Paper Run

A new songline for 21st century Australia - a fresh look at the Cook legend from a First Nations' perspective - the songline tells of connection to country, resistance and survival and features the cheeky, acerbic and heartfelt showman - Steven Oliver and a host of outstanding, political Indigenous singer/songwriters.

Mentally ill. Deviant. Diseased. And in need of a cure. These were among the terms psychiatrists used to describe gay women and men in the 1950s, 1960s, and early 1970s. And as long as they were “sick”, progress toward equality was impossible. This documentary chronicles the battle waged by a small group of activists who declared war against a formidable institution – and won a crucial victory in the modern movement for LGBTQIA+ equality.

Filmmakers Sam and Amy journey into rural Australia to explore how the legacy of an American legend has transmitted and warped itself over time, and across the globe, resulting in the 30th annual Parkes Elvis Festival.

A film about the cultural evolution of the Sydney beach side suburb of Maroubra and the social struggle faced by it's youth - the notorious surf gang known as the Bra Boys.

Documentary by John Pilger looks at the awful truth behind white Australia's dysfunctional relationship with Indigenous Australians

The recounting of a deadly Canadian bank robbery in the 1950's and the resulting massive man hunt for the killer.

Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.

A documentary about climate change in Brazil, especially at Atafona Beach (in the Campos de Goytacazes region), which is being swallowed up by the sea. Narrated by Sonia Guajajara and Sidarta Ribeiro, the film deals with the genocide of the native people of Goytacazes.

Short documentary on the shunters in the Darling Island, Sydney, Australia railyard. Filmed in 1977.

Shot over one night in the loud, dimly lit printing press, this is the story of the men whose labour lies behind Sierra Leone's oldest daily newspaper.

Anne Hamilton-Byrne was beautiful, charismatic and delusional. She was also incredibly dangerous. Convinced she was the reincarnation of Jesus Christ, Hamilton-Byrne headed an apocalyptic sect called The Family, which was prominent in Melbourne from the 1960s through to the 1990s. With her husband Bill, she acquired numerous children – some through adoption scams, some born to cult members – and raised them as her own. Isolated from the outside world, the children were dressed in matching outfits, had identical dyed blonde hair, and were allegedly beaten, starved and injected with LSD. Taught that Hamilton-Byrne was both their mother and the messiah, the children were eventually rescued during a police raid in 1987, but their trauma had only just begun.

A young Holocaust survivor who descends into crime; an Italian-Jewish engineer who wants to see a movie; a German Christian who forgives her husband’s murderer because of her Buddhist faith; and a Jewish woman who carries on an affair with a Nazi and exposes members of the resistance so that she and her children may survive: their fates intersect when two bullets are fired into a queue of people waiting to see “A Man Escaped” at Tel Aviv’s Cinema North in 1957.

Is the end of the school year, the heat comes, and with it regular power cuts in the suburbs of Rio de Janeiro. Karol, Junior, Ronaldo and Caio have a harsh summer ahead of them. In a country where living conditions are increasingly precarious, these four young people will faced with the uncertainties of adulthood, invent new ways, perhaps unthinkable, to continue growing and dreaming.

Director Anna Broinowski explores how Pauline Hanson's speech in 1996 and the decades of debate that followed has influenced Australia today; the impact of her political career on modern multicultural Australia, and the people who have helped her transition from local fish shop owner to Member for Oxley. Featuring many of Hanson's critics, opponents, advisors and commentators, from former Prime Minister John Howard, to current members of the media, including Margo Kingston and Alan Jones; and leading Indigenous commentator, Professor Marcia Langton.

During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia's Indigenous history in the unadorned words of those who lived it.

Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.

What is it about Speedos? Well here Australian director Tim Hunter is on a mission to find the answer to the question of why so many gay men can't seem to get enough of hunks in tight fitting trunks? Although somehow I think the answer can be found in the question! Anyway in a bid to discover the truth, Hunter has carried out a series of interviews with men who have more than a passing interest in this briefest of garment, including that of Speedo designer Peter Travis, who here relates his part in the history of 'the male equivalent of the Wonder Bra.'

Koala Rescue profiles the courage and determination of everyday Aussies that went out of their way to rescue, treat and rehabilitate the koalas who survived the Australian Black Summer bushfires, 2019-20.

Many twentieth century European artists, such as Paul Gauguin or Pablo Picasso, were influenced by art brought to Europe from African and Asian colonies. How to frame these Modernist works today when the idea of the primitive in art is problematic?

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.