Miragem

A fascinating case of narrative deconstruction, THE SUICIDE SQUEEZE is a '40s style whodunit pressed through the wringer of an optical printer.

Jay and Matt move everything out of "Stu's" garage. A road trip of memory ensues.

A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…

HE, the third work in the ongoing collaboration between Rouzbeh Rashidi and actor James Devereaux, is a troubling and mysterious portrait of a suicidal man. Rashidi juxtaposes the lead character’s apparently revealing monologues with scenes and images that layer the film with ambiguity. Its deliberate, hypnotic pace and boldly experimental structure result in an unusual and challenging view of its unsettling subject.

A camera crew travels through Thailand asking villagers to invent the next chapter of an ever-growing story.

An ex-military alcoholic begins experiencing unexplained blackouts, and the more he tries to stop them, the worse they get, until he realises they are being triggered by a trauma his mind is fighting to forget.

A young woman dreams of a jellyfish in a sea of blue. Far below the surface the jellyfish dreams of her and glimpses a secret she keeps

In this mesmerizing experimental film, a Stephen King television movie is compressed and transformed through hypnotic black and white collage animation that meticulously reconstructs and reshapes its supernatural drama to an eerie and profound effect.

After a feverish dream, a paralysed woman finds herself trapped within a purgatory of sleep, as their inaction causes time to move. The dreamers' body mutates and deforms as multiple incarnations of herself struggle to awake. Bed & Breakfast is a surrealist horror about inaction and sleep paralysis. Questioning the nature of memory, identity, and the fabric of reality, by plunging you into the psyche of a paralysed dreamer where reality is far repressed.

According to an English legend, Joan of Arc never died at the stake. Her eyes were seared with hot pokers and she was deflowered by an English stud. She was then sentenced to wander on the battlefields, like a vulture, on the look-out for life and searching for any virgins left alive.

In Arnarstapi (Iceland), during a cabaret number, a mistress of ceremonies proposes to us a journey into the center of her organs to go and meet the original being. During the journey, the public enters into a trance to reach the ecstasy.

Proyecciones del Limbo

A girl haunted by traumatic events takes us on a mesmerising journey through 100 years of horror cinema to explore how filmmakers scare us – and why we let them.

Andrew, a teacher, is attacked while leaving work in a failed mugging which results in him becoming critically injured. While he is bleeding out a Deity appears healing Andrew but this is at a cost.

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.

A boobs flasher tells us, a boobs flasher lets us see.

“To begin a new chapter, you must close the last — even if it hurts to turn the page.” Savage Song is a poetic short film that explores the duality of destiny — the battle between who we are and who we are meant to become. In a world where every step forward demands a sacrifice, the film captures the raw emotion of choosing growth over comfort, and the strength it takes to say goodbye to the old in pursuit of the unknown. Shot on location in beautiful Orkney Islands, where the landscape becomes a character of its own — stark, wild, and symbolic of inner transformation. Through striking visuals, haunting sound, and symbolic storytelling, Savage Song reminds us that transformation is never gentle — it’s savage, beautiful, and necessary. 🎥 Directed by: ‪@AlonaPetliarska‬ 🎞️ Edited by: ‪@AlonaPetliarska‬ ‪@YukhymPetliarskyi‬ 🎼 Original Music by: ‪@bertsovna‬

O Mel é Mais Doce Que o Sangue

A photographer girl enters a street to take street photographs as usual and takes a few photos that she thinks are normal. When she washes the photos and hangs them, she sees that she is actually in one of the photos and goes in search of that person.

A fever dream of the faces of love. Six circles of love. A kind of death and rebirth experienced within each circle. Each song in the short film evokes a realm of what love can feel like to a human being, the metamorphosis through the experience of Love. Faced with the person that was at every metamorphosis, there is a certain death, and certain transformation. We watch her move without words towards salvation.