The play revolves around a man who came to work as a presenter of a programs, where he notices the high rate of divorce in his society, so he is decides to talk about this issue through his television program entitled (Scandal).
Rachid is a young man who survives in Morroco boxing in clandestine fights in order to save enough money with which to pay a smuggler, and be able to cross the Strait of Gibraltar with his two friends.
Chants d’Automne (Song of Autumn), is a story of daily life on a colonial farm, at the start of the war of liberation in Algeria, describing individual and group behavior in this context. An unthinkable, even dangerous, romantic relationship, born in this context between Catherine, daughter of a settler, and Abdelmalek, son of a blacksmith. Managing his vast property in a feudal manner, Monsieur Marcel whose only ambition is his personal enrichment to the detriment of the community. Everyone fears his authority except his daughter Catherine, a student in France, who returns home during the holidays. She does not stop herself from expressing to him her ideas of justice which go against family and colonial practices. Catherine and Abdelmalek's romance makes relationships increasingly strained, but the call for freedom will be stronger than a woman's love.
In 1979, the Pacific Club was opened in the basement of La Défense - the business district of Paris. It was the first nightclub for Arabs from the suburbs; a parallel world of dance, sweat, young loves, and one-night utopias. Azedine, 17 years old at the time, tells us the forgotten story of this club and of this generation who dreamed of integrating into France but who soon came face to face with racism, the AIDS epidemic, and heroin.
Jim, a retired football player, and his girlfriend Amy go to his cabin for the weekend. Confusing whose weekend it was to have the cabin, Jim's ex-wife, Kate, and her boyfriend Miller also go to the cabin for the weekend. A massive snow storm traps the four inside the house to deal with their relationship issues.
A vicious satire of the war on drugs, a DEA agent is sent underground to bust the toad smoking scene with apocalyptic repercussions and romantic consequences.
Red carpet, spotlights, screaming fans, photo- graphers chasing for the best photo, camera teams waiting for interviews - a premiere is about to take place and everyone’s eagerly awaiting to see Germany‘s biggest film star, Marvin Bosch. But Marvin’s nowhere to be seen after his interview with the bitchy tabloid journalist Bettina Bamberger ended in disaster. On the run from the media, the star lands in a small, independent feminist LGBT+ theater called “3000” of all places, which is on the verge of going out of business.
A villain attempts to win the love of a pretty fisher girl, who is in love with a village youth. The villain finally kidnaps the girl and carries her out to a rock at low tide, where he ties her. He stands on the shore hoping that the rising water will force her to promise to marry him. The water rises higher and higher, tremendous waves dashing over the girl, and when it seems impossible for her to live another minute her sweetheart arrives with a crowd of the village people and rescues her.
College students at Reese University in the suburb town of Witherspoon Falls have a problem, they've added a mysterious cloaked man to their friends list their school's social network RUSocial.net. One by one, in the order of Rellik's top friends list, he's methodically stalking, and killing the unfortunate students. As the death toll rises, the police struggle to crack the code. The cryptic notes stapled to the heads of his victims, Rellik is leaving clues for the police. Baffled, the chief of police Bruce McNeal asks his daughter Tamara for help, thinking her criminology major would prove helpful. With the help of her schoolmate Stacey, the code is cracked, however the answers are cryptic in nature, just as the mastermind intended, and before for all is said and done, the friends are all pieces of the puzzle. Family ties are strained, old loves are brought into the light, and the serial killer's true identity once cloaked in blackness is starting to see the light.
Father wants Mabel to marry a little, wealthy shrimp. She is in love with Charlie, a big, strapping fellow. Mabel is locked up in the house, but her lover sets the house on fire, and In the confusion runs to the minister's house with her. Father and his choice pursue, but Mabel and her lover hide in the chimney. Father sticks around with a big gun, and Mabel and her lover make up as negroes and are married, father being persuaded to act as best man.
Jones is broke. His girl is giving a birthday party, and her various suitors give her costly presents. Jones finds a beautiful lavaliere, which be gives to Mabel, and wins her heart. He is chosen as the foreman of a jury, and when petty offenders are brought to trial turns a deaf ear to all pleas for mercy, gaining the hatred of the other jurors. Finally a man is brought up who is to he tried for stealing the necklace Jones found. A strong case is shown, and all the other jurors want to find him guilty, but Jones holds out for an acquittal. Mabel comes into the court room and sits alongside of the complainant. The necklace is seen and an uproar takes place. Jones is accused as a thief and in a highly melodramatic manner takes a huge vial from his pocket, drinks the contents and falls back dead.
'When did you come out?' Whether I'm doing a media interview, at a dinner party, or scrolling through social media comments, this question is almost always present. My forever answer, 'I'm always coming out.", is continuously met with the same confused look. In this LGBTQ+ short I spoof the many times I've come out in my life, from checking in to a hotel to find that they have "upgraded" my girlfriend and I to separate rooms to the 80 year old man at my office who always said "quit texting your boyfriend!" when I looked at my phone. I examine how the assumption of heterosexuality in our society requires LGBTQ+ folks to come out, daily, presented in a comedic and satirical light. There is power in laughter
A story about a burned-out sketch comedy director who quits a comedy troupe only to return to the theater for another show and encounters the same problems with the cast. This film is a Prequel to this Show Can’t Go On
Christmas in the English countryside wasn’t on Kate’s meticulously planned festive calendar until her half-sister Amy, who was brought up in England, announces her plan to get married on Christmas Eve. Kate teams up with Amy’s co-Christmas market owner Dylan to bring order to this whirlwind wedding, but will Kate find her own love in the heart of England this Christmas?
As Christmas nears, a financial advisor starts seeing a recurring number: 624. It’s the time she wakes, an address, the change at a Christmas shop. She’s told the number is from a Christmas angel to help make her heart’s secret wish come true. A numbers person, she calls it a statistical coincidence. But when she discovers the number’s meaning, she finds love.
An alien king sends two of his most loyal--and, as it turns out, stupidest--subjects to Earth to find him a queen to help rule his planet.
An aspiring actor, through with his work in piss-poor, low budget projects, pursues a role that could change his luck and make him Hollywood's next big star.