Après la Passion selon Sade

Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.

A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden working for the acclaimed documentary filmmaker Jim Dunn, who has disappeared. Leach, a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy, their drug connection, to appear. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.

An ultra-realistic depiction of life in a Marine Corps brig (or jail) at a camp in Japan in 1957. Marine prisoners are awakened and put through work details for the course of a single day, submitting in the course of it to extremely harsh and shocking physical and mental degradation and abuse.

a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)

A harrowing, gorgeous, in-your-face-and-mind 45-minute black-and-white film by Marty Topp, produced by Ira Cohen for Universal Mutant. “Marty Topp’s beautiful film of ‘Paradise Now’ reveals how the theories of revolutionary change and the experience of sexual liberation are not separate paths to the beautiful nonviolent anarchist revolution. Practiced together they are a single thrust, encompassing both political action and sensual joy, leading to the dreamed-of terrestrial paradise.

A professional recording of the official play. The play has a play-within-a-play format, with characters Jim Dunn as the "producer" and Jaybird as the "writer" attempting to stage a production about the underbelly of society using "real" addicts. Some of the addicts are jazz musicians. They all (except for the "producer", "writer", and two "photographers") have one thing in common: they are waiting for their drug dealer, their "connection". The dialogue of the characters is interspersed with jazz music.

The body of a Real Housewife is an apparatus, an assembly of parts—hair, lips, dress, falsies, mic pack, cell phone, wine stem, camera, restaurant, brand, identity. This body is maintained and degraded, intoxicated and cleansed, in seasons and cycles, systems of supply and denial. The self needs a medium. Who cares who you are when you’re alone anymore?

Jérôme Bel's show features the memories of spectators at the Avignon Festival.

Commissioned work by Julian Beck and members of The Living Theatre (featuring Beck and Judith Malina, co-founders of The Living Theatre, in performance) for broadcast on KQED-TV, San Francisco. The Dilexi Series represents a pioneering effort to present works created by artists specifically for broadcast.

At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.

In 1997, 19-year-old Kyle Miller dreams of launching a party backdrop business with his best friend, Eric Hernandez. While Kyle is eager, Eric is reluctant, burdened by his parents' expectations. They skip college, opting to spend a year working on their business plan during routine visits to the local laundromat. One night, a mysterious stranger interrupts their laundry night with words of wisdom and a magic trick. Suddenly, the friends discover they are incapable of lying. As they work together to break the spell, they discover how much is at stake when the truth comes out.

With his life in jeopardy and jail almost a certainty, one question remains, how could a farm boy bring down the global financial system and how far is the international world order willing to go to silence his story?

Joo Seung-gi and Yoo Ah-rin desperately have sex several times a day to have children, but they were not pregnant, so they were tested, and the result of the test was Seung-gi's infertility. After much consideration, Seung-gi asks his fiery friend Yoon-woo to have a relationship with Ah-rin, and after persistent persuasion, Ah-rin and Yoon-woo have a relationship. Afterwards, Seung-gi began to doubt the relationship between Yoon-woo and Ah-rin...

Guangzhou Story

A bumpy team that suddenly formed challenges the Rocket League national tournament.

This original comedy-drama from Oscar-nominated writer Ron Nyswaner ("Philadelphia") and director Robert Allan Ackerman ("The Reagans") charts the lives of male and female employees, as well as their chic clients, at New York City's most exclusive and expensive escort service.

Gautham, a renowned tattoo artist marries his love Mahi,under the condition that they won't have children. When Mahi becomes pregnant, Gautham, who strongly dislikes kids, struggles with this situation and surprisingly decides to carry the baby himself.

Arnie Miller, a small town guy from rural Connecticut, is forced to navigate a complicated weekend when convinced to go visit an ex girlfriend in Chicago.

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