Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.
A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden working for the acclaimed documentary filmmaker Jim Dunn, who has disappeared. Leach, a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy, their drug connection, to appear. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.
a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)
An ultra-realistic depiction of life in a Marine Corps brig (or jail) at a camp in Japan in 1957. Marine prisoners are awakened and put through work details for the course of a single day, submitting in the course of it to extremely harsh and shocking physical and mental degradation and abuse.
A harrowing, gorgeous, in-your-face-and-mind 45-minute black-and-white film by Marty Topp, produced by Ira Cohen for Universal Mutant. “Marty Topp’s beautiful film of ‘Paradise Now’ reveals how the theories of revolutionary change and the experience of sexual liberation are not separate paths to the beautiful nonviolent anarchist revolution. Practiced together they are a single thrust, encompassing both political action and sensual joy, leading to the dreamed-of terrestrial paradise.
A professional recording of the official play. The play has a play-within-a-play format, with characters Jim Dunn as the "producer" and Jaybird as the "writer" attempting to stage a production about the underbelly of society using "real" addicts. Some of the addicts are jazz musicians. They all (except for the "producer", "writer", and two "photographers") have one thing in common: they are waiting for their drug dealer, their "connection". The dialogue of the characters is interspersed with jazz music.
Jérôme Bel's show features the memories of spectators at the Avignon Festival.
At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.
Commissioned work by Julian Beck and members of The Living Theatre (featuring Beck and Judith Malina, co-founders of The Living Theatre, in performance) for broadcast on KQED-TV, San Francisco. The Dilexi Series represents a pioneering effort to present works created by artists specifically for broadcast.
The body of a Real Housewife is an apparatus, an assembly of parts—hair, lips, dress, falsies, mic pack, cell phone, wine stem, camera, restaurant, brand, identity. This body is maintained and degraded, intoxicated and cleansed, in seasons and cycles, systems of supply and denial. The self needs a medium. Who cares who you are when you’re alone anymore?
Based on the Pike River tragedy of 2010, this drama captures the profound impact of one of the worst mining disasters in New Zealand's history.
As his children plot his death to claim their inheritance, an aging patriarch leaves home, befriending a spunky boy who adds direction to his life.
A proud son hires a documentary filmmaker to immortalise his father's legacy. Tensions flare up between filmmaker and subject-and a rookie cameraman is caught in the cross fire-as the three travel across France unearthing family secrets.
Four women from Delhi, NCR and Gurgaon, tired of dealing with the incessant fear or rape, decide to teach one man how it feels to be afraid of being raped, on a daily basis.
Fahim Mohammad, a Bangladeshi immigrant, becomes a world junior chess champion in France.
Vali and Mina are two sisters who are polar opposites, pushed apart by life’s hardships and trials. One is a singer, a dreamer and emotional. The other is a therapist, distant and rational. Their loving father has finally found the perfect opportunity to bring them together, if only for a weekend, in order to hopefully patch things up between them: Vali has an audition in Paris and it’s mina who has to accompany her despite her contempt for her sister’s passion.
A woman born with a rare genetic mutation which caused her to lose her sight and hearing over time, beat the odds and expectations of her prognosis. Based on the memoir "Not Fade Away: A Memoir of Senses Lost and Found", written by Rebecca Alexander.
Její pastorkyně
Vijay is a down-on-luck mechanical engineer who’s looking for that big break in life. Both his personal and professional lives are a mess; will he ever catch a break?