The Blindness of Youth

Albertina is a celebrated dancer whose fame is widespread. However, she has overtaxed her strength, is forbidden to appear in public and is obliged to seek quiet and rest. She retires to her Aunt Mary's home, a beautiful and restful country place, where she secures the much-needed seclusion and comfort. Next door to Aunt Mary there lives a very handsome fellow who has often admired Aunt Mary's niece and to tell the truth she admires him. Growing restless under the enforced retirement, Albertina strolls down to the lake where the water-lilies grow. She pulls a number of them into a garland which she holds bewitchingly above her head. They give her an inspiration and involuntarily she pirouettes, bends and swerves her lithe and willowy form like a nymph of ethereal sweetness. The young man who lives next door is rowing upon the lake; He see Albertina dancing on the velvety field of grass, is charmed by her, and rushes toward her.

The just-out-of-college, effete son of a no-nonsense steamboat captain comes to visit his father whom he's not seen since he was a child.

A butterfly collector unwittingly wanders into an Indian encampment while chasing a butterfly, but the tribe has resolved to kill the first white man who enters their encampment because white oil tycoons are trying to force them from their land.

The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy of the commandments in modern life through a story set in San Francisco. Two brothers, rivals for the love of Mary, also come into conflict when John discovers Dan used shoddy materials to construct a cathedral.

The Last Bohemian (Hungarian: Az Utolsó bohém) is a 1912 Hungarian film directed by Michael Curtiz. It was Curtiz's debut film as a director.

Russian emigré Dimitri Kirsanoff’s film, alternatively titled Death of A Stag and Une chasse à courre, is a post-war study of a traditional stag hunt. The pursuit of the animal finds a cross-cutting parallel in the felling of a tree in the forest.

A nervous, careless recording of a trip through India and Nepal at the beginning of the 1970s. Fleeting impressions of faces, landscapes, temples, people and things. Images that, having been captured in a ephemeral medium, proceed to fade away (although without aging), alongside the river of time.

Clouds, mostly filmed frame by frame on the outskirts of Quarzazate, Tabount, Morocco.

A ‘divertimento’ performed in an abandoned premises of an Algerian tourist center, uninhabited in winter.

A walk in a wheat farmland in the a village. While moving between the tall sheaves, the walker’s restless eye surveys the fields, the cattle, and settles on the faces of the residents of the small town. Brief animation exercises repeat, and the sketch the figure of a contemplative walker.

Images of the Church of the Sagrada Familia by Antoni Gaudí confronted with brief flashes of housing projects and industrial areas. The furious display of a effervescent imagination is opposed to a grey functionality.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

This is a love story, a story of rivalry and revenge but, above all, a story about sport. The great passion is about union rugby.

Audiovisual view for decisive days in a life of a lightly hearing person.

The Bread Peddler is a 1923 French silent drama film directed by René Le Somptier and starring Suzanne Desprès, Gabriel Signoret and Geneviève Félix. It is based on Xavier de Montépin's novel of the same title.

Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.

Onésime needs to take care of an infant and does everything he can to avoid that responsibility.

For some time now, Sosthène, clerk at the Grand Laundromat of Papillon-sous-Bois, has been in love with Alphonsine, the girl who brings the laundry. One evening, he decides to win the heart of his beloved, who until now has been cruel and deaf to his fiery declarations, and if necessary, he'll kidnap her. Hidden at the edge of the woods, when Alphonsine goes by, Sosthène rolls through the grass until he lands at the beauty's feet, proclaiming his love in a deranged voice: "Be mine, or die!", "You idiot!". Blood rushes to Sosthène's head. His breath becomes so ragged that it can be heard a mile away, catching the attention of the famous detective Zigoto who was walking Bouboule, his no less famous police dog.

The Black Circle is a Italian film from the Celio Film company.

A magical lamp and the genie contained within prompt a madcap chase, falls from great heights and a fight atop a speeding train.