Spectrum

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

A young woman who lives with her uncle begins to dream about a monster that lurks in the shadows of the night.

The plot is the embodiment of everyday belief about the impact of a certain evil force on a person. The action develops in a peasant environment.

Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée; but on his wedding night he is visited by the monster.

Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.

The navy captain Avanti Planetaros is inspired by his astronomer-father to travel through outer space to reach other worlds. He becomes an aviator and, along with the young scientist Dr. Krafft, the driving force behind the construction of a space-ship. Despite oppostion from the mocking Professor Dubius, Planetaros gathers a crew of fearless men and takes off. During the long voyage, the crew becomes restless; a mutiny is narrowly avoided. Finally, they reach Mars and discover that the planet is inhabited by people who have reached a higher stage of development, free of diseases, sorrow, violence, sexual urges, and the fear of death. Avanti falls in love with Marya, daughter of the Prince of Wisdom, the head of the Martians. Marya shares his feelings and decides to return with him in order to bring the wisdom of the Martians to the backward Earthlings. (stumfilm.dk)

Hanns Heinz Ewers' grim science-fiction novel Alraune has already been filmed twice when this version was assembled in 1928. In another of his "mad doctor" roles, Paul Wegener plays Professor Brinken, sociopathic scientist who combines the genes of an executed murderer with those of a prostitute. The result is a beautiful young woman named Alraune (Brigitte Helm), who is incapable of feeling any real emotions -- least of all guilt or regret. Upon attaining adulthood, Alraune sets about to seduce and destroy every male who crosses her path. Ultimately, Professor Brinken is hoist on his own petard when he falls hopelessly in love with Alraune himself. Alraune was remade in 1930, with Brigitte Helm repeating her role, and again in 1951, with Hildegarde Knef as the "heroine" and Erich von Stroheim as her misguided mentor.

In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.

A young man travels to Mars in a rocket ship, where he leads a popular uprising against the ruling group with the support of Queen Aelita, who has fallen in love with him after watching him through a telescope.

Set off by a traumatic breakup, Paul Fisher (Poissonnier) spirals into a vicious underworld of sex, drugs and violence. Broke and clamoring for his next fix, Paul is lured into the clutches of pornographic film producer Ralph Beavers (Himself), where he is betrothed to none other than his own ex-girlfriend! Can Paul escape the malevolent forces that hunger for the flesh of his soul? Find out the mind-melting conclusion in this phantasmagoric journey into the heart of the unknown. Welcome to WASTERVILLE.

L. Frank Baum would appear in a white suit and present his live actors, slide shows and films as a live travelogue presentation of his popular fantasies. Highlights include Dorothy being swept to Oz in various ways, such as with back-projection tornadoes and storms in a chicken coop. Lack of financial backing forced the show to fold after appearing in only two cities, despite being a critical and commercial success. This film is lost.

One of the earliest cinematic adaptation of Chinese classic novel Journey to the West. When seeking for food alone, Tang Xuanzang was kept prisoner by seven spider monsters who took the form of seven beautiful women. The Monkey King and the other two of Xuanzang's disciples managed to rescue him with the help of Avalokitesvara Bodhisattva/Guanyin. They renounced the desire for lust and continued the quest for Buddhist Scriptures.

A green-skinned demon places a woman and two courtiers into a flaming cauldron.

A reel of the Noh drama Momiji-gari, in which Danjuro Ichikawa played opposite Onoe Kikugoro V as an ogress who has disguised herself as the Princess Sarashina. Filmed by Shibata Tsunekichi in the open air on a windy day in November 1899, Danjuro would allow only the one take, so that when his fan blew away in mid-performance the scene had to stay. The film re-emerged at the Kikikan theatre in 1907 where it was a great success and inspired a wave of fiction filmmaking based on traditional Japanese narratives.

A recalcitrant thief vies with a duplicitous Mongol ruler for the hand of a beautiful princess.

Prague, Bohemia, 1820. Balduin, a penniless student, falls in love with Countess Margit, a wealthy noblewoman whom he has saved from drowning.

A demon, a reaper, and the ghost of a prostitute read gothic short stories and act them out.

A young woman, Margaret Dauncey, is caught between the forces of a charlatan magician, Oliver Haddo, whom she is unable to resist, and the love of a handsome surgeon, Arthur Burdon, who has saved her from being a helpless cripple by performing a delicate operation on her spine.

As a young couple stops and rests in a small village inn, the man is abducted by Death and is sequestered behind a huge doorless, windowless wall. The woman finds a mystic entrance and is met by Death, who tells her three separate stories set in exotic locales, all involving circumstances similar to hers.

Siegfried, son of King Siegmund of Xanten, travels to Worms, capital of the Burgundian kingdom, to ask King Gunther for the hand of his sister, the beautiful Kriemhild.