Ran Mitsuo: Niku shiiku

An office lady who works at a department store, is having an affair with her boss, but she feels empty inside. One day, while she was on her way home, she heard the sound of footsteps and felt the eyes of a stalker on her. She rushed home, but contrary to her feelings of anxiety and fear, she felt a strange joy. The next day, she went out in a bold outfit to attract her stalker.

When he is hit by a car on the street, the young man Daikoku foresees the monster Demking appearing at the end of the century. In preparation for the coming confrontation with the Demeking, he organizes a modern-day Seven Lucky Gods composed entirely of antisocial people. This is a utopian epic that, despite the ridiculousness of the story, is the most powerful depiction of the motifs seen in the first two films, which attempt to play on the sense of apocalypse through unrealistic imagination, while staying within a tenuous sense of reality.

A young woman is troubled by vivid sexual dreams triggered by her experiences as a trainee nurse.

Annoyed by her husband's boorish sexual behavior, newlywed Aya joins her female friend Kei in an extra-marital fling. She records the experience on her cell phone camera to show her husband the advantages of a more romantic love-making technique. Kei later introduces the couple to a sex counselor.

Yuka, a female college student, is obsessed with delusions of herself being raped and is unable to go to university. She cannot escape the feeling of intimidation that the men around her are attacking her. Her mother, Kikumi, sends her Yuka to her psychoanalyst, Kurahata. Based on what Yuka says, Kurahata deduces that the biggest cause of Yuka's mental imbalance is likely to be her conflict with her mother, Kikumi. Kikumi is flashy and stands out no matter where she is, and apparently she has taken Yuka's first love, Kunisaka, a masculine schoolteacher, as her mistress...

Tomorrow is her husband's 77th day. Ayako strips naked in front of her urn containing her husband, and she suddenly makes a decision to put on her mourning clothes. Ayako's late husband, Jiro, was jealous, sadistic, and insidiously bullied her. Even in the bedroom at night, Jiro becomes abnormally excited by being jealous of her friend Katsura and blaming Ayako for her unrealistic delusions. From Katsura, who came to pray on the 77th, she heard about her husband, which Ayako did not know. "He was the only person she could call her best friend..." Ayako recalled that day's affair with her husband. It was sex that could be called painful...

Editor Kurumada is in charge of the popular author Hara. When he receives a call from the capricious Hara and goes to retrieve the manuscript, Hara hugs his wife, Mariko, in his study as if to show off to Kurumada. Even though Kurumada suppressed her rising anger, Mariko's foolishness still stuck in her mind. Afterwards, Kurumada is invited to Mariko's home and begins a relationship with her. The incident was videotaped by Hara. Hara claims that he has the right to embrace Kurumada's wife, Yumi... The second work in the series depicting the sexual behavior of a married woman who indulges in swapping.

Kanae, a nun, left the convent where she had lived in one early morning. In her hand is an entertainment magazine full of nude photos. She was convinced that she was the reincarnation of Jesus. Then, instead of living in a safe sanctuary, she must save sexually vulnerable people suffering in the streets of desire. Standing Junko is astonished when she hears the thoughts of Kanae, who appears in the alley at night, dressed as a sister. Then she tells Kentaro, a homeless man who is passing by, that if he prays to God, he will be able to hold this sister. Kentaro recites a passage from the Bible to her, makes her undress, and devours her shining body...

Hiromi Katori, a new employee, felt unwell during work and went to the infirmary. Then, instead of the usual Maki Kitagawa, the person there was Hanako Minamida, a flashy middle-aged stranger. Hanako tells her girlfriend Katori that the nervousness of her trying to force herself to apply to the company is causing her to lose her mental and physical balance. While telling him that she doesn't have to be useful to the company and that she should not lose her individuality, Hanako gently places him on the bed and takes her dick in her mouth.

Natsuko Hirashima is a beautiful doctor at a hospital where her husband, Goro, is the chairman. She also had a good reputation among patients. When she was on night duty, she also allowed relatives of hospitalized patients to stay overnight. However, the doctors and nurses were not aware that the surveillance cameras were installed there, claiming that she was there to monitor hospitalized patients 24 hours a day. The reason Natsuko allows her patient's relatives to stay the night is so that she can enjoy watching them secretly have sex on a monitor.

The old Bizan family. Samon, the head of the family, his older brother Tamio, his wife Fumiko, and his younger brother Takuichi, who was adopted by his relative the Koga family, and his wife Yuko. Freelance writer Sumie was hired to write Samon's biography. Samon, who had fallen in love with her before he knew it, proposed to her out of desperation...

Kimie steps into a boutique each day to support her household in place of her husband, who is unable to work due to heart disease—while her own spirit aches with longing. She surrenders willingly to the irresistible pull of Tsukuda, the dashing apparel‐maker’s salesman whose whispered promises slip between her legs like silk. Kenji, burning to reclaim his former glory, watches his world unravel when he discovers the affair that simmered beneath Kimie’s restraint. And as the truth of Kimie’s glowing secret—her pregnancy—dawns on him, his reproaches choke in his throat, meeting instead a startling, fervent embrace from the woman he thought he knew…

A woman frustrated by her fiancé's reluctance for premarital sex sends her on a round of boozing and remembrances of bad sexual encounters. Meanwhile someone is drugging young men late at night and doing unspeakable things to them.

Kyoko, discovering that her husband was having an affair, turns to her best friend for help.

Nana, who aims to be an actress, has no buds. Nagasaki calls out to Nana as she walks through her town. She is curtly treated by her, but invites her to a nearby cafe and asks for her Nana and Yori back. But Nana has another target. He even threatened to break up with her wife, but she insisted she wasn't interested. Unable to allow her Nagasaki to treat her unkindly and in the end be taken away by her other man, he hit her from behind. Nana is photographed naked by female photographer Chigusa. She was her next target. While teaching Nana, who has a poor expression, Chigusa inadvertently kisses her. Nana accepts Chigusa and she embraces him. She said after the fact that Nana wanted her to lend money to Chigusa. She was being chased by her apartment landlord because she was behind on her rent. Chigusa said she would send the pictures together when they were done and she said she would also introduce the producer of the film.

After his wife and child committed suicide, Sasaki was so shocked that he quit his job and has been living a modest life painting. Then, by chance, he meets up with an old colleague and heads to the home of his colleague's wife, Sachiko, who is waiting for him. In fact, Sachiko and Sasaki have been having an affair for a long time, and that day they have sex next to their colleague as he sleeps. Sasaki also begins to have a physical relationship with Sachiko's younger sister.

A young man who broke up with his lover at sea meets a mysterious woman (Kaori Aso) who has collapsed on the beach. She then leads him to her mansion. The man is so lewd that he cannot leave the mansion and becomes absorbed in the pleasure...

The story is about Nagatoshi, a handsome and sexy monk played by Kazuhiro Sano, who is struggling for the widow he loves. Foreshadowing the prophecy of the Great Kanto Earthquake, the film is a highly entertaining theatrical spectacle that depicts the human condition of a downtown area undergoing development and the efforts of men and women who rebel against it.

One day, Hitomi observes her classmate Eriko stealing lipstick in a drugstore and follows her home. The two young women get to know and love each other. While the withdrawn Hitomi believes herself and Eriko to be reincarnations of angel warriors who once fought demon armies, her emancipated and apathetic friend wanders through life between sex contacts with older men and fear of falling into a boring bourgeois existence. The different futures of the two soon lead to tensions.

A fugitive man and woman (Kawase, Kawana) come to an island to retrieve their son (Iwasaki), who the woman has given to a foster family, but the son's foster parents are policemen (Ito)... The suspense surrounding the retrieval of the son is made unusual by the location shooting on the vast and desolate Miyakejima Island and leads to an allegorical drama about the essential desires of human beings. This was Kawase Yota's first appearance in a Zeze film, and he has since become a regular actor. The title of the film at the time of its first release was Sukebe Tenkomori.