Homer

A homeless man seeks shelter under a bridge in a storm, and finds a curious shrine, and a longing for life just out of his reach.

Stop-motion experiments using B&W 16mm film. Shot using a Bolex, transferred to video, DVD, mp4. No soundtrack.

The unlikely story of a little seal who befriends a blind musician.

Two children sneak out behind their parents' back, to a magical circus world.

A 1986 set of three French clay animation shorts: The Multi-Coloured Little Circus and The Two Little Nightwalkers, both by Jacques Remy-Girerd, and The Baby Seal by Pierre Veck.

The little naughty bunny is kidnapped by a fox and a wolf.

Kongjui, who had been living alone with her father, welcomes a stepmother and a stepsister called Patchui into her life. When her father is out, the stepmother and Patchui make her do all the housework and the stepmother believes all of Patchui's lies and beats Kongjui mercilessly. When talks of marriage between Kongjui and the son of a respectable family come out one day, the stepmother does everything in her power to get Patchui married to the young man. Unaware of her stepmother's plans, Kongjui runs into the young man in the woods and the two fall in love.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

Cheese-loving eccentric Wallace and his cunning canine pal, Gromit, investigate a mystery in Nick Park's animated adventure, in which the lovable inventor and his intrepid pup run a business ridding the town of garden pests. Using only humane methods that turn their home into a halfway house for evicted vermin, the pair stumble upon a mystery involving a voracious vegetarian monster that threatens to ruin the annual veggie-growing contest.

The movie takes place between Seasons 1 and 2. The Green Forest Village hosts a festival in celebration of the 1000th anniversary of the large tree growing in the middle of the village. While Curucuru and his friends are helping in the festival, they learned that tree's vitality is due to a legendary item call the Pingya, which gives it Eternal Love and Life. But in the midst of the festival, a bunch of Pirate Hyenas came to the village and stole the legendary item, causing the tree to wilt. Now it's up to Curucuru and his pals to get it back from the pirates, before things can go worse. But amid-st the actual troubles they face, the kids also encounter a strange Tiger child, who is connected to the incident.

A man wakes up locked in a strange bathroom where something is lurking behind the walls.

With harpsichord music in the background, a dandy, seated at a table, plucks a quill pen from a ceiling full of them above him, dips it in ink, thinks, then draws a straight line down the page in front of him, out of which sprout six more quill pens, each held by a hand. The calligrapher moves all the hands and pens in unison, drawing an elaborate feathered wing, which comes to live, peeling off the page, and, now a quill pen, slips in to his hand. He tucks it behind his left ear.

A display at the strange and wonderful artifacts in a collection of medical curiosities.

Two men seek to negotiate an agreement of international significance.

In a realm beyond the senses, plants interact with surreal cinematography to chart the course of our character: an entity said to embody the life and work of Felisberto Hernández, Uruguayan father of magical realism. Through this journey, we are confronted with an open-ended experience questioning the nature of musicality versus cinematography, entity versus aberration, and self versus space, in a self-referential, blurry, digital and mystical setting.

When two enthusiastic handymen become neighbors, they can't let clumsiness stop them from finishing all their new home projects.

A little man tries to save a bird that fell from its nest. A stop-motion adventure drawn and animated on paper.

DEO A reimagining of Deo Gratias (ca. 1497) by Johannes Ockeghem. A Film by Eric Leiser. Animation by Eric Leiser. Composed by Pauline Kim Harris and Spencer Topel Deo is an acoustic-electronic transcription of Johannes Ockeghem’s stunning Deo Gratias devised as a complement to Ambient Chaconne. Notable as a 36-part canon, Ockeghem evokes singing of angels in heaven via an innovation on a traditional canon, using this ancient musical device as a kind of acoustic feedback delay. In essence, our Deo expands this idea of delays to a canon of thousands, in an ever expanding and infinite soundscape, where the melodies eventually dissolve into resonance.