Ramona

Eduvigis is an Eldery Lady who lives in Madrid, and visits bad luck on everyone that she looks at through glasses that her late husband gave her, which were made from crystals from an Egyptian Tomb. To arrange the sale of an inherited house, she must travel to the Canary Islands, and so puts an advert in a newspaper asking for a maid to accompany her, and a chauffeur to drive her car. Mercedes, a girl who works in a Museum in Madrid, and Tony, a student whose college has just started Summer vacation, answer the advert. Neither of them gets along with the other at all, but both are hired to make the trip with Eduvigis. Arriving in Tenerife, Mercedes and Tony discover that the house is worth much more than it appears, and much more than what is being offered.

Humberto, a seductive con artist, lives a quiet life in Madrid after having done his time for a big job that cost him his relationship with his son Jorge, who reaches out to him for help when the jewellery where he works is robbed.

A Broadway director rescues a starlet from mobsters who blame her for a shooting.

Two men share an odd friendship while they care for two women who are both in deep comas.

Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.

While a woman attempts to cover up her daughter's murder and reinvent her life, her sister is visited by their mother, who was thought to have died.

After leaving jail, Víctor is still in love with Elena. But, she's married to the former cop-now basketball player-who became paralyzed by a shot from Víctor's gun.

Two children, Ignacio and Enrique, know love, the movies and fear in a religious school at the beginning of the 1960s. Father Manolo, director of the school and its professor of literature, is witness to and part of these discoveries. The three are followed through the next few decades, their reunion marking life and death.

Caye is a young prostitute whose family is unaware of her profession. She meets her striking Dominican neighbour Zulema, an illegal immigrant, after she finds her in the bathroom, badly beaten up. They strike up a close friendship unbeknownst to Caye's xenophobic co-workers.

Various lives converge on an isolated island, all connected by an author whose novel has become inextricably entwined with his own life.

Spain, early 20th century. Hildegart is raised and educated by his mother Aurora as the subject of a social experiment, to be the first truly free woman in the world, the one who will lead humanity into a new era; and, in order to achieve this goal, is insanely loved… until the moment when she becomes a young and gifted woman and actually tries to fly freely, away from the oppressive nest of her creator and guardian.

Narrator dreams of Madrid while being caught in a repetitive loop somewhere in Paris. He questions if his interlocutor is a real human being, as their dialogue, mostly built of citations, doesn't seem to be helping with breaking the loop.

The best women of British acting go to an audition for a dream role, primed to take on the role of a lifetime: that complex woman, the strong woman, a woman for today.

An actress confronts her quarter-life crisis by breaking up with New York City and returning home to win back the love of her life.

Pablo, a successful film director, disappointed in his relationship with his young lover, Juan, concentrates in a new project, a monologue starring his transgender sister, Tina. Antonio, an uptight young man, falls possessively in love with the director and in his passion would stop at nothing to obtain the object of his desire.

After a young heiress is assaulted by a policeman, she seeks revenge by befriending the policeman’s mousy wife and introducing her to her circle of outrageous punk friends.

Matias meets Violeta, his cousin one morning in Madrid at the Plaza de Opera. He is twenty-five. She is 18. He's a divorced journalist trying to write a thriller. She studies violin. She's a vegetarian. He loves meat. Many things separate them, but he moves into her apartment.

Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.

Policía

Madrid, summer 2011. Economic crisis. 15-M movement and 1.5 million pilgrims waiting for the Pope’s arrival live side by side in a Madrid that’s hotter and more chaotic than ever. In this context, detectives Velarde and Alfaro must find what seems to be a serial killer. Their against-the-clock hunt will make them realise something they’d never imagined: neither of them are so very different from the killer.