Short film from director J.R. Bookwalter set in Salem.
A short film about the events following a murder.
In a rhythmic, hard-edged and sometimes shocking reality, we see how plastic surgery and the cult of man-made beauty have become so ubiquitous that everyone becomes both a judge and a victim. Based on the compelling, yet disturbing, true story of a 17-year-old girl who gets cosmetic surgery.
A typical family is terrorized in a series of commercials for a new A.I. product.
In the summer of 1999, an old hospital was the scene of one of the most horrific crimes in German post-war history. This film traces the almost unimaginable events and is only recommended for people with extremely strong nerves.
Killing Time with Lizzie Boredom is an existential comedy about one girl’s dream to be America’s Next Top Mortal. Lizzie was born to be the next big thing, she just knows it. What she doesn’t know is that she’s also an agoraphobic hypochondriac with delusions of grandeur.
A mother, unable to confront the heartbreak of her son leaving for college, delays his departure by making him sick. Unfortunately, she goes too far.
A 200 year-old vampire who drives for a ridesharing app picks up a passenger who bears an uncanny resemblance to a long lost love.
A man's life is disrupted when he begins to suffer from sleep paralysis.
A couple rents a summer house in a small village. Residents ignore all warnings from local people about upcoming mysterious things and are drawn into a story that repeats itself every seven years, claiming its victims.
A matchmaker sets a client up on a blind date with peculiar results.
Set in 1952, this musical thriller is what happens when a traveling salesman shows up on the doorstep of a dying old man and can't contain the song within his heart. A dark riff on a classic musical.
A man cruises around late at night looking for something. When he pulls over, seemingly to ask two young girls for directions, only to flash them for a cheap thrill, he discovers too late that he has picked the wrong girls.
An introverted mother's worst fears are amplified when she is seemingly stalked by the children living in the woods surrounding her home.
A lonely housewife fears for her life when a women's prayer group meeting turns into a fanatical intervention to rid her soul of evil.
A grieving mother latches on to a magical surrogate for her lost child. But small miracles come with big consequences.
Noites em Claro
Bestselling New York novelist Henry Jenkins (Richard Burgi) is not a man of many words. He drinks his tea and enjoys his toast, and walks no more than four blocks to seventh street to Lizzy's coffee shop, where he sits three seats away from the door. Henry has finished the final draft in his penultimate novel in the "Blood Asp" series, which have won him multiple awards over the years. Lizzy Garland (Heather Snell), on the other hand, is a woman of many words. She keeps her customers coming back with her warm spirit and inviting conversation. Henry stays for the tea, and because it takes his mind off certain things.... But he has a plan, and a machine, which if things go well, he will get them back, and will remember how they smiled...
A day in the life of Horace, an outback isolationist who holds within him a dark and violent secret. This non-conventional approach to the slasher sub-genre offers a new perspective. Set against the backdrop of the Australian bush, "In a Place Like This" aims to deliver a visually captivating experience, appealing to both genre aficionados and casual viewers alike.
Filmed only a few months after Tatsumi Hijikata’s first explosive public butoh performance, “Gisei” features Hijikata and members of his Asbestos Hall Troupe in a brutal allegory of a closed society. Shot by noted Japanese film scholar Donald Richie, “Gisei” still conveys the shock that Japanese audiences in 1959 must have felt at the birth of Hijikata's ankoku butoh, or "dance of darkness". Richie met Hijikata through mutual friend Yukio Mishima. They decided to collaborate on a film about segregation. Richie memorialized the film in his diary: “It is more than ever about the death of an individual, a distinct kind of human sacrifice.”