American Royalty

From oratory classes to operating room, Beauty Factory follows five girls for four months as they compete for the coveted Miss Venezuela crown; revealing the process that has won Venezuela more international beauty pageants than any other country.

THE BIKINI OPEN is a special-event, retro series featuring the best swimsuit, fitness, bikini, and modeling competitions from the early 90s.

Mikha is a nail artist who is very passionate about her work. She works so hard that she sometimes forgets to spend time with her family. She wishes her husband could have more time for the family, so that her child doesn't need to be taken care of by his mother all the time. They argued a lot about who should take care of their children. Mikha feels that her nail art studio is not suitable for her child's growth. She wanted her daughter's life to be better than the bitter stories of her clients.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

Le soleil a pas d'chance

When 30 women aged 67 - 84 from across America and around the world descend on Fall River, Massachusetts to compete in the 30th anniversary Ms. Senior Sweetheart Pageant, hilarity and heartbreak ensue.

BEAUTY WILL SAVE THE WORLD charts the journey of 19 year old Tecca Zendik, a contestant in the Miss Net World contest, Libya's first every beauty competition. Colonel Muammar Qaddafi hosts this competition and the film includes extraordinary footage of the Colonel. Tecca's story reveals an incredible conclusion no-one could have guessed when private jests transported the beauties to the country feared by the West in the 1980's.

A story with no (real) narrative that just takes you through a holiday in Wales to show you how great it can be, whilst also trying to explore the creativity that cinematography and colour grading can present to you.

A pools winning family with over Ј8,000 to spend can have a holiday anywhere they like. But they forgo the Costas for Skegness - but decide to do it in style.

Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.

A colourful miscellany of footage from both sides of the Pennines.

Sen no Rikyu (Ebizo Ichikawa) is the son of a fish shop owner. Sen no Rikyu then studies tea and eventually becomes one of the primary influences upon the Japanese tea ceremony. With his elegant esthetics, Sen no Rikyu is favored by the most powerful man in Japan Toyotomi Hideyoshi (Nao Omori) and becomes one of his closest advisors. Due to conflicts, Toyotomi Hideyoshi then orders Sen no Rikyu to commit seppuku (suicide). Director Mitsutoshi Tanaka's adaptation of Kenichi Yamamoto's award-winning novel of the same name received the Best Artistic Contribution Award at the 37th Montréal World Film Festival, the Best Director Award at the 2014 Osaka Cinema Festival, the 30th Fumiko Yamaji Cultural Award and the 37th Japan Academy Film Prize in nine categories, including Best Art Direction, Excellent Film and Excellent Actor.

In year 1250 B.C. during the late Bronze age, two emerging nations begin to clash. Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. They set off with 1,000 ships holding 50,000 Greeks to Troy.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

55-Minute BBC Arena documentary on the film actress Louise Brooks

Featuring never-before-seen film footage of Adolf Hitler and the Nazi regime, The Architecture of Doom captures the inner workings of the Third Reich and illuminates the Nazi aesthetic in art, architecture and popular culture. From Nazi party rallies to the final days inside Hitler's bunker, this sensational film shows how Adolf Hitler rose from being a failed artist to creating a world of ponderous kitsch and horrifying terror. Hitler worshipped ancient Rome and Greece, and dreamed of a new Golden Age of classical art and monumental architecture, populated by beautiful, patriotic Aryans. Degenerated artists and inferior races had no place in his lurid fantasy. As this riveting film shows, the Nazis went from banning the art of modernists like Picasso to forced euthanasia of the retarded and sick, and finally to the persecution of homosexuals and the extermination of the Jews.

The documentary observes two matriarchs - Tiina Jantson governs the beauty contest empire in Estonia; Anne Eenpanu leads the activities of "Home Daughters" - a girls' corps of Estonian Defence League. The film's main characters and their activities are very different. Whereas Anne's pedagogical approach is almost totally based on the love for fatherland then Tiina spends her days in the glitter of show business. However, there are some similiarities in their lives. The documentary studies the values, gender roles and moral norms in Estonia at the beginning of 21st century.

Davide is a thirty-year-old who lives in a town in the Sicilian hinterland. He doesn't know what free time is. He wakes up at dawn to open his bar and begins the hard work. He experiences body care as a cult: protein shakes, gym, supplements, pole dancing lessons and treatments from Alessandra, his beautician girlfriend. Davide has always wanted to please and be admired. From model to Mister Sicily, today his dream comes true on the stage of a nightclub where he works as a stripper and lets himself be desired by others. A documentary focused on obsession with beauty and the cult of the body without neglecting the equally current issue of the construction of identity starting from our body and the gaze of others.

Narratives are tales that unintentionally define our personality. In the case of women, being beautiful is the only way. The film shows how we learn to be obsessed by the visual itself, and how the highest compliment to a woman is always beauty.

A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.