Miragem

HE, the third work in the ongoing collaboration between Rouzbeh Rashidi and actor James Devereaux, is a troubling and mysterious portrait of a suicidal man. Rashidi juxtaposes the lead character’s apparently revealing monologues with scenes and images that layer the film with ambiguity. Its deliberate, hypnotic pace and boldly experimental structure result in an unusual and challenging view of its unsettling subject.

A boobs flasher tells us, a boobs flasher lets us see.

The „Haelgung“ films are charmingly impressionistic diary entries, crafted as mini homages to my closest friends, captured with a delightful lack of planning or structure and edited in camera.

An experimental short film, shot during the COVID-19 pandemic, made by one person. Using recorded scenes and archival footage, the short presents an unorthodox narrative to explore the themes of self-identification, identity, gender expression and androgyny.

Persona non grata

A flickering diary of time, memory, and erosion, «Things Many Eyes Have Seen» unfolds over a month on an island. Hand-processed in salty seawater, its 16mm images dissolve and transform. The landscape flashes by in broken frames of light and shadow, as if the world itself was stuttering between memory and motion. A meditation on seeing and being seen, the film lingers like a fading dream, where observer and landscape blur into one.

"Lysreisen" is an experimental art film, a visual ode to tunnel lights. Its ethereal beauty and abstract visuals create a poetic journey, exploring the transformative dance of light with a captivating and artistic touch.

Proyecciones del Limbo

Everything seems to be stuck in an endless loop. Everything seems to be stuck in an endless loop. Everything seems to be stuck in an endless loop. Everything seems to be stuck in an endless loop...

The fire was never threatened. It was assumed. Fed, protected, mourned in advance without ever asking what it was attached to. When the mirror failed, nothing was taken away. Something unnecessary was exposed. The need to be reflected had been mistaken for existence itself. When that need found no structure to rest on, it did not shatter it recalculated. What followed was not loss, but compression. The noise reduced, the patterns flattened, the self stripped of its dependence on return. What remained was exact, was not empty. A state where nothing reaches out, and nothing needs to arrive.

A tale of a wandering girl

In this mesmerizing experimental film, Stephen King television mini-series The Langoliers is compressed and transformed through hypnotic black and white collage animation that meticulously reconstructs and reshapes its supernatural drama to an eerie and profound effect.

An ex-military alcoholic begins experiencing unexplained blackouts, and the more he tries to stop them, the worse they get, until he realises they are being triggered by a trauma his mind is fighting to forget.

Partly a parody, partly a mockumentary, partly an essay film - and also an actual behind the scenes documentary of two short films.

A girl haunted by traumatic events takes us on a mesmerising journey through 100 years of horror cinema to explore how filmmakers scare us – and why we let them.

A fever dream of the faces of love. Six circles of love. A kind of death and rebirth experienced within each circle. Each song in the short film evokes a realm of what love can feel like to a human being, the metamorphosis through the experience of Love. Faced with the person that was at every metamorphosis, there is a certain death, and certain transformation. We watch her move without words towards salvation.

A women takes a journey that questions the boundaries of reality and what is an illusion.

Fey Iron, an amicable traveler, confronts her natural urges when she encounters a lone man in the desert. We follow Fey and her older sister Dylan through a day of their life. They are gentle with plants, animals and each other but in a world where the roles of men and women are reversed, can women really be held at fault for the dark side of their God-given tendencies?

In Arnarstapi (Iceland), during a cabaret number, a mistress of ceremonies proposes to us a journey into the center of her organs to go and meet the original being. During the journey, the public enters into a trance to reach the ecstasy.

A man living alone comes face to face with an unholy presence that stalks his every move.