Million Dollar Baby

Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!

Film director Blasetti is looking for a little girl for his new movie. Along with other mothers, Maddelena takes her daughter to Cinecittà, hoping she’ll be selected and become a star. She is ready to sacrifice anything for little Maria.

Janie lives to dance and will dance anywhere, even stripping in a burlesque house. Tod Newton, the rich playboy, discovers her there and helps her get a job in a real Broadway musical being directed by Patch. Tod thinks he can get what he wants from Janie, Patch thinks Janie is using her charms rather than talent to get to the top, and Janie thinks Patch is the greatest. Steve, the stage manager, has the Three Stooges helping him manage all the show girls. Fred Astaire and Nelson Eddy make appearances as famous Broadway personalities.

Florence Denny is Tommy Nelson's girlfriend and secretary at a clothing manufacturer during the Great Depression. In order to boost sales they have been using professional female entertainers to keep their clients very happy, but the clients are getting bored of them. Tommy convinces management to replace the professionals with "volunteers" from the pool of stenographers. Inevitably some clients expectations are greater than their "dates", boyfriends become unhappy, and the "voluntary" duty becomes less so over time. At first, Tommy prevents Florence from being a volunteer, but eventually the prospect of a bonus becomes too great and he encourages her to volunteer. Afterwards, Tommy considers Florence a loose woman.

In Depression-era Winnipeg, a legless beer baroness hosts a contest for the saddest music in the world, offering a grand prize of $25,000.

A 22-year-old factory worker lets loose on the weekends: drinking, brawling, and dating two women, one of whom is older and married.

Ruby and her husband Claude are a working-class couple who live in suburban Arkansas. As crazy as they are for each other, their relationship is far from harmonious. (The lack of money doesn't help matters, either.) In fact, their whole family is fraught with unresolved conflicts. Then Claude's uncle is arrested on a felony charge, and everyone rallies round. Ruby's mother Jewel and flirtatious sister Rose (Claude's ex-girlfriend) even fly in from Tennessee; but, far from being a source of support, Jewel seems only to want to break up Ruby and Claude.

As Vic Brown vacillates between infatuation and disinterest for his co-worker Ingrid Rothwell, she finds out that she is pregnant and Vic has to reconcile how he thought his life would go with what life actually has in store for him.

Naive Stanley Windrush looks for a career in a family business. Much to his dismay, he finds work at a munitions factory where he has to start from the bottom, while both the management and the labor union use him as a tool in their fight for power.

Told in flashback, Depression-era bum Dan McGinty is recruited by the city's political machine to help with vote fraud. His great aptitude for this brings rapid promotion from "the boss," who finally decides he'd be ideal as a new, nominally "reform" mayor; but this candidacy requires marriage. His in-name-only marriage to honest Catherine proves the beginning of the end for dishonest Dan...

Neil McRae, an impoverished composer, loves Cynthia Mason, but, fearing poverty, proposes to wealthy Gladys Cady. Can he compose himself and find the courage to seek love over comfort?

The madcap life of eccentric Mame Dennis and her bohemian, intellectual arty clique is disrupted when her deceased brother's 10-year-old son Patrick is entrusted to her care. Rather than bow to convention, Mame introduces the boy to her free-wheeling lifestyle, instilling in him her favorite credo, "Life is a banquet, and most poor sons of bitches are starving to death."

Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, Andy is a cook who forever puts off home remodeling projects, Natalie is a plumber and Nicola is jobless. This film is about how they interact and play out family, conflict and love.

In 1970s England, three blue-collar friends spend their days joking, drinking, fighting and chasing girls. Freddie wants to leave their working-class world but cool, charismatic Bruce and lovable loser Snork are happy with life the way it is. When Freddie gets a new job as a door-to-door salesman and bumps into his old school sweetheart Julie, the gang are forced to make choices that will change their lives for ever.

The film is about an unemployed banker, Henri Verdoux, and his sociopathic methods of attaining income. While being both loyal and competent in his work, Verdoux has been laid-off. To make money for his wife and child, he marries wealthy widows and then murders them. His crime spree eventually works against him when two particular widows break his normal routine.

Albert Steptoe and his son Harold are rag-and-bone men, complete with horse and cart to tour the neighbourhood. They also live together at the junk yard. Harold, who likes the bright lights in the West End of London, meets a stripper, marries her and takes her home. Albert is furious and tries every trick he knows to drive the new bride from his household.

When all Broadway shows are shut down during the Depression, a trio of desperate showgirls scheme to bilk a repugnant high society man of his money to keep their show going.

Eugene, a young teenage Jewish boy, recalls his memoirs of his time as an adolescent youth. He lives with his parents, his aunt, two cousins, and his brother, Stanley, whom he looks up to and admires. He goes through the hardships of puberty, sexual fantasy, and living the life of a poor boy in a crowded house.

Filmmaker Ricardo Trogi recalls the events surrounding his family moving to a new neighborhood when he was 11 years old.

The Narrator tells us how the radio influenced his childhood in the days before TV. In the New York City of the late 1930s to the New Year's Eve 1944, this coming-of-age tale mixes the narrator's experiences with contemporary anecdotes and urban legends of the radio stars.