Paco

The Horváth family is a Romani family with seven children, and the story begins with the tragic death of the father. His wife, Vera, is suddenly in a fight with the authorities, determined to keep her large family together at all costs, but she is hopelessly ill-prepared for the task. They are evicted from their home and her case-Vera versus the city-finds its way to a young, ambitious lawyer. She doesn't know the world of the Romani, nor is she particularly interested in it. Initially she takes the case as a springboard for her career. Despite her prejudices, incomprehension and sometimes Vera herself, she doesn't abandon the case. Luckily she is not the only one who sides with the family. There is a social worker whose attempts to help the Horváths are also motivated by his entirely private interest in the attractive lawyer.

Sam is fifteen, orphaned, hiding a secret and has been living in foster care for the past year. Her Aunt Olina is a widowed, recluse oddball who spends her life in a closed off home speaking to her dead, taxidermies dog Elvis. Together the two learn to overcome the obstacles life has dealt them, trust one another and become family.

Homicide detective John Hobbes witnesses the execution of serial killer Edgar Reese. Soon after the execution the killings start again, and they are very similar to Reese's style.

Andrés and his son Pedro live in a working district of Caracas and hardly ever see each other. While Andrés fills his time doing different jobs, Pedro wanders the streets playing with friends and learning from the violent atmosphere around him.

In the slums of the upper West Side of Manhattan, tensions are high as a gang of Polish-Americans compete against a gang of recently immigrated Puerto Ricans, but this doesn't stop two romantics from each gang falling in love.

Sophie, a quiet and shy maid working for an upper-class French family, finds a friend in the energetic and uncompromising postmaster Jeanne, who encourages her to stand up against her bourgeois employers.

Jussi Ketola, returns to Finland from the great depression struck America only to face growing political unrest. One summer night of 1930, nationalist thugs violently abduct Ketola from his home. Beaten and forced to walk the Eternal Road towards a foreign Soviet Russia, where cruelty seems to know no end, his only dream is to return to his family cost it what it may. Hope dies last.

Vijay and Pournami are two very different sort of people who first meet because of a misunderstanding. Vijay is a lazy engineering graduate unwilling to follow his passions and Pournami is an unlucky bold girl who doesn't give up on her dreams. They don't seem to find a lot of things in common at first; but as time passes more avenues open up for them to collaborate and learn from each other.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

Garment exporter Gopakumar, with the help of his fashion designer Kamala and broker Immanuel, brings together three couples who are on the verge of separation.

Bounced from her job, Erin Grant needs money if she's to have any chance of winning back custody of her child. But, eventually, she must confront the naked truth: to take on the system, she'll have to take it all off. Erin strips to conquer, but she faces unintended circumstances when a hound dog of a Congressman zeroes in on her and sharpens the shady tools at his fingertips, including blackmail and murder.

A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.

In southern France, a Franco-Arabic shipyard worker along with his partner's daughter pursues his dream of opening a restaurant.

After the death of a septuagenarian woman, her three children deliberate over what to do with her estate.

Jerry (Jamie Draven) was an idealist when he served in the first Gulf War. But when he was later deployed to Iraq, Jerry was an older man, a father of three and embittered by broken promises and unfulfilled desires. When Jerry returns from Iraq he has been transformed by horrors that cannot be forgiven. He lives a life of poverty, his children afraid of him and his wife, Nora (Vinessa Shaw), unsympathetic and unhappy. When Jerry discovers that Nora has betrayed him, his anger and despair drive him to commit an act so heinous and irreversible that nothing he had experienced in combat could have prepared him for.

A young Greek woman falls in love with a non-Greek and struggles to get her family to accept him while she comes to terms with her heritage and cultural identity.

During a beautiful summer, Ivan, a young Russian arriving in Paris, lives in extreme precariousness. He settled in a small camp, but soon he discovered a clandestine life where rode male prostitution is a law. He meets young equivocal men and women over whom he has no hold. Then it's his meeting with Pierre, a young father who will seal his destiny and with which he will commit the irreparable.

Harlem Fragments is an Afro-futurist scrapbook storytelling of a Harlem Black family's beautiful destruction during the 2008 recession. A natural disaster so mesmerizing you can't look away from the tragedy. Based on true events- The film explores the haunting societal pressures of achieving the Black American dream, told in the POV of 10 year old TJ revisiting his family's home that's up for sale. By empowering this Black boy in this film with the agency to imagine, TJ, through his own journey, finds a way to process and come to terms with his family's divorce. It's important for every Black child out there enduring the same foreign emotions to know that it's okay to feel them, and affirm that there is a future trajectory forward out of the initial destruction.

Celia Adler, doyenne of the Yiddish stage, gives a haunting performance as a new immigrant forced to give up her son. Obsessed with the thought of reuniting with him, she spends the next 25 years searching, pining, and bewailing her loss.

Reported cases of sexually transmitted disease took a sharp rise during and after World War II, but as this film testifies, sexual license amongst soldiers on the frontline wasn't the sole cause. Back on the home front, for many women, like Joan from No. 19, loneliness or newfound independence acted as an incentive to extramarital promiscuity.