Life, Assembled

A visual essay on contemporary Kiwi architecture.

After filming the construction site of the Berlitz Palace (2nd), Pierre Chenal shows us in contrast other contemporary architectural achievements which, using the same technical processes, do not sacrifice the structure of iron and concrete for decoration. A documentary to the glory of the modern designs of Mallet-Stevens and Le Corbusier.

Documentarian Jeffrey Morgan set out to the track one woman's search for the truth about her great-great-aunt's 1908 murder. But his film quickly became a fascinating study of racism, revenge and family secrets. In the process of uncovering information about her ancestor's violent death at the hands of an African-American suspect, the woman learns that her family tree might have also produced a few murderers.

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

Behind the iconic Eiffel Tower lies the story of an incredible challenge to erect a thousand-foot tower that went far beyond a design competition, and marked a major turning point in engineering history. It was the beginning of radical transformation where iron was pitted against stone, engineering against architecture, and modern design against ancients. Press campaigns, lobbying, public conferences, denigration of opposing projects, bragging about big names - all participants engaged in a fierce battle without concession. Using 3D recreations, official sources (reports, letters, drawings...) and intimate archives obtained from their descendants, this film will bring to life this vertical race through a fresh and visual way to mark the centenary of Eiffel death.

John and Yoko in the presidential suite at the Hilton Amsterdam, which they had decorated with hand-drawn signs above their bed reading "Bed Peace." They invited the global press into their room to discuss peace for 12 hours every day.

Dresden is famous for its attempt to meticulously reconstruct its once bombed-out historical center and bring the colorful baroque settings of the 18th century back to life. It’s infamous for the right-wing-surge that has since 2015 swept the city and made it a center of far-right activity in Germany and Europe. This film is an exploration of where the two intersect.

Documentary about 4 large architectural landmarks that projected Portugal abroad.

A look at contemporary Paris through the lens of theories and ideologies of the past two centuries, with a particular focus on the utopian socialist ideas of Charles Fourier.

Art historian and filmmaker Sundaram Tagore travels in the footsteps of Louis Kahn to discover how the famed American architect built a daringly modern and monumental parliamentary complex in war-torn Bangladesh.

Katedrála zázrakov

On the tiny island of Martha's Vineyard, where presidents and celebrities vacation, trophy homes threaten to destroy the islands unique character. Twelve years in the making, One Big Home follows one carpenters journey to understand the trend toward giant houses. When he feels complicit in wrecking the place he calls home, he takes off his tool belt and picks up a camera.

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

In the 1920s, former coal miner Harry Hoxsey claimed to have an herbal cure for cancer. Although scoffed at and ultimately banned by the medical establishment, by the 1950s, Hoxsey's formula had been used to treat thousands of patients, who testified to its efficacy. Was Hoxsey's recipe the work of a snake-oil charlatan or a legitimate treatment? Ken Ausubel directs this keen look into the forces that shape the policies of organized medicine.

A documentary by Donna Zaccaro about the political trailblazer, Geralidine Ferraro. Featuring interviews with Bill and Hillary Clinton, George and Barbara Bush, Walter Mondale, and Geraldine Ferraro herself, among others, this is a heartwarming and engrossing portrait of the first woman who was nominated for vice president, whose legacy still reverberates today.

Ekodomy aneb Život v rovnováze

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Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The fascinating story of knighthood, told through the extraordinary life and times of William Marshal, whom many consider the world's greatest knight. From Europe's medieval castles to the holy city of Jerusalem, presenter Thomas Asbridge explores William's incredible life, revealing a rip-roaring adventure story in the spirit of King Arthur's Knights of the Round Table. In a career that spanned half a century, this English soldier and statesman served some of Christendom's greatest leaders, from Eleanor of Aquitaine to Richard the Lionheart. Marshal fought in battles across Europe, survived court intrigue and exile, put his seal to the Magna Carta and proved to be the best friend a king could have, remaining loyal to those he served through disaster and victory. Then at the age of 70, despite all the odds, he saved England from a French invasion.

“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.