Waste Mandala
Panorama film shot floating down the Seine.
A video about Neo-Nazis originating in Sweden provides the starting point of an investigation of extremists' networks in Europe, Russia, and North America. Their propaganda is a message of hatred, war, and segregation.
Saint-Germain-des-Prés, un paradis perdu
Back to the Titanic documents the first manned dives to Titanic in nearly 15 years. New footage reveals fresh decay and sheds light on the ship’s future.
Miraculous holders from another world appear in Paris. They come from a parallel universe where everything is reversed: the holders of Ladybug and Black Cat Miraculouses, Shadybug and Claw Noir, are the bad guys, and the holder of the Butterfly Miraculous, Betterfly, is a superhero. Ladybug and Cat Noir will have to help Betterfly counter the attacks of their evil doubles and prevent them from seizing the Butterfly Miraculous. Can our heroes also help Betterfly make Shadybug and Claw Noir better people?
The story of Le Palace, the famous parisian night club in the late seventies. The documentary is a conversation between ex-clients, founders and workers of the place. Owned by Fabrice Emaer, this nightclub became in 1978 the center of the french social life.
A drought has brought the town of South Park to the brink of disaster.
A summer on an island of leisure in the Paris region. Land of Adventures, dredge and transgression for some, place of refuge and escape for the other. Its pay range to its hidden nooks, the exploration of a Kingdom of childhood, in resonance with the bustle of the world.
An experimental essay film about terrorism, media, violence and globalisation. Three infotainment news broadcasts - a rollercoaster, a hijacking, and an influencer - are soundtracked by pulsating experimental electronics that push the psychic residue of a post war-on-terror world out of the unconscious and onto the screen. Capitalism, imperialism, desire; all three are implicated in a nihilism that has seeped from the news into the social psyche.
A documentary on Yves Saint-Laurent and the legendary fashion designer's final show.
Tour Eiffel : La Grande Épopée
Cartman locks horns with his mom in a battle of wills while an epic conflict unfolds that threatens South Park’s very existence.
Czech painter and illustrator Alphonse Mucha (1860-1939) ranks among the pioneers of the Art Nouveau movement at the end of the 19th century. Virtually overnight, he becomes famous in Paris thanks to the posters that he designs to announce actress Sarah Bernhardt’s plays. But at the height of his fame, Mucha decides to leave Paris to realize his lifetime project.
Bettina Rheims and Serge Bramly's Rose, c'est Paris is both a photographic monograph and a feature-length film. This extraordinary work of art, in two different but interlocking and complementary formats, defies easy categorization. For in this multi-layered opus of poetic symbolism, photographer Bettina Rheims and writer Serge Bramly evoke the City of Light in a completely novel way: this is a Paris of surrealist visions, confused identities, artistic phantoms, unseen manipulation, obsession, fetish, and seething desire.
The film tells of the radical life-search by the Swiss writer Paul Nizon, born 1929 in Bern, Switzerland, who became what “he was meant to be” in Paris. Now 90-year-old, Paul Nizon grants insights into his life and work in a self-ironic, direct manner. The intimate portrait of a great literary outsider emerges, for whom the risk of life and the risk of writing merge into one and the same work of art.
A look at the life of Toty Rodríguez: An actress who made her career in France during the 60s, a well-known Diva in Ecuador as well as an icon of the women rights. She returns to Paris with her nephew to revisit her past in a town that changed her life.
France, 1920s: An affluent ladies' man finds himself in love with a homely married woman.
In 1970, a British film crew set out to make a straightforward literary portrait of James Baldwin set in Paris, insisting on setting aside his political activism. Baldwin bristled at their questions, and the result is a fascinating, confrontational, often uncomfortable butting of heads between the filmmakers and their subject, in which the author visits the Bastille and other Parisian landmarks and reflects on revolution, colonialism, and what it means to be a Black expatriate in Europe.
This Traveltalks short showcases the Paris International Exposition of 1937. It features a tour of the pavillions of several nations, as well as the spectacular water and light displays.