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An astronaut is detached from his space station, taken into an infinite drift throughout the universe. Freed from time and space, DRIFTER is confronted with the void. He takes a dive into the unknown, in search of the ultimate freedom.

A government subsidized water facility "melts" down releasing a toxin into the water supply which turns the employees and population into soulless mutants hungry for blood, as a group of survivors try to escape the mutants wrath.

A man found a strange flesh in the middle of his house.

Lawrence Talbot, an American man on a visit to Victorian London to make amends with his estranged father, gets bitten by a werewolf and, after a moonlight transformation, leaves him with a savage hunger for flesh.

A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.

MAL PASSADA

A feature adaptation and expansion of the story in "bodybag" (2024).

Indifferent landscapes, refracting light, some lonely bird and the window to the sebum-laden living room made of patterned wallpaper and trivialities. Cut. Tenacious sequences inflate moments to cliff-hangers and shatter their tremulous spectatorship. Thundering leitmotifs – in constant intoxication by German disinterest – with no backrest or lederhosen. Black-red-gold at full mast, the cinema is dead.

Hundreds of gremlin-like mutant creatures from a melting glacier violently descend on a survivalist cabin in the mountains where an unsuspecting circle of high school seniors are celebrating their last weekend together before college.

A house cat returns home late at night, only to find his family deceased.

A compilation of non-narrative, mischievous, fictional tableaux vivants featuring two young women on a dreamlike, summer-like quest for self-discovery, written in the glittery language of music videos, fashion shoots, and meandering streams of consciousness, set to a nostalgic mood track that evokes universal, bittersweet sentiments.

Years before she saw a man being swallowed by a wave, inside a swimming pool. With this event, time ceased to be linear, and in a split second her family disappeared, leaving only behind the traces of their presence. Through the window´s reflex she realises her face has changed - the face is longer and the hair; she has memories inside her head, that she doesn´t recognize. In another time, she returns to that place to try to confirm her memory.

Shot on 16mm film, Brume de Temps tells a story of intimacy, nostalgia, and the fragile boundary between loving your perception of a person and love as it truly is. It unfolds as a journey through the quiet moments of a couple at ease with one another, enclosed in the bubble they have created. Their gestures are subtle, and the safe space surrounding them becomes part of their story. Without dialogue or voice-over, the story unfolds through the images, which shapes the emotions that emerge. An original musical arrangement carries the narrative, enhancing and guiding this journey. Time intrudes through clocks, calendars, and digital displays, yet each object remains blank. Can this illusion endure where reality cannot be denied?

Composed of over 300 hand-carved ceramic tiles, the animated music video for “dirt” by emory creates a sense of movement and emotional presence within material that is traditionally still.

Three celluloid letters sent from different parts of the globe to Paul Morrissey, director of Trash, Flesh and Heat, collaborator with Warhol and agent for the Velvet Underground.

After being killed by a monster, one pirate resurrects and find some friends to get its revenge. He makes a new band called "La Chota".

Alinur, a student filmmaker, tries to make a film about the apocalypse for his capstone project. The movie itself happens to be about a mercenary named M who inadvertently causes an apocalypse. As he tries to “create” the destruction of this supposed apocalypse through utilizing technical gimmicks that he has enforced onto the production of the film, this supposed effort also creeps in as a force that starts to “destroy” him, piece by piece. The outcome of it tests the sincerity of not only the film itself but also of the performative efforts that Alinur has made as a filmmaker—even this test might not be as sincere as it seems.

The process of depersonalization maintains a dialogue with the objectification of the body, a sort of thingified flesh, clothed in animosity. In an epiphanic act, the sutures reveal themselves as the reflection of this gaze upon its own spilled fluids and transcend into an internal soup. It is the stream of consciousness in its purest form. It is the raw and the bare. It is the visceral nature of facts. It is the merging of worlds. It is the flesh in turmoil.

Julia lived a normal life until she was strangely hypnotized by the refrigerator in her supermarket.

Hydration Never Felt This Good! A short horror film about a repeating commercial but as the tape goes on, it gets worse and worse.