Après la Passion selon Sade

A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden working for the acclaimed documentary filmmaker Jim Dunn, who has disappeared. Leach, a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy, their drug connection, to appear. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.

A harrowing, gorgeous, in-your-face-and-mind 45-minute black-and-white film by Marty Topp, produced by Ira Cohen for Universal Mutant. “Marty Topp’s beautiful film of ‘Paradise Now’ reveals how the theories of revolutionary change and the experience of sexual liberation are not separate paths to the beautiful nonviolent anarchist revolution. Practiced together they are a single thrust, encompassing both political action and sensual joy, leading to the dreamed-of terrestrial paradise.

Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.

a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)

An ultra-realistic depiction of life in a Marine Corps brig (or jail) at a camp in Japan in 1957. Marine prisoners are awakened and put through work details for the course of a single day, submitting in the course of it to extremely harsh and shocking physical and mental degradation and abuse.

A professional recording of the official play. The play has a play-within-a-play format, with characters Jim Dunn as the "producer" and Jaybird as the "writer" attempting to stage a production about the underbelly of society using "real" addicts. Some of the addicts are jazz musicians. They all (except for the "producer", "writer", and two "photographers") have one thing in common: they are waiting for their drug dealer, their "connection". The dialogue of the characters is interspersed with jazz music.

Jérôme Bel's show features the memories of spectators at the Avignon Festival.

Commissioned work by Julian Beck and members of The Living Theatre (featuring Beck and Judith Malina, co-founders of The Living Theatre, in performance) for broadcast on KQED-TV, San Francisco. The Dilexi Series represents a pioneering effort to present works created by artists specifically for broadcast.

At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.

The body of a Real Housewife is an apparatus, an assembly of parts—hair, lips, dress, falsies, mic pack, cell phone, wine stem, camera, restaurant, brand, identity. This body is maintained and degraded, intoxicated and cleansed, in seasons and cycles, systems of supply and denial. The self needs a medium. Who cares who you are when you’re alone anymore?

Frankenstein’s secrets did not die with him. As graves are torn up and patience disappear from asylum, William Browning sets out to find who stole his father’s body - and finds horrors close to home as his mother descends into madness.

Revolves around a mediation center that provides professional mediation services to explore the causes behind the conflicts.

A senior police constable is found murdered at the police station during a brief power cut. Investigating officer Arjun takes the task of unmasking the killer from a handful of suspects including half a dozen cops and a number of outsiders who are there for various reasons.

Almas Mortas

Nozomi Takemoto, a reclusive first-year high school student, resides in Omuta with her father, a town that once thrived as a coal mining hub. As her summer break nears its end, Nozomi embarks on a bicycle ride to the town's outskirts and stumbles upon a captivating relic: the remnants of a coal mine turret that once symbolized prosperity. Intrigued by this discovery, she delves into the town's history, scouring the library for old records and materials. Along her journey, she crosses paths with a newspaper reporter assigned to cover the town's post-mining era. Through this summer adventure in an unfamiliar town, Nozomi gradually uncovers the hidden chapters of her family's past, connecting her with the experiences of her father and grandparents.

A bride-to-be is invited to her own fiancé's bachelor party, but when uncomfortable details about their relationship are exposed, the night takes a feral turn.

Laura lives in fear in a small town. Her ex partner, Hernán, was violent with her and now he's about to return to town. Laura must find a solution to never cross paths with him again.

When an immigrant teen in Central Florida must help her mother before a school exam, tensions of belonging in a new country bubble to the surface.

Presenting the stories of six Media Prima employees from different parts of the work. The relationship crisis between the six featured characters is evident when the busyness of the month of Ramadan hits. The story in the TV unit, Sharifah (Siti Saleha) is responsible as a producer but is too dependent on her assistant, Nina (Shasha Abedul). While on the radio side, Jamal (Anas Ridzuan) who is a radio DJ and has made a name for himself as a duo with his friend, Khairul (Luqman Hafidz), but there was a fight between them while on air. Another story is between Nazmi (Syafiq Kyle) who plays the role of a newspaper reporter and often feels dissatisfied with Alia (Mimi Lana) who works in the digital department. Can each character solve each of their relationship problems?

Cêcil and Cecília, neighbors in a suburb, suffer daily from the challenges imposed by the Brazilian suburban condition. An unexpected meeting leads the two, newly introduced, to nurture a friendship separated by a wall.