Persecution

Xiaolong lives together with his grandfather and his cat in a little town in rural china. After graduating from elementary school, he plans to visit the city's middle school together with his two best friends Lele and Meimei. But Xiaolong's father wants him to move to Shanghai and visit a school there. Xiaolong doesn't want to leave so he runs away with his cat, and finds shelter on a deserted roof.

It's Christmas Eve and the playroom is alive with excitement for the new toys that will arrive the next day. Balthazar, the old and wise bear, explains to the other toys that they must welcome the newcomers even though each of them may be replaced as one of the children's new favorite toys.

A kitten who is being tormented by a bulldog finds a savior in a black cat (from the "Black Cat Bad Luck Company") who merely has to cross the dog's path for something very unlucky to happen to the bully.

Images of two women, two men, and a gray cat form a montage of rapid bits of movement. A woman is in a bedroom, another wears an apron: they work with their hands, occasionally looking up. A man enters a room, a woman smiles. He sits, another man sits and smokes. The cat stretches. There are close-ups of each. The light is dim; a filter accentuates red. A bare foot stands on a satin sheet. A woman disrobes. She pets the cat. Preserved by the Academy Film Archive in 2006.

Flatworld is an award-winning 1997 animated short directed by Daniel Greaves. The film was shot using a combination of cardboard cut-outs and traditional cell animation.

A humble young security guard in the Fiji Islands rising from the struggles of city life pursues his dream of becoming a professional boxer as he steps into the ring to provide for his struggling family. Facing personal loss, fierce rivals, and a complicated mentor, Sam must fight not just for glory, but for redemption and identity.

When a sudden move disrupts Harper's life, she is left wondering what this change means for her relationship with Maisie, her imaginary best friend. Left to pack up the remnants of her childhood, Harper has to figure out what has to come with her, and what has to be left behind.

Three women on a morning train face life-changing choices that force them to confront love, betrayal, and desire as they decide their futures.

American agent Captain Dieppe gets involved in the affairs of lonely Count Fieramondi in Northern Italy. Dieppe, hired to help the count reconcile with his wife who has gone to Rome to pay off gambling debts mistakenly falls in love with her cousin, Lucia, who is impersonating her. After Dieppe retrieves evidence of the debts and the real identities are revealed, he makes a final sacrifice to ensure the count and countess can reunite.

Men, Women, and Money

A shepherd discovers his wine is gone and one of his sheep, Hervé, can suddenly talk.

After a long night at the bar, a small town bartender and her long-time customer are convinced to help a pleading mother. They embark on a mission to help her two children. In the process they confront their fears about the mysterious evil town of Salem's Lot.

The film by Ed Atkins and Steven Zultanski combines a performative reading of Philip Atkins’ (Ed’s father) diary, written during the six months leading up to his death, with the reenactment of The Ambulance Game, a role-playing game played by Atkins and his daughter. Originally private, both the diary and the game are now performed publicly, with the camera alternating between the performers and the audience, emphasising voyeurism and shared intimacy. Exhibited at Tate Britain alongside Atkins’ writings, paintings, embroideries, video works, and drawings, Nurses come and go, but none for me (2025) marks both Hartwig Art Foundation’s first commission of a work by Ed Atkins and the artist's debut feature-length film.