Colby

In the dead of night a troubled youth from an East London estate, Ray Marsden stalks into a hospital ward demanding to see the patient. The attendant Nurse, Lynne McDermott is sceptical about Ray's motives but gradually uncovers the truth about his violent past and in so doing makes a startling discovery that will change both of their lives forever.

Twenty-year-old Eugène is somewhat aimless and has not been doing well in university. He is staying in a small village for the summer. He awkwardly seduces Pierre, a slightly older man who is working for Mathilde as caretaker for the season. Pierre is initially open to the relationship, but quickly becomes reluctant to become too involved.

Kuhle Wampe takes place in early-1930s Berlin. The film begins with a montage of newspaper headlines describing steadily-rising unemployment figures. This is followed by scenes of a young man looking for work in the city and the family discussing the unpaid back rent. The young man, brother of the protagonist Anni, removes his wristwatch and throws himself from a window out of despair. Shortly thereafter his family is evicted from their apartment. Now homeless, the family moves into a garden colony of sorts with the name “Kuhle Wampe.”

The Fountain of Bakhchisaray

Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

Lucia, pregnant with her first child, prepares herself to be a single mother

This is a sad tale of a noble lady who is entranced by an opera singer. Hoping to get closer to the singer, the lady takes up lessons with her. Despite their affection, they must face obstacles.

For love to travel for thousands of years, they will eventually meet.

A slow, hot summer afternoon. A father sleeps while his child is drawing with pencils in a cross word puzzle. A wind moves through the grass - something bad is about to happen.

A wife and a concubine seek freedom. In a game of seduction, together they join forces to defeat their oppressors.

A man at the end of his rope, gets carjacked by 2 addicts and goes on a surreal journey.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.

Andrew 'Dew' Schofield has spent his entire life taking care of others; his children, his granddaughter, and even his wife after she got sick. Now that his kids are grown and his wife has passed, Dew finds himself living alone in his familiar little suburb, with only his memories. When his granddaughter comes to visit inbetween apartments, they will both face the deeprooted loneliness they've spent so long trying to bury.

On the night of their mother’s wake, three estranged sisters divide their childhood home over a pot of magic mushroom tea while a family secret boils to the surface. A story about the tenuousness of memory, buried trauma, food... and psychedelics.

Biscut is a powerful film on the state of politics in Uttar Pradesh and offers a gritty and hard-hitting take on the treatment of the backward classes and their never-ending exploitation in the caste-dominated political landscape of Uttar Pradesh.

A misunderstanding leads to sombre consequences as two flatmates recall very different turns of event from the previous night.

Mourning the death of his partner and collaborator Danièle Huillet, Straub finds tender mercy in music and nature. Out of the abyss, Kathleen Ferrier sings “The Farewell” from Gustav Mahler’s “The Song of the Earth”, (which the composer wrote in 1909 after the death of his daughter) and Heinrich Schütz’s Lament on the Death of His Wife. The landscape also provides solace: the mountain grove where Endymion pines for his beloved Artemis, “a wild thing, untouchable, mortal,” appears to embody the Japanese concept of ‘mono no aware’ — a wistful acceptance of the fleeting beauty of things.

A creative documentary about becoming a parent... and how to reconceive yourself. Fiction director Josh Appignanesi turns the camera on himself and his wife as they undergo the ordeal of becoming parents in the era of man-children and assisted reproduction. Faced with fatherhood, Josh spirals comically into an envious career funk. But life-threatening complications emerge- the couple are tested to the brink, confronting shattering losses. It's a portrait of our generation going through a revolution in reproduction- forced to find new ways to think about ourselves as creative beings. We hear from Slavoj Žižek, John Berger, Darian Leader (20,000 Days) and Zadie Smith. Universal yet still taboo, it's a film for everyone who has children, wants them, or still feels like a child themselves.