza.