Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer, Jonathan Shields, as seen through the eyes of various acquaintances, including a writer, James Lee Bartlow; a star, Georgia Lorrison; and a director, Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone on the way to becoming one of Hollywood's top movie makers.
The story of two men on different sides of a prison riot -- the inmate leading the rebellion and the young guard trapped in the revolt, who poses as a prisoner in a desperate attempt to survive the ordeal.
An African-American prison psychiatrist finds the boundaries of his professionalism sorely tested when he must counsel a disturbed inmate with bigoted Nazi tendencies.
A former hitman named Bruno steals some cash from his mobster uncle. He plans to go to Tahiti, but things go wrong and he finds himself headed for Vegas via Death Valley in a comandeered airport limousine, pursued by his uncle's henchmen and accompanied by a limo driver and an enigmatic blonde.
For years he terrorized California motorists as he rode the endless highways searching for his next victim. The discarded bodies turned up beaten, sexually assaulted and horribly mutilated. Deceptively charming and intelligent, the scheming murderer easily avoided police at first. But as police closed in and the killer’s pattern grew more erratic, the only question was how many more will die?
Michelle
Starting as an investigation, the film begins with the discovery of a murdered young woman. Gradually we go back in time to realize that this crime is altogether the logical continuation of a philosophy of life where neither sex nor death are taboo, and where a lust for pushing limits meets it ultimate conclusion.
Elna Curry, once a concert pianist, develops an unfounded jealousy of neighbor, Trudie Morrow. Elna who suffers from neurasthenia, believes that Trudie is having an affair with her husband, John, and vows revenge on Trudie. John explains to Trudie Elna's condition and plan. Trudie, being good-hearted tells John that she'll move. One evening, John returns late from work to discover Elna dead. John burns Elna's suicide note to protect Trudie. This results in John being charged for murder and put on trial.
An abused beagle runs away from his owner. On the road, he meets young Marty Preston and follows him home. The boy immediately forms a bond with the dog and names him Shiloh. His stern father won't let him keep the dog because it belongs to Judd Travers, a local hunter. After Shiloh is mistreated again, he runs away and returns to Marty. Knowing his father will once again make him bring Shiloh back to Judd, he makes a home for the dog in an old shed up the hill from the Prestons' house and hides him from his family. His secret is soon discovered when a stray attacks the dog one night and he must turn to his father for help.
Dorothy Parker remembers the heyday of the Algonquin Round Table, a circle of friends whose barbed wit, like hers, was fueled by alcohol and flirted with despair.
Stranded on a mountain after a tragic plane crash, two strangers must work together to endure the extreme elements of the remote, snow-covered terrain. When they realize help is not coming, they embark on a perilous journey across hundreds of miles of wilderness, pushing each other to survive and discovering their inner strength.
A young man, convinced he's a vampire, goes to live with his elderly and hostile cousin in a small Pennsylvanian town, where he tries to suppress his bloodlust.
Soon to be a father, Mark feels the pressure of domestic responsibility closing in, so he is more than happy to accept when his old friend Kurt proposes a camping trip in the Oregon wilderness. During their time together, the men come to grips with the changes in their lives and the effect on their relationship.
In a rural town in Louisiana, a black Master Sergeant is found shot to death just outside the local Army Base. Military lawyer, Captain Davenport—also a black man—is sent from Washington to conduct an investigation. Facing an uncooperative chain of command and fearful black troops, Davenport must battle with deceit and prejudice in order to find out exactly who really did kill the Master Sergeant.
A young femme fatale realizes that the man she married is an incorrigible wastrel.
A dangerously disturbed Vietnam veteran struggles with life 15 years after his return home, and slowly falls into insanity from his gritty urban lifestyle.
Joy Brown (Billie Dean) is a 40-something woman with little confidence, less self-esteem and a burning desire to realise her dream of being a singer/songwriter. But she cant sing. When Joy takes in a stray dog, Raffi, her life immediately changes. Her best friend, the tarot card reading Tessa (Janet Watson Kruse), moves in, Joy changes her name to Luna Starr, and she meets Peter Wolfman (Andrew Einspruch). When Peter encourages her to perform with him at the local pizzerias folk music nights, Joy sings sort of hiding behind masks of wigs and silliness. Despite the singing, Peter and Joys relationship blossoms. But there are lots of hiccups along the way -- ex-wives, ex-husbands, frightening performances, and bucket loads of doubt. Set to the backdrop of the folk music scene in an arty country town, the film celebrates universal themes of friendship, low self-esteem, love relationships, and the joy of dogs.
After World War II Larry learns that his flying buddy Mike will only live a short time despite the efforts of the doctors. He takes on a profitable flying job for profiteers Maris to finance a good time for his buddy. As the plane takes off he shoves Maris' secretary Susan on board. When Mike falls for her, Larry tells her to play along for Mike's sake. She, of course, falls for Larry.
A concentration camp survivor discovers her former torturer and lover working as a porter at a hotel in postwar Vienna. When the couple attempt to re-create their sadomasochistic relationship, his former SS comrades begin to stalk them.
A condemned murderer, in the process of being executed, relives the events that led to his being sentenced to die in the electric chair. Told in flashback, we witness a sleazy dancehall girl (Vivienne Osborne) dupe a high rise riveter (Edward G. Robinson) into marriage so she can live off of him. But when he loses his job and his marbles, she ends up supporting him with money from her side man--and misses no opportunity to rub it in his face that she's now supporting him in his emasculated state. As the animosity grows and things get more and more unbearable, he is eventually driven to desperate measures.