Soul of a Nation Presents: Sound of Freedom – A Juneteenth Celebration

A Black American is troubled by the legacy of American slavery and the misuse of Christianity to justify it. He travels throughout Texas discovering how the Juneteenth reveals faith and a fight for freedom in an unjust society.

Turquoise, a former beauty queen turned hardworking single mother, prepares her rebellious teenage daughter for the “Miss Juneteenth” pageant, hoping to keep her from repeating the same mistakes in life that she did.

Seven black friends go away for the weekend, only to find themselves trapped in a cabin with a killer who has a vendetta. They must pit their street smarts and knowledge of horror movies against the murderer to stay alive.

Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?

Leo Hurwitz’s film, Here At The Water’s Edge, features the 1960 New York City’s waterfront. Made with photographer Charles Pratt, the film is a cinematic poem to the people who work on the water. Pratt, who largely financed the film, made it possible for Leo to use his vision as an artist and filmmaker while the blacklist still over-shadowed his life and ability to work in other areas. Here At The Water’s Edge, a film without narration, draws our attention to the often-neglected life in, on and around water – as well as bringing into view what workers on the water give us. Leo, in his own work, was always concerned with seeing what is happening in spaces in the world where others fail to look.

A “Cinéma, de notre temps” series episode directed by french filmmaker Jean-Pierre Limosin, originally aired 26 January 1996.

A “Cinéma, de notre temps” series episode directed by french filmmaker Karim Dridi, originally aired 2 July 1997.

A “Cinéma, de notre temps” series episode directed by french film filmmaker Jean-Pierre Limosin, originally aired sometime around 2006.

Drawing from Ron Shelton's own experiences as a baseball player, Hound Dogs is set in the world of minor league baseball. It centers on minor league team the Nashville Hound Dogs and its endlessly upbeat general manager (Tom Verica), a gambling addict trying to outrun his past, as they try to handle life’s ups and downs, both in and out of the locker room.

Remarkable life story of Henri Diamant-Berger, a director and screenwriter whose devotion to cinema led him to collaborate with some of the greatest actors and filmmakers of his time.

The majestic Neil Diamond live! Prepare to melt.

A fiendish barber in early 19th century London has many dark secrets in his past and also in his present day activities.

A German documentary on Hong Kong cinema.

Archeologists discover a pit filled with terracotta warriors buried to protect the grave of the First Emperor of China.

In the late 19th Century, Mary Breydon, a widow, and Peggy Breydon, her daughter manage a stagecoach stop on The Cherokee Trail. The story is told from the perspective of Peggy, looking back on her adventures.

Radikalslöjdaren

Animación en la sala de espera

An anxiety-riddled woman and her husband reside in a small, secluded house in the forest. They live a relatively peaceful life until one night when the woman appears to fall sick and die.

A mockumentary that chronicles the prevalence of doping in the world of professional cycling.

A new piece in which Linklater and actor-cowriters Julie Delpy and Ethan Hawke discuss the trilogy, moderated by critic Kent Jones.