County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
To speak of that ballet is very difficult because the theme is so popular as a fairy tale, adapted by Perrault from German folklore and then recuperated from the same folklore by the Grimm brothers, and what's more turned into an unforgettable film by Walt Disney. Angelin Preljocaj was thus trying to break a mould in which that character and her story had been cast seemingly for ever. And it is a success. Because first the setting, the stage direction are very interesting and rich. Rich are the costumes. Rich are the main ideas of the setting like the enormous magic mirror coming down from the sky, or like the deep underground mine turned into a vertical surface on which the seven dwarfs are dancing like dragon-flies on their strings.
A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
The Nutcracker is Mikhail Baryshnikov's breathtaking and critically acclaimed Emmy-nominated production. This spectacular performance is danced by the magnificent team of Baryshnikov, one of the greatest classical dancers of the century, and Gelsey Kirkland, both showcased at the peak of their careers, with members of the American Ballet Theatre.
A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.
Matthew Bourne choreographs this performance of Tchaikovsky's ballet, filmed live in London. The show, the longest running ballet on both Broadway and the West End, follows the story of Prince Siegfried, who promises his love to swan maiden Odette, only to be tricked by magician Von Rothbart. The stars include Richard Winsor, Dominic North, Nina Goldman, Madelaine Brennan, Steve Kirkham and Joseph Vaughan.
Part folklore, part opera-ballet, this féerie presents local pagan traditions on the day of the summer solstice and historical events from Cossack times to the more recent 2014 Ukrainian Revolution of Dignity.
Characters from Haitian folklore come to life telling their story of ritual, ceremony and celebration. All wait to be overcome by the female spirit Erzuli. Who will be chosen?
Two young lovers, offspring of the feuding Montague and Capulet families, value feelings above the past, pitting love and forgiveness against hatred and revenge.
La Coronela (1940). Punto de partida
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.
A melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer.
The peasant girl Giselle discovers the true identity of her lover Albrecht – and that he is promised to another. Giselle kills herself. Her soul enters the ranks of the Wilis – shades of young women who died before their wedding day. All men that come across their path are compelled to dance themselves to death, and Albrecht falls into their trap. Giselle’s intercession saves Albrecht and releases her soul from the Wilis’ power.
The young Clara creeps downstairs on Christmas Eve to play with her favourite present – a Nutcracker. But the mysterious magician Drosselmeyer is waiting to sweep her off on a magical adventure. After defeating the Mouse King, the Nutcracker and Clara travel through the Land of Snow to the Kingdom of Sweets, where the Sugar Plum Fairy treats them to a wonderful display of dances. Back home, Clara thinks she must have been dreaming – but doesn’t she recognize Drosselmeyer’s nephew?
Shannon Davidson and Ashley Shaw at the iconic Royal Opera House in Covent Garden, delving into their thoughts and feelings about the timeless classic "The Red Shoes" to celebrate its 75th anniversary.
Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist.
The story of Don Quixote tells of the old knight who dreams of chivalry and his comic squire, Sancho Panza. This performance by the Kirov has been hailed as one of the greatest large cast ballet productions ever recorded on film. The tremendous resources of the Kirov Ballet flash and dash through the four acts of joyous Petipa and Gorsky choreography making Don Quixote a thrilling visual treat. This delightful spectacle features the great Soviet dancers Tatyana Terekhova and Farouk Ruzimatov as the lovers Kitri and Basilio. Don Quixote is performed by Kirov star Vladimir Ponomaryov. Filmed live at the Kirov Theatre in Leningrad.
Clara is given an enchanted Nutcracker doll on Christmas Eve. As midnight strikes, she creeps downstairs to find a magical adventure awaiting her and her Nutcracker. The magician Drosselmeyer transforms the drawing room into a battle between mice and toy soldiers. During the battle, Clara saves the Nutcracker’s life – so breaking a magical spell that turned him from a boy to a toy – and the Mouse King is defeated. In celebration, Drosselmeyer sweeps Clara and the Nutcracker off to the Kingdom of Sweets, where they meet the Sugar Plum Fairy and take part in a wonderful display of dances. The next morning, Clara’s adventures seem to have been more than just a dream.
An American ballerina arrives in Hungary to enroll in a ballet school and it soon becomes apparent that things are not what they seem.
Flames of Paris (Russian: Пла́мя Пари́жа) is a full-length ballet in four acts, choreographed by Vasily Vainonen to music by Boris Asafyev based on songs of the French Revolution. The libretto by Nicolai Volkov and Vladimir Dmitriev was adapted from a book by Felix Gras.