Song of the Shell

The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.

A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.

Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.

In late 18th century Scotland, Annie Laurie and William Douglas love each other, but their clans are on opposite sides of the country's civil war. Their love is made immortal through the title song of this film.

In this short, the janitor of a Paris museum's Egyptology department agrees to help a girl hide from the police.

196X. Anna, an enigmatic and attractive professional kidnapper, abducts The Professor during his wedding ceremony on request from one of the latter's former girlfriend. This woman, whose face Anna has never seen, wishes to die with The Professor before he marries. Leaving the church with The Professor on the back seat of her motor-bike, Anna starts on the journey to the fictional city of 'Alpha Paris'.

In a banana republic, way south of the Texas border, a dumb-Dora American girl, Norma (Olive Borden), lets her ruby-red lips promise more than she is willing to deliver, and she finds herself a prisoner in a notorious dance-hall/brothel. But her American aviator boyfriend, Barry Blake (John Boles), is flying to her rescue. He does just that but, alas, they are quickly captured by a gang of outlaws. Possibly the many expensive pieces of jewelry she has gathered from the many male friends she has made along the way, including El Presidente, captured the outlaws' attention.

Daisy Smith (Marceline Day), a floater and non-desirable citizen in most societies, seeks refuge on a tropical island in the South Seas. She meets Jim Curtis (Don Alvarado), another society-outcast and a piece of human driftwood, and a romance takes place that regenerates both and they sail back to the United States determined to start life anew.

A 15-year-old Nune creates a fantasy world to escape from the pain of social rejection and bullying. But her archenemy's girlfriend-a model cheerleader with a bleeding heart-keeps luring her near.

A couple is stuck in an escape room, and a failing relationship, with no way out.

To start a little in advance of our story, Lord Rintoul, of the English nobility, finds a little Gypsy girl three years old, who had been deserted by her parents. Fifteen years later, Gavin Dishart, the Little Minister, receives an appointment, his first, at Thrums, Scotland. This was made possible through the self-sacrifices of his widowed mother, to educate him for the ministry. The community of Thrums is made up of weavers, who work hard, have little and accomplish much. They are ultra-religious and look upon their pastor with such reverence that he is a little lower than the angels. While naturally intelligent, they are grounded in dogma and intolerance. Just after the Little Minister takes charge of the "Auld Licht Kirk" and the Manse, the weavers resent a reduction, by the manufacturers, in their pay and a strike is declared.

Sara has fallen in love with Iván, a man who is invisible to Sara. Ivan does not reciprocate. Sara becomes obsessed with him instead of taking care of herself.

Stephanie is a young woman who just turned thirty, and has everything a girl wants in life -- beauty, intelligence, and a handsome, successful fiance who seems to be madly in love with her. Frank pushes her to set a date for the wedding after a long engagement, but Stephanie is not sure about making a commitment to marriage; something is holding her back. Does another man just exist in her imagination or is he out there somewhere? When Frank finally announces the wedding date in front of her family and friends, Stephanie has to face reality. In the moment of truth, Stephanie has to decide whether to follow her head or her heart.

Anna and Marie are two women who could possibly love each other. Marie wants to be open to this new overwhelming feeling, even if she has to throw away all that she has ever held to be right. Anna on the other hand, enjoys the attention from this gentle soft girl Marie, who seems to love her, not in spite of but also because of her sharp edges. It could all be so easy if it weren't for Zoe, the woman who has been at Anna's side for years.

A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.

Love Never Dies was set in France, and convincingly so (which was not often the case in American-made films of this period). It is established in the first reel that hero Felix and heroine Cecile have been sweethearts since childhood. Later on, Fate forces Felix and Cecile to separate, but viewers could take heart in the positive sentiments expressed by the film's title.

Maya excitedly leans into the joy of her first queer relationship, but must confront the seemingly never-ending sexualisation of her identity

A trans rocker girl getting by with petty credit card fraud is left to question who she wants to be when her latest target surprises her with an unforeseen proposition.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

A jerk husband Sandro and his young wife Giulia have moved into a new apartment. She is unpacking, and he his lounging in the bath. When his brother Walter comes over to deliver a new wall mirror. The brother makes a pass at the young wife, as he has secretly wanted to do for years.