All of us

In a small, US costal town with many Spanish speakers, a motorcycle gang arrives on holiday. Also in town to try to reconnect with his pregnant girlfriend, Karen, is businessman Paul Collier. Paul and a leader of the cyclists, J.J., knew each other years before, so when the gang comes upon the couple and, led by the menacing Bunny, beats up Paul and begins a sexual assault of Karen, J.J. tries to intervene: he suggests they hold cycle-riding contests, with the winner claiming Karen (he promises, sotto voce, to set her free if he wins). After the contests commence, Paul crawls away to look for help. He meets with a shrug from a cowardly sheriff's deputy; where can he turn?

Bringing a closure to his "Healing Trilogy," Bladde offers up a beautifully bizarre tale of overcoming trauma. Through grizzly depictions of a decapitated head and symbolic references to the River Styx and even Saltburn, viewers watch as his character, The Illusionist, takes back the power stolen from them and strips themselves of the turmoil caused by a deeply repressed sexual assault.

Jérôme was sexually abused as a child by a priest. In a deeply personal film, he tries to search for clues in his memories and come to terms with the complicity of his former social environment.

During her first day at work in a brickworks near Antwerp at the beginning of the last century, a teenage girl first faces harassment by the boys who work there and then, at the end of the day, she is forced to allow the boss to exercise his "droit de seigneur".

A student moves in with a family that lives in an underground house in the middle of the forest, far from civilization. His hopes of peace and quiet are soon shattered, when it becomes apparent that both the parents and their son have a screw loose.

The body's survival mechanisms take over. One such response is tonic immobility, a state where voluntary movement is reduced or completely frozen. This involuntary reaction is often misinterpreted as passivity or compliance, reinforcing damaging narratives around consent and agency.

After being sexually assaulted by a well-respected professor, a reclusive Chinese American girl who grew up in an abusive family struggles to find her voice while her mother tells her to be silent.

After Debbie Smith was raped, she didn't take the law into her own hands. She wrote the law... Based on a true story. In 1989, Debbie Smith was living a quiet life as a housewife with her police officer husband, Rob and their two kids, but one day it's all shattered. While her husband slept upstairs, Debbie was dragged from her kitchen in broad daylight and brutally raped in the woods. After going through the dehumanizing rape-kit, she waited with fear and paranoia. Six years later, her rapist was caught through a chance DNA test. After learning how many rape-kits go untested and how long women wait to get justice, Debbie makes it her mission so no more women will suffer the long wait to get justice.

Sam decides to stop pursuing charges against her rapist and spend Thanksgiving alone on her family's Virginia farm. Her brother stages an intervention with seven of Sam’s friends to persuade her to return.

When Zoé, 17, accuses her father of sexual abuse out of anger towards his new girlfriend Jasmin, an official investigation is launched against Valentin. It turns out that her friend Julie is behind the accusation, transferring the abuse she had previously kept secret to her friend, which puts Zoé in a hopeless situation. Julie enlists Zoé's help in her revenge against her tormentor, trying to free herself from him with her help. Valentin leaves no stone unturned in his efforts to prove his innocence. He loses control more and more and sinks deeper into his alleged guilt when it is determined that Zoé is indeed a victim of abuse. With the help of his girlfriend Jasmin, who ultimately believes that he is not an abuser, they are able to uncover the secret and make a shocking discovery.

During a quiet moment of closeness, a young couple’s playful banter takes a profound and sobering turn when a simple question about the past redefines the meaning of "counting" one's life experiences.

A sexual assault allegation at a university forces those involved and the audience to confront how quickly assumptions and appearances can distort our understanding of the truth.

Set in a rural Australian town, I Like You is a short film that addresses the devastating ripple effect that an incident of sexual assault can have upon its victim and their surrounding community.

Patty meets Dave at the bar. Later that night, she and her friends follow him out and "fuck him up".

Bárbara is friends with Luna and boyfriend. The trio is suddenly broken after one night, in a wasted state, Rafael sexually abuses Barbie, her being unconscious. The girls are exposed to a situation where each of them must deal with and ask themselves how to forgive what's unforgivable. Is more violence the right answer to what happened? A type of pain that will join them forever forces the girls to react in a sense of justice that might never be achieved.

Based on a true story. 15-year-old Kara Robinson was kidnapped, assaulted and held captive for 18 hours. With her survival instincts kicking in, she plots a daring escape from the serial killer and leads police to his apartment.

Three British teenage girls go on a rites-of-passage holiday—drinking, clubbing and hooking up, in what should be the best summer of their lives.

Elliot and Mads have been in a long distance relationship while Mads has been away in America. Elliot is excited and nervous about Mads’ return as he harbours a secret, which affects him deeply and which he doesn’t know how to deal with or whether he is able to let Mads into the darkness that afflicts him. A powerful drama which dives deep into its characters and affects you long after the film is over.

The deeply held religious convictions of an idealistic young priest are challenged when he must face extraordinary events within his own congregation.

The story of teen heartthrobs Corey Feldman and Corey Haim, whose lives were forever changed by the glitz, glamour, and the darker side of show business.