In 1909, the Korean Empire is on the verge of losing its sovereignty to Japan. Patriot Ahn Jung-geun and his comrades pledge their lives to the movement for Korea's liberation. Seol-hee, a court lady of the late Empress, also expresses her intent to join the independence movement. Ito Hirobumi, the first Japanese resident-general on the Korean Peninsula, heads to Harbin to pursue his dream of advancing into Asia. On Oct. 26, 1909, a shot rang out at Harbin Station. Beloved son, father of two children, and husband, Ahn Jung-geun, assassinated Ito Hirobumi. In court, Ahn claims not to be a terrorist, but a prisoner of war desperate to protect his beloved homeland, Korea. Who is the one guilty of a crime?
Stage show of Kamen Rider Gotchard.
Dia is a divorced mom living in New York and must go back to India after she receives news that her guru is on his death bed. When she arrives she finds he is gone and has left her the responsibility of saving and reviving the Ajanta Theater where she used to dance. The problem is that the political officers want it torn down and turned into a shopping mall. The storyline follows Dia and her challenge to stand up for what she believes in and fight the cause to the end, while trying to win back the love and support of the people of the town whom she walked out on ten years prior.
Set in New York City's gritty East Village, the revolutionary rock opera RENT tells the story of a group of bohemians struggling to live and pay their rent. "Measuring their lives in love," these starving artists strive for success and acceptance while enduring the obstacles of poverty, illness and the AIDS epidemic.
A stage play by John Murrell, adapted by Eric-Emmanuel Schmitt, performed to perfection by Fanny Ardant and Robert Hirsch about the last days of Sarah Bernhardt. The play concentrates on an uneasy relationship between Sarah and her servant to whom she dictates her memoir, as well as a fragile relationship between her memories, actual history and reality.
Mary and her steady, Jack, have differing opinions on "the stage"-- Mary wishes to devote her life to the craft, while Jack strives to settle down and leave all that play-acting behind. When a traveling troupe that performs a Fall-of-Roman epic is ordered to strike, both Mary and Jack are called upon to participate in their stead.
Georg Kaltengruber actually wanted to spend a cosy New Year’s Eve at home. But his wife Anneliese startles him with a glorious idea: She wants to re-enact ‘Dinner for One’ in Franconian, put it online, and even charge money for it. And her husband Georg is obviously supposed to participate and play James the butler. But Anneliese can’t remember the original plot quite exactly – and so, chaos is sure to follow.
A town in Arkansas makes national headlines when a local sow gives birth to 18 piglets.
Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.
In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.
"Jellicle" cats join for a Jellicle ball where they rejoice with their leader, Old Deuteronomy. One cat will be chosen to go to the "Heavyside Layer" and be reborn.
On the day before Easter in 1911, Don Hewes is crushed when his dancing partner (and object of affection) Nadine Hale refuses to start a new contract with him. To prove Nadine's not important to him, Don acquires innocent new protege Hannah Brown, vowing to make her a star in time for next year's Easter parade.
Christina Aguilera's breathlessly energetic, senses-frazzling live spectacular of a concert brought the house down in Sydney Adelaide, Australia. The critically acclaimed live extravaganza thrills and awes, while Christina's vocal acrobatics remind you why hers is the Voice of a Generation.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
A former circus artist escapes from a mental hospital to rejoin his armless, cult leader mother, and is forced to enact brutal murders in her name.
A giant clown, spectacular video, light and pyro effects, an excellently choreographed dance show, impressive artists, an excellent band with Jesse Ritch as special guest and, of course, lots of DJ BoBo - that's the recipe for the Swiss megastar's latest stroke of genius. The breathtakingly large stage turns out to be a giant clown that transforms the hall into a circus ring that is hard to beat in terms of entertainment value. The stage alone is technically impressive: a sophisticated light show and state-of-the-art video mapping allow for rapid scene changes and even allow DJ BoBo to talk to the clown - or dance with his own projection in the background. As ringmaster, BoBo transports his fans into a fascinating dream world in which one highlight follows the next.
The story begins on a small spaceship docking with a refueling station. On board are a group of four aliens, Bernard, Sandra, Desmond, and Julian. During a particularly tedious period of their stay at the station, the other three begin playing with the ship’s controls while Bernard is outside playing spaceball. They accidentally disconnect his part of the ship, leaving him stranded while they crash into a large blue planet close by...
A Parisian nightclub owner known for her performances of the can-can attracts the ire of a self-righteous judge. He hatches a plot to photograph her in the act but ends up falling for her — much to the chagrin of her lawyer boyfriend.
Storyteller and Conceptual Magician Derek DelGaudio attempts to understand the illusory nature of identity and answer the deceptively simple question 'Who am I?'
Presented by HBO and recorded live at the American Palace Theatre in New York, 'Hazelle!' a one-woman show consisting of a series of interconnected vignettes involving a host of Hazelle Goodman's well-crafted and distinct characters, which center on a NY York neighborhood. Often hilarious, sometimes poignant, but always though provoking and brilliantly performed, Goodman uses humor to celebrate humanity in way that is as relevant in 1995 as it is timeless.