Subdivision

In 1994, a young family of Bosnian refugees find themselves in a little Dutch village after receiving their residence permit. Absurd situations occur as they attempt to turn this new world into their home.

Play by Tom McClenaghan, about a routine patrol in the submarine HMS Superior. Strange, near-farcical take on tensions, eccentricities and sexuality among the crew of a Polaris submarine, on a six-week tour of duty off the coast of Faslane in Scotland. Among their number, Neil Pearson is the wily, mascara-wearing, cross-dressing messhand AB Seaman ‘Cock’ Roach, using his Bilko-esque charm to scale the naval pecking order and positively thrive in this tiny, cloistered world

TV drama - following Adam Bishop, a petty criminal, as he leaves prison for a drugs rehabilitation programme in order to turn his life around.

Tragedy strikes when the helicopter that Nickis riding suddenly crashed in a remote island and authorities reported no survivor. The apparent death of Nick caused great grief to Vanessa, a socialte already betrothed to the young man. On the remote island, Nick meets Dr. Mallari, a marine biologist. Because of his memory loss, Nick introduces himself as Darwin. Dr. Mallari takes Darwin to his home where he introduces his daughter, Diosa, a beautiful painter. Darwin admits that he cannot recall his past and Diosa initially doubted his story. However, as time passes by, the two develop feelings for each other and have a child together. Darwin becomes involved in another accident that triggers the return of his past memories. He remembers that he is a wealthy businessman named Nick who is about to marry his beloved girlfriend Vanessa. With the return of his memory, Darwin's identity as well as Diosa and their child no longer exist in Nick's recollection.

Fatma and her mother are Kurdish refugees living in Italy. One day at the hospital, Fatma learns her mother has breast cancer.

Mice have taken over the household. Its silence is thick with words unspoken. A mother, a child, and a lover are pulled together and pushed apart by their love and soon find themselves trapped in a labyrinth of listlessness.

When suburban mother, Caren (Missy Yager), meets a teenager working the streets of Las Vegas, Barbie (Mariah Kirstie), the result is a mother daughter relationship that may save both their lives.

WYRDOES is a comedy inspired by 'Macbeth', written and directed by Nat Luurtsema and produced by Jennifer Eriksson and Iona Westlake. Three sisters - Elsab, Magrit and Merope - battle through poverty and rumours that they're witches just because they're a little 'wyrd'. Through accidental tragedy, murder and war, the downtrodden Wyrdoes finally fight back

Four best friends negotiate loss and major life changes during the last two weeks of high school.

Truth is slippery at the prestigious firm of Martín and Associates, a place where Lucía Aldarando intends to make her mark. Although go-getter Ricardo Martín heads the company, Lucía is ready to move up the corporate ladder, calling upon her smarts and her wiles to make her dream come true. Ambition, however, has a way of changing one's character, and not for the better.

Three women discover they are married to the same man when he falls into a coma after suffering a heart attack. The story takes a surprising turn when the women plan a solution while he remains in coma, but what if Cristóbal awakes?

How will a top cardiologist mend her broken heart in the wake of a failed relationship? She is clear about her symptoms: first, pain in the sternum and then an obsession that hijacks her brain as she goes over and over her most recent dates. Once she has made the diagnosis, will she believe in her speedy recovery? Perhaps the energy efficiency manager who works in her hospital will be able to revive her broken heart.

During the Civil War, at a Southern girls’ boarding school, young women take in an injured enemy soldier. As they provide refuge and tend to his wounds, the house is taken over with sexual tension and dangerous rivalries, and taboos are broken in an unexpected turn of events.

When stand-up and improvisor Michelle Marcus is over the rat race of Los Angeles, her fellow comedian friends band together and have one last night out on the town. The ladies talk life, career struggles and chasing their dreams.

Ticket to Rome

On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.

Judges Giovanni Falcone and Paolo Borsellino would eventually fall at the hands of Italy’s Cosa Nostra in 1992. However, before that, in 1985, they were preparing for the ‘Mafia Maxi Trial’ when a tip-off of a planned attack against their families sees them taken to an island in Sardinia to wait out the threat. This situation, somewhere between a forced vacation and witness protection, sees the men delve further into their work, the retreat allowing them to hone their case. Fate, however, is not to be escaped, and all too soon danger returns.

They used to spend every summer here, but now the daughters have grown up, the parents are divorced and the wooden cabin at the lake has to be cleared out. Those four, once a family, come together again for a whole weekend - and the feelings and memories of the past are closer than they thought.

12-year-old Mira is fascinated by her synchronized swimming trainer and tries to get closer to her, which quickly puts both of them in a situation that’s difficult to interpret.

After the tragic death of her husband, a soldier posted to Afghanistan, Bryony tries to build a new life for herself and her young son, James. Struggling with her own grief she fails to notice that James has become secretive and withdrawn, spending hours alone playing out death scenes with his toys. When things start to go missing and furniture is smashed Bryony blames James but when she confronts him she finds herself facing a reality more terrifying than any nightmare. As her world crashes around her Bryony realises that unless she can find a way to reconnect with her son she and James will be separated for ever.