Après la Passion selon Sade

A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden working for the acclaimed documentary filmmaker Jim Dunn, who has disappeared. Leach, a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy, their drug connection, to appear. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.

Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.

A professional recording of the official play. The play has a play-within-a-play format, with characters Jim Dunn as the "producer" and Jaybird as the "writer" attempting to stage a production about the underbelly of society using "real" addicts. Some of the addicts are jazz musicians. They all (except for the "producer", "writer", and two "photographers") have one thing in common: they are waiting for their drug dealer, their "connection". The dialogue of the characters is interspersed with jazz music.

An ultra-realistic depiction of life in a Marine Corps brig (or jail) at a camp in Japan in 1957. Marine prisoners are awakened and put through work details for the course of a single day, submitting in the course of it to extremely harsh and shocking physical and mental degradation and abuse.

a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)

A harrowing, gorgeous, in-your-face-and-mind 45-minute black-and-white film by Marty Topp, produced by Ira Cohen for Universal Mutant. “Marty Topp’s beautiful film of ‘Paradise Now’ reveals how the theories of revolutionary change and the experience of sexual liberation are not separate paths to the beautiful nonviolent anarchist revolution. Practiced together they are a single thrust, encompassing both political action and sensual joy, leading to the dreamed-of terrestrial paradise.

The body of a Real Housewife is an apparatus, an assembly of parts—hair, lips, dress, falsies, mic pack, cell phone, wine stem, camera, restaurant, brand, identity. This body is maintained and degraded, intoxicated and cleansed, in seasons and cycles, systems of supply and denial. The self needs a medium. Who cares who you are when you’re alone anymore?

Jérôme Bel's show features the memories of spectators at the Avignon Festival.

Commissioned work by Julian Beck and members of The Living Theatre (featuring Beck and Judith Malina, co-founders of The Living Theatre, in performance) for broadcast on KQED-TV, San Francisco. The Dilexi Series represents a pioneering effort to present works created by artists specifically for broadcast.

At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.

Ana, a Portuguese actress, dives into Brazil's current atmosphere of identity and political crisis while trying to portray in a feature film the colourful life of famous singer and actress Carmen Miranda, who helped define Brazil's identity.

A play by Terence Rattigan about the stories of several people staying at a seaside hotel in Bournemouth which features dining at "Separate Tables."

A television interviewer is determined to get a coup on a dodgy cabinet minister.

Boy Director

Santiago leaves a small town jail and, finding no job, gets involved in a robbery that goes wrong, ending up committing a crime. Desperate, runs away and hides in a big city using a random fake name, in search for a second chance. However, that name is the same of another man also hiding a dark secret. Completely made with still photos, The Name explores memory, individual responsibility and the chance to start over.

Musical adaptation of the novella by Charles Dickens.

Hercules, a poor individual earns his living as a walking street ad, carrying a gigantic advertising sign on his shoulders. His biggest concern is his daughter Leonor, who helps at home by working as a seamstress. Afflicted by the economic situation, Hercules gets a job as a casino watchman. There he must face a trio of mobsters and a kleptomaniac baroness who tries to seduce him with her vampire airs and whom Hercules ends up falling in love with.

Makoto Toda was an earnest man who had lived an ordinary life, working as an ordinary company employee. He had built himself an average, but happy home along with his wife and his daughter. Things change however, when a new female recruit named Saya arrives at Makoto’s division. The young woman does everything she can think of to get herself closer to Makoto, and it isn’t long before the two become sexually involved. The affair first seemed as though it would end as a quiet secret only the two would ever know... However, the secret escalates slowly until it spins out of control, and Makoto’s home heads toward destruction...

Despite his lifelong efforts, Jean is one of those unfortunate men who can never understand women. This arty, metaphorical French film presents three examples of Jean's difficulties over the course of his long life. Each of the three episodes takes place beside the same river. He is first seen as a small boy playing on the river banks with the teenage girl he secretly loves. She mischievously promises to tell him her darkest secret if only he will perform a certain task for her. The story then takes a more surreal turn as a now-grown Jean, once again beside the river, toys with a beautiful woman at a picnic. She wants a commitment from him, but wily Jean is unwilling to satisfy her. In the final segment, Jean has become an old man and is once again deeply in love.

Saya had planned a scheme so that Sakiko, who works under Makoto, would witness her sexual affair with Makoto in the office. Makoto’s home is about to become a broken one when his wife Sachiko is told of her husband’s unfaithful doings. Saya, simmering with bottomless vengeance, exploits Hayakawa, Makoto’s daughter’s private tutor, to lure Sachiko into committing adultery... and in the end, nothing can hold down sexual desires!