Prisoner C33

“In This Moment” follows Love, a trans woman navigating the complexities of polyamory and self-discovery in a world that often challenges her right to exist. As she unravels what it means to be truly seen and cherished, she confronts the ways love manifests—fluid, unpredictable, and boundless, much like the ocean itself. This story is a testament to resilience, intimacy, and the ever-shifting tides of identity and belonging.

Edan (19) and Dula (18) navigate love, identity, and self-acceptance on a journey about coming into oneself and out to the world. Confronting fear, shame, and societal expectations, the boys rediscover a sense of belonging in their own paradise, in this celebration of queer love, vulnerability, and the power of embracing who you are.

England, 14th century. King Edward II falls in love with Piers Gaveston, a young man of humble origins, whom he honors with favors and titles of nobility. The cold and jealous Queen Isabella conspires with the evil Mortimer to get rid of Gaveston, overthrow her husband and take power…

In 1970s Britain, 18-year old Dean feels hampered by his working-class background and his family. In order to make something of himself, he assumes another identity and manages to enter high society. Uses a unique projection technique that displays three side-by-side frames of nearly simultaneous action, giving the impression of simultaneous events, rather than a multi-camera recording. This innovative "three-camera" or triple-image effect was an "almost innovation" for the time, offering a novel cinematic experience alongside the film's compelling story and strong direction.

When Ella was twelve, she had her first fight. And when she was twelve, she discovered sex. Now eighteen, Ella reflects on how her obsession with her older brother Michael's best friend Moses left her with a secret she still carries.

After chatting to a guy online, Jamie makes the bold step to meet up with him in person.

A couple living in Victorian London endure an unusual series of psychological and supernatural effects following the birth of their child.

Uwe Friessner’s first feature, At the End of the Rainbow, follows the exploits of a West Berlin teenager named Jimmi who ekes out a living through petty theft and part-time hustling, hangs out in punk clubs, and who, for reasons which this film subtly details, is thoroughly unemployable. Drawing on his own experience in trying to help a young runaway who eventually committed suicide, Friessner wrote into Jimmi’s story several older students who attempt to find work for him, and who give him shelter for a time in their commune.

Bartek lives in a village in the Podhale region, where he runs a small farm and takes care of his lonely and possessive mother. One day he meets Dawid, a slightly older man who comes to visit his family after many years of absence. Affection quickly develops between the two, followed by desire that Bartek suppressed for years.

After having a nearly fatal drug overdose, 19-year-old Argentine Martin is sent to Madrid, where his film director father lives with his new, younger lover, Alicia, and his bisexual actor friend, Dante.

A year after the death of their beloved Lily, Beau and Caden learn that she froze some of her eggs and they must decide whether they are ready to take the next step in their relationship and become parents.

A death row inmate turns for spiritual guidance to a local nun in the days leading up to his scheduled execution for the murders of a young couple.

An ailing, elderly poet reminisces about his life of unrest and homosexual urges.

Worlds collide at an awkward dinner party in 1959 New England. Tables turn when a progressive biracial couple attends dinner at the imposing home of an unexceptional artist and questionable psychiatrist. By daybreak, they find themselves pawns in a cynical game that exposes the cracks in their facades.

Two-Headed Calves is Johannes and Marie’s wedding video. For Johannes, the marriage is supposed to mark the start of a new life, and in the end it does, just differently than expected.

20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.

A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.

The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.

This short films collection deals with coming of age which describes the process of maturing from youth to adult. The unrest and conflicts that go hand in hand with this difficult time are reflected in a wide variety of topics. Deep intimate situations alternate with deliciously funny moments. The short films are: Like a Brother (2002); Late Bloomer (2004); Little Wings (2007); Connected (2008); The Cousin [El primo] (2008); Ready? OK! (2008).

The fourth short film collection gives its creators special artistic expression: as if under a magnifying glass, it shows snapshots of lives of teens and young men as they fall in love and try to understand the unexpected. The 6 short films are: Sexy Grandpa (2001); Coffee (2004); Thermopylae (2005); The Love Within (2016); Romeo's Kiss [Le baiser] (2007); Love, Death & Cars (2008).