China: Uyghurs in Danger

This film tells a story about an unschooled 11-year-old girl Yi-Jie, she's a truly global child who learns the world through the United Nations of Wastes while working with her YI minority parents in this recycle workshop thousand miles away from their mountain village home town

On June 5, 1989, one day after Chinese troops expelled thousands of demonstrators from Tiananmen Square in Beijing, a solitary, unarmed protester stood his ground before a column of tanks advancing down the Avenue of Eternal Peace. Captured by Western photographers watching nearby, this extraordinary confrontation became an icon of the fight for freedom around the world. FRONTLINE investigates the mystery of the tank man — his identity, his fate, and his significance for the Chinese leadership.

China's top drama academy stages the American musical "Fame," China's first official collaboration with Broadway, as the graduation showcase for its senior class. During the eight-month rehearsal, five students compete for roles, struggle with pressure from family and authority, and prepare to graduate into China's corrupt entertainment industry.

Educational film about the scenery and people at the Kanas Lake region.

A song is heard in the distance. It comes from the Hekeng village, famous for its ancient earthen buildings, also called tulou. It is where the last original Hakka families live amidst the exodus of those looking for a more modern environment. Among them there is Zhang Zhouyin, an elderly man concerned about the state of the village's temple; or her daughter-in-law, Wei Yi, who spends her entire day guiding tourists through these awe-inspiring houses. And then there’s young Zhang Weibo, her son, who manages to find joy even in the simplest of things... Hekeng: a place frozen in time whose songs have endured for centuries.

How do you reconcile a commitment to non-violence when faced with violence? Why do the poor often seem happier than the rich? Must a society lose its traditions in order to move into the future? These are some of the questions posed to His Holiness the Dalai Lama by filmmaker and explorer Rick Ray. Ray examines some of the fundamental questions of our time by weaving together observations from his own journeys throughout India and the Middle East, and the wisdom of an extraordinary spiritual leader. This is his story, as told and filmed by Rick Ray during a private visit to his monastery in Dharamsala, India over the course of several months. Also included is rare historical footage as well as footage supplied by individuals who at great personal risk, filmed with hidden cameras within Tibet.

Cultural documentary featuring a Chinese folk dance performance held in the courtyard of Auguste François's house in Yunnanfu, present-day Kunming, China. Four dancers interact in an artistic performance. Produced in 1901 by Societé L. Gaumont et Cie. and directed by French photographer and diplomat Auguste François. Working as a French diplomatic consul in China, Auguste François shot a large number of films, most of which are still preserved, showing aspects of Chinese society in the last years of the last Chinese monarchical dynasty, the Qing. This film was only released commercially in 1905 as part of the collection "Au Pays des Mandarins".

It's war. War against an invisible enemy that is not as deadly as we are told. The world is changing rapidly. Disproportionate measures are taken worldwide that disrupt society as a whole. A dichotomy in society forced vaccinations and restrictions on freedom. Have we had the worst? Or is there something more disturbing to awaiting us.

Director Philip Haas and artist David Hockney invite you to join them on a magical journey through China via a marvelous 72-foot long 17th-century Chinese scroll entitled The Kangxi Emperor's Southern Inspection Tour (1691-1698), scroll seven . As Hockney unrolls the beautiful and minutely detailed work of art, he traces the Emperor Kangxi’s second tour of his southern empire in 1689.

As a young missionary, Richard Wilhelm in 1899 to China, which was then exploited by the colonial powers. He lived there revolts against foreigners, the end of the imperial dynasties and the First World War. In these times of turbulent upheavals he was indefatigable in search of the deepest truth that helps people deal with change and able to shape their own lives. Richard Wilhelm baptized not only Chinese, but accomplished one of the largest translation services of the 20th century: Confucius, LAOTSE the most important texts of Daoism and especially the I CHING THE BOOK OF CHANGES. The book also served many readers in the West as inspiration. Wilhelm is still one of the most important mediators of Chinese culture in Europe.

Su has set up a restaurant without a permit. Unsurprisingly, the authorities send him away. Su then decides to go back home to the countryside, where his wife and children still live. He isn't exactly welcomed back with open arms.

Chinese filmmaker Jia Zhangke returns to the shooting locations of his films, along with his actors, friends and close collaborators. Jia recalls the inspiration sources for his movies, such as Platform, Still Life and A Touch of Sin. The film is the memory of a filmmaker and of a country in convulsion, China, which reveals itself little by little.

Amidst the grand walls of the Forbidden City, the film takes us on a deep journey through the ceremonial life of the Chinese emperor, unveiling the secrets and intrigues of concubines, eunuchs, and palace maids. As the West begins to influence China in the late 19th century, the dynamics within the city shift dramatically. The film highlights the preservation and restoration of invaluable treasures and paintings, culminating in the creation of the Palace Museum. With insights from renowned China scholar, Jonathan Spence, this is an intimate exploration of the rich cultural and historical tapestry that makes up the heart of ancient China.

The film explores the pursuit of the “Chinese Dream.” Driven by mesmerizing—and sometimes humorous—imagery, this observational documentary presents a contemporary vision of China that prioritizes productivity and innovation above all.

MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.

Examines the early 1980s Hong Kong filmmaking community. Tony Rayns interviews some of the new generation of filmmakers and figures from the wider film culture.

The city of Ordos, in the middle of China, was build for a million people yet remains completely empty. Ordos is not so much a place but a symbol of babylonic hype. But nothing will change - as long as people believe.

Mao Zedong was not only a revolutionary leader and thinker, he was also a poet. In poems written in the classic calligraphic tradition he expresses his experiences and visions. In this film, 8 of Mao's poems are sung, recited and interpreted: 'Changsha' (1925), 'Jinggang Mountains' (1928), 'The Long March' (1935), 'Snow' (1936), 'The People's Liberation Army Captures Nanjing' (1949), 'Swimming' (1956), 'Reply to Comrade Guo Moruo' (1961) and 'Reascending Jinggang Mountains' (1965). Through these poems we get a picture of the Chinese revolution from its first beginning in 1921 until the Cultural Revolution. The poems of Mao Zedong have been published in more than 57 million copies

Red Guards were a student movement supported by Mao Zedong in 1966-67 during the Cultural Revolution. A group of students at Qinghua University who issued 2 big-character posters in May-June 1966 called themselves Red Guards. The students criticised the university administration of elitism and bourgeois tendencies. In August 1966 Mao Zedong expressed support for the Red Guards. This gave the student movement political legitimacy and it spread outside Beijing. The Red Guards started to attack the Four Olds and marched across China to eradicate old ideas, old cultures, old customs and old habits. Ultimately the struggle between different Red Guard factions led to a chaotic civil-war-like situation. During 1967-68 the Peoples Liberation Army got the movement under control and restored social order. Beginning late 1968 members of the Red Guard movement were sent to the countryside to undergo re-education. We met and filmed them in August 1971.

In China, there exists an astonishing place. A burial ground to rival Egypt’s Valley of the Kings, where pyramid tombs of stupendous size are full of astonishing riches. In 221 BC, China's first Emperor united warring kingdoms into a nation that still exists today. To memorialise this achievement, he bankrupted the national treasury and oppressed thousands of workers to build one of the world’s biggest mortuary complexes. China's second dynasty, the Han, inherited the daunting challenge of building larger tombs to command respect and establish their right to rule without running the nation into the ground. Although no Han emperor's tomb has been opened, the tombs of lesser Han aristocrats have revealed astonishing things: complete underground palaces (including kitchens and toilets) and at least one corpse so amazingly well-preserved some believe Han tomb-builders knew how to "engineer immortality".