The Ceremony

A biopic about Japanese baseball player, Tetsuharu Kawakami.

Based on the life of Hyakken Uchida, a Japanese author and academic. The film opens with Uchida resigning his job as a German professor at the onset of WWII. The story is told mostly in vignettes as he is cared for by former students in his old age.

In postwar Japan, Tsuyako, a factory worker and mother, must decide between duty and love, her family and her freedom.

Kameda, who has been in an asylum on Okinawa, travels to Hokkaido. There he becomes involved with two women, Taeko and Ayako. Taeko comes to love Kameda, but is loved in turn by Akama. When Akama realizes that he will never have Taeko, his thoughts turn to murder, and great tragedy ensues.

Kiichi Nakajima, an elderly foundry owner, is convinced that Japan will be affected by an imminent nuclear war, and resolves to move his family to safety in Brazil. His family decides to have him ruled incompetent and Dr. Harada, a Domestic Court counselor, attempts to arbitrate.

Eddie Kenner is given a special assignment by the Army to get the inside story on Sandy Dawson, a former GI who has formed a gang of fellow servicemen and Japanese locals.

In the city of Yokosuka, Kinta and his lover Haruko, both involved with yakuza, brave the post-occupation period with a goal to be together.

A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

In 1947, in Kobe, Japan, a local street gang fights for their survival when its turf is overrun by United States occupation forces and international gangs.

Shozo is plagued by the needs of his ex-wife and his current one, but prefers the company of his cat.

An errant salaryman's son gets lost until a man from the Tokyo tenements brings him to vendor Tane, who's reluctant to let the kid board.

A racist sergeant stationed in post-war Japan finds himself softening towards the children and falling for a local woman.

When a theater troupe's master visits his old flame, he unintentionally sets off a chain of unexpected events with devastating consequences. A remake of Ozu's own silent film The Story of Floating Weeds (1934).

Michiyo lives in the small place Osaka and is not happy with her marriage, all she does is cook and clean for her husband.

An American returns to Tokyo to try to pick up threads of his pre-World War II life there but finds himself squeezed between criminals and the authorities.

Yuzo and his fiancée Masako spend their Sunday afternoon together, trying to have a good time on just thirty-five yen. They manage to have many small adventures, especially because Masako's optimism and belief in dreams is able to lift Yuzo from his realistic despair.

Set in post-war Japan, The Lady of Musashino tells the story of Michiko, a disillusioned young woman trapped in a loveless marriage. She confides in her younger cousin, Tsutomo, and the two become close, but decide not to consummate their affair. He instead becomes involved with the flirtatious Tomiko, who is also conducting an affair with Michiko's husband. When Michiko finds that her husband has abandoned her, she decides to take her fate into her own hands.

Elite college graduates commit perfect financial crimes though loopholes in the law during the 1950s.

The lives of five prostitutes employed at a Japanese brothel while the nation is debating the passage of an anti-prostitution law.