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At work, Chris is a hardboiled no-nonsense detective who's investigating a series of brutal murders of jazz musicians. At home, he's a family man straight out of sitcom who has to satisfy every whim of his wife and kids.

Doctor Henck is having bad day, and borrows a fur from a friend. It gives him new confidence, and his day immediately gets better. Hjalmar Söderberg's rejected 1911 movie script, filmed in 1966 for TV as a silent film with a piano soundtrack, to match the time in which it was written for.

Target of ridicule from fellow military academy, the cowardly Augustin did not want to return to their village for fear of confronting his grandfather, a revolutionary colonel. In love with the movie star Laura, Agustin flee to the capital but encounters the dangerous Humberto, another in love with the actress. Thanks to his "nine lives", he attains overcome perilous adventures and, incidentally, overcome their fears.

While reading his favorite comic book, Daffy accidentally knocks himself unconscious and dreams he's Duck Twacy, famous detective, trying to solve the case of the missing piggy banks. Taking a streetcar (conducted by Porky Pig, in a non-speaking cameo role) to the gangsters' hideout, he meets up with such grotesque criminals as Pickle Puss, Eighty-Eight Teeth and Neon Noodle.

A family purchases a home robot designed to look like a grandmum. Their neighbours immediately buy a more expensivve model as the two families always try to up the other one. Both grandmums start to "terorize" their families because they were set up to ensure the mums exercise, the kids study etc. Apart from that they start causing problems to the other family ... cut ropes with hanging clothes, pierced tires, etc. Once they get to killing each other family's pets the parents get really worried about the safety of their kids. The grannys later destroy each other while fighting and the families decide that they'll be better off without any robots. (It's some time since I saw this so the details may be off.) Mainly thanks to the design of the robots it's rather a comedy than a horror. Unless you are ten. And a rather good comedy!

A shy nurse is bitten by a zombie and becomes a flesh eating sex kitten. GRAVEYARD ALIVE is a cross between 1920's German Expressionism and 1960's B-horror films. Shot in and around the Montreal area, this is Bastard Amber Production's first full-length feature. The story follows Patsy, a lonely, dreamy nurse who, after being bitten by a zombie, becomes a sex-kitten. With her newfound powers, she tries to win back her old flame, the suave and handsome Dr. Dox, from Goodie , a bitchy young nurse. As the film progresses, Patsy must also learn to deal with her new affliction and to live her life, no longer in her romantic dream world, but in a harsher yet ultimately more satisfying reality. Shot in Techniscope with a 1:2.35 aspect ratio, an old process used in many 1960's films such as Dario Argento's "The Cat O' Nine Tails", GRAVEYARD ALIVE promises to invigorate the horror genre stylistically as well as with its audacious and thought-provoking content.

Five sexy girls turn into fighting rangers when a gigantic monster shows up to terrorize their town.

'Bruce' goes to head with bandits who are terrorising and murdering villagers.

High atop Mount Olympus a feud erupts between three goddesses over who is entitled to the coveted Golden Apple. Their leader Zeus sends them to earth to let human mortals decide. Helen, Greece's beautiful Queen of Sparta, falls under the spell of the Golden Apple and is whisked away to Troy. The entire Greek army, among them the fearless warrior Odysseus, is enlisted to return her home. The cunning Odysseus devises the ultimate plan: The Greeks will build a great gift for the Trojans, a breathtakingly massive wooden horse. But little do the Trojans suspect that once they open their present, they're in for a big surprise!

A parody of the long running radio show "The Archers", an everyday story of country-folk based in the fictional village of Umbridge.

Martian women from Mars have sent an army of killer robots to take over planet Earth, and the only hope for mankind may be a Doomsday weapon built by a mysterious inventor in this throwback sci-fi entry with a double shot of 1950s retro kitch. As killer robots descend from the sky, a hapless police officer is abducted by a UFO and a young couple finds their romantic picnic rudely interrupted by the shiny metallic invaders. Though a doomsday weapon of unimaginable power may be mankind's only defense against the powerful invaders, it could also spell the end for the human race as we know it.

A gay take-off on a certain Warner Bros. / Tennessee Williams movie.

An early drag parody of the classic film All About Eve (1950).

Dr. Chichibuyama is the perverse head of a hospital way out in the mountains and terrorises patients with the help of his lover and a sexy young nurse.

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Seeking YouTube fame, Seamus and Travis somehow find themselves caught in a money laundering scheme run by the "Mexican Drug Cartel". BUT WHAT IS MONEY LAUNDERING? I don't know, and neither do they...

After he retires from the police force, a veteran cop is framed for robbery but his friends, a rookie and three ex-cops, come to his rescue.

The infamous CLONE WARS have reached a crescendo as ANAKIN SKYWALKER and OBI-WAN KENOBI confront the fiendish GENERAL GRIEVOUS and his manager COUNT DOOKU. There may be greater forces at work, so will YODA and the other JEDI be able to defeat the mysterious DARTH SIDIOUS?

In 1957 the Soviet Union decides to give Hungary the chance to choose the world's first cosmonaut, who can be the very first person in space. It seems like the best candidate is Lajkó, the gypsy spraying pilot.

After causing the collapse of their own planet, the Anatar people of humanoid aliens who evolved from ducks, are searching for a new celestial body to call a nest. During their wanderings in space they land on Pandono, a place where living beings and nature have found their strange balance. Love, war, spaceships and space ducks are the ingredients of this grotesque modern fairy tale about accepting what is different from us.