Coming of Age: Vol. 1

The film splits itself between two timelines. In 2006, Ada is basing her thesis on a massacre that occurred twenty years prior in a village called Acacia. Her mother Cecilia was part of a fact-finding mission into a massacre, and Ada’s inquiries bring up her history as a member of the NPA. The other timeline traces the relationship of Ka Felix and Ka Jimmy, two rebels who fall in love, despite the movement’s laws against such a pairing.

This is a sober and impartial study of homosexuality through the story of a middle-aged gay couturier and his attempts at keeping his dignity amidst the dilemmas and problems brought upon by his homosexuality.

Javier is a powerful but miserable politician with a much younger secret lover, Gonzalo. Struggling with his shame over the relationship, Javier takes Gonzalo on a trip to try to work things out but the tension between them only escalates.

When juvenile inmate Malcolm is offered a chance at parole, he is torn between his chance for freedom and protecting the one he loves.

Diego is a twenty-year-old Chilean boy who spends every day taking pictures of anything he sees. After many years he meets Sebastian, his childhood friend, and they spend a whole summer together drinking alcohol, smoking marijuana and walking around in the blazing sun of Santiago. They both come from dysfunctional families (Diego's mother is an alcoholic and Sebastian feels abandoned by his father and his stepmother), but the need to discover the world around them and explore their inner feelings brings them closer to each other, making their friendship very, very intense. The desire that ties them to each other is palpable, and soon barriers and fears fall, leading them to wonder what they really want.

Twenty-year-old Cal returns from France to Britain after receiving news that his mother is ill. His finds his home city of Bristol facing hard economic times brought on by the global economic crisis, with poverty and crime on the rise and rioting and looting almost a nightly occurrence. It is not a warm homecoming as his sick mother remains stubbornly homophobic and wants nothing to do with the now openingly gay Cal while his battered Auntie Jane, now living in a run down council house, dulls her stagnation with welfare funded booze and disturbing attempts to sexually seduce her nephew. Navigating his way across this new landscape he meets a young student who needs his help. However his act of kindness brings him into contact with a lawless drug dealing pimp and a race against time to make peace with his mother and get out of town as quickly as possible. An intense tale of a family mired in poverty, angry and lost but still searching for love, respect and acceptance.

Brad Stevens and Alex Prager are best friends. They are both popular high school students and key members of the football team. Brad is up for nomination to West Point, and Alex is a talented pianist who’s counting on his football skills to land him a university scholarship. But their lives are turned upside down when one day Alex admits that he is gay.

Member of a neo-Nazi gang, her day job is to take care of four crazy old people that all are just waiting to die. Her life becomes a journey into a burlesque fairytale, where the rules of the game are created by Mette herself. Mette is indifferent about her way of life, until she one night assaults a man, kicking him senseless. Waking up the day after, she realizes that something is wrong.

A group of bored teenagers rebel against authority in the community of New Granada.

A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.

Trine refuses to fly. When the 18-year-old environmental activist and trumpet talent only has a few days to travel 1500 km from Lofoten to Oslo in order to reach a crucial audition at the Opera House, she is forced to hitchhike, despite great time pressure. Suddenly, her passion for music and environmental idealism is set against each other. Å ØVE (TO PRACTICE) is a film that explores resistance in passion, a deeply intimate encounter with music and the practice of listening to oneself.

Simon Henderson is at boarding school in Canada while his father works in Hong Kong, and his mother lives in England. When his parents visit him in the holidays, Simon discovers that his mother has schizophrenia.

Conservative middle-aged fisherman Singaram cares for his orphaned niece and nephew who he loves deeply. As Singaram works hard to provide for his family, he also tries to arrange a groom for his niece. But she rejects the many suitors he brings, and he soon learns that his niece is in love with her fellow female teacher. Ostracized by his community, Singaram tries to come to terms with his niece being a lesbian and through the process he learns to empathize with the plight of the village barber Alankaram, who is transgender.

Lukas is Sugar, Clemens is Orange. Together, they are two ten-year-old boys who are inseparable. More than just playmates, they share a unique bond which seems predestined to last a lifetime. Until, that is, powerful emotions come to the fore and a misunderstanding leads to a rift which tears both them and their world apart. Twenty years later, Lukas is still terrified of being abandoned. He survives by forming loose relationships which don't threaten him. Then one day he meets Lena who turns his feelings upside down and awakens his inner child, the one still searching for unconditional friendship. While there is never a guarantee of security, there is a bond of trust, and through Lena, Lukas again makes contact with Clemens. After years of silence, they are finally able to exorcise their ghosts in an explosion of emotion.

Ali, a teenage Inuit hip hop fan, lives in Ivujivik, a small Arctic village where nothing interests him. All of his problems seem to materialize in his father's old snowmobile, constantly breaking down. His only way out ? The famous Rich E. Murdoch, Ali’s favorite rapper.

The Davenport sisters have drifted apart over the years but when their Dad wins the lottery all he wants is having his girls home for Christmas. Getting over years of resentment proves a big task but it's pushed aside when their mother suffering from dementia loses the ticket. They put aside their differences to help find the ticket and in doing so get over their differences and finally learn to come together.

A lesbian with commitment issues befriends a widowed mother who is visiting her workaholic daughter.

Set in 1970s Rome, the fiction tracks the plight of a nuclear family, consisting of an unhappy married couple: Clara (a deeply dissatisfied expatriate Spaniard) and Felice (an abusive businessman cheating on Clara with his secretary) and their children Adriana, Gino, and Diana. Their eldest child, 12-year-old Adriana, experiences gender dysphoria; he rejects girlhood and instead goes by the name of Andrea (a primarily masculine name in Italian). Andrea develops a crush for Sara, a Roma girl who knows him as a boy. Upon a shared sense of being outsiders, Andrea and Clara grow closer.

Violet and Stella spend idyllic summers at camp and the beach. As time passes, personalities and bodies evolve in this thoughtful and elegiac indie drama about the everlasting bond of female friendship. Following the girls’ formative years from ages 9 through 13, we observe intimate details of their lives together and apart on vacations in New England and at home in California. At times, they struggle with body image, peer pressure, social awkwardness, and parental bonds. Yet at the end of the day, the girls have each other to lean on.

Love, sex, heterosexual, homosexual ... But then people think of gay sexuality, their meetings? Is there a way to love more than another? This is the first thread of the film Bruno Rodriguez-Haney, for which he also signed the BO and scenario. This film, based on the novel of the same name (Edilivre-APARIS Editions) takes us to the heart of reality. love between people of the same sex is good! A story told with humor, but also with great sensitivity.