Boem-Boem

Climbing to fame, Irish-American composer Ernest R. Ball romances a showgirl, who catches the eye of an underworld character.

The wild and woolly early days of New York -- when it was still known as New Amsterdam -- provide the backdrop for this period musical-comedy. In 1650, Peter Stuyvesant (Charles Coburn) arrives in New Amsterdam to assume his duties as governor. Stuyvesant is hardly the fun-loving type, and one of his first official acts is to call for the death of Brom Broeck (Nelson Eddy), a newspaper publisher well-known for his fearless exposes of police and government corruption. However, Broeck hasn't done anything that would justify the death penalty, so Stuyvesant waits (without much patience) for Broeck to step out of line. Broeck is romancing a beautiful woman named Tina Tienhoven (Constance Dowling), whose sister Ulda (Shelley Winters) happens to be dating his best friend, Ten Pin (Johnnie "Scat" Davis). After Stuyvesant's men toss Broeck in jail on a trumped-up charge, Stuyvesant sets his sights on winning Tina's affections.

Frankie Foster and Stanley Benson are a pair of small-potatoes performers. Both try to make it to the big-time after winning an amateur talent contest. Though this leads them to a few professional gigs, something is missing from their act and they are not popular. Believing a little cash will boost their career, Frankie heads for Washington, D.C. to see if her wealthy father will help them. En route Frankie is mistaken for the wife of the well-known pilot Johnny Pearson and ends up in his suite having to pretend she is his spouse. When the pilot meets her, romantic sparks fly.

A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.

In this East German teen musical, a group of girls are planning to take their summer vacation together on the Baltic coast. When a loud and obnoxious group of boys intrudes on their holiday, the girls are horrified to learn that the boys have the same vacations plans as them. The two groups quarrel with each other and compete over a number of things, but gradually an attraction starts to form.

A romance musical movie that tells a story of a superstar who falls for a blind girl. Described by theatre critic Alongkorn Parivudhiphongs as captivating bubblegum entertainment, Ruk Jub Jai: The Romantic Musical was an unanticipated hit, with a total of 49 performances at Muang Thai Rachadalai Theatre. More than 60,000 theatre-goers went to the successful theatrical production, while the movie version of the play premiered on November 22. It was shown at Major Cineplex cinemas. This was the first time in Thailand that a stage production had been adapted for the silver screen. The film was made by GTH Studio, who used special equipment to capture the live performances on stage. They also filmed some scenes without an audience. The film version of the romantic comedy allows more close-ups of sentimental scenes between Sukrit Wisetkaew (Bie) and Nuengthida Sophon (Noona) in their respective roles as a singing superstar and a blind girl.

A story of an impish devil who used to be an angel but got tired of singing Hosannah and so was condemned to live on earth. From his home in a windmill, he pursues love and happiness in a hilarious and sometimes tragic turmoil that affects the whole countryside.

She mesmerised the crowd. The first sight would rapidly disappear and anyone who would get closer would also be surprised. It is not known if she did it for "beauty or precision", as Guimarães Rosa used to say. But the truth is that stereotypes would be destroyed as soon as she would fetch her followers. And revelations would unfold. Behind her suavely acute and toned voice, there was a deep tone that only few could reach. Behind her humble upbringing, there was an uncommon sensibility and intelligence. Her disguise was her irrepressible technique. Elis was pure emotion. And singing was not her final objective, she really wanted to make people happy. This film honours Elis and creates a singular portrait of Brazil's biggest star.

"On the Flip Side" is an episode of ABC Stage 67 starring James Coco, Tyrone Cooper, and James Dybas. A spirit and her musical combo are assigned to help a washed-up singer make a comeback. The original score for this program was composed by Burt Bacharach and Hal David, with musical direction by Peter Matz.

Ensaio Sobre Minha Mãe

Peter Pan is a 1976 musical adaptation of J. M. Barrie's Peter Pan, or the Boy Who Wouldn't Grow Up, produced for television as part of the Hallmark Hall of Fame, starring Mia Farrow as Peter Pan and Danny Kaye as Captain Hook, and with Sir John Gielgud narrating. Julie Andrews sang one of the songs, "Once Upon a Bedtime", off-camera over the opening credits. It aired on NBC at 7:30pm on Sunday, December 12, 1976, capping off the program's 25th year on the air. The program did not use the score written for the highly successful Mary Martin version which had previously been televised many times on NBC. Instead, it featured 14 new and now forgotten songs, written for the production by Anthony Newley and Leslie Bricusse.

Direct from London's glittering West End, our favorite multi-award winning international cabaret sensation, Meow Meow (Vamp), returns to Sydney Festival with a perfectly wild take on Hans Christian Andersen's bittersweet fable. With Malthouse Theatre director Marion Potts, composer Iain Grandage (Optimism), the Wild Dog Orchestra and the ever-dexterous Mitchell Butel (Woyzeck), Meow and her cohorts ignite a fantastical flight of musical fancy with dark, cut throat comedy and a whiplash score.

A song cycle about love, death, and whiskey. A camera breaks and four friends drink in an interwoven tale spanning seven centuries, with a murderous sister, a treehouse astronomer, a bear, a subway, and the ghost of Thelonious Monk.

Hal and a theater manager see people watching a building excavation for entertainment. They suggest that city employees entertain their customers, including a singing tax collector. Hal becomes the Mayor's assistant.

Fito Páez Love After Love XX years

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

A film of the life of the renowned musical composer, playwright, actor, dancer and singer George M. Cohan.

A movie star helps a young singer-actress find fame, even as age and alcoholism send his own career into a downward spiral.

After his mother’s passing, Tomas’ life turned black and white. Days change when he meets Gabriel, a photographer with a red jacket who helps him see other colors.

Musical biography of Irish 19th century tenor Chauncey Olcott.