Grey Ardent

Sheridan abducts a young girl in order to pay off his gambling debts.

The "breeder" is a psychopath with an unusual hobby: he keeps dogs and small children in kennels. On the short leash, he also has the fallen "catcher" - a guy with gambling debt who has to turn his conscience off when he goes hunting for his boss. But there's something wrong with that last catch. What the catcher doesn't know: the kidnapped boy is a vampire. And he's not the only one men get in trouble with - because there's also "Popsy". And he doesn't like that his boy was kidnapped.

A serial kidnapper gets more than he bargained for when he attempts to kidnap a mysterious child.

Danju sets out to save his muse from an evil power determined to break his spirit once and for all. This film was created as an entry for Bricks In Motion's annual animation competition (BRAWL), and won 5th place out of 150+ entries.

When Ethel is threatened with eviction from her retirement community, her friends Vivian and Ruth become co-conspirators in the heist of the century. Their target: the local bingo hall.

Simon is on a date with a pathological liar. As the romance progresses and the lies grow darker and more elaborate, Simon is left to wonder if he will get the girl or if he will get out alive.

A rude knock at the door and an unseen visitor's muffled cry for help wake up an unsuspecting man in the dead of night. He truly seems in grave danger; however, should he open it? Who knows what terrors await behind a thin piece of wood?

After amusements working in a restaurant, a waiter uses his lunch break to go roller skating.

A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.

A tailor's apprentice burns Count Broko's clothes while ironing them and the tailor fires him. Later, the tailor discovers a note explaining that the count cannot attend a dance party, so he dresses as such to take his place; but the apprentice has also gone to the mansion where the party is celebrated and bumps into the tailor in disguise…

Death as a global service provider? Unthinkable! So far Death has thought that too. But then his nephew Cedric had the crazy idea of founding the company AFTER LIFE while his uncle was away. This company takes over the craft of death with the latest technology and markets it worldwide.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

After receiving the key to the city for their heroic efforts, Rocket J. Squirrel notices that Bullwinkle falls in love with a robotic moose. Unbeknownst to him, inside the moose is Boris Badinov, who, along with Natasha Fatale and Fearless Leader, are carrying out another plan to eliminate Rocky & Bullwinkle.

In school, 9-year old Julian gets into trouble for squealing a bully and therefore disturbing class.

A few weeks before Carnival, slum boys organize huntings for stray cats, whose leather can be used in Samba percussion instruments, like the Tamborim, a small drum.

Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).

Mike and Sulley are back at Monsters University for a fun-filled weekend with their Oozma Kappa fraternity brothers. The gang is throwing their first party, but no one’s showing up. Luckily for them, Mike and Sulley have come up with a plan to make sure “Party Central” is the most epic party the school has ever seen.

“No Bruises” is a narrative short film that explores the cyclical nature of emotional abuse, played out in vignette-style glimpses into one man’s relationships with three different women over time.

In a dystopian future where people live nocturnally to avoid the harmful rays of the sun, a young black girl unravels the lie that has kept her and her sister in the dark.

Calm shots of a seascape also examine optical colour mixing using various flicker effects.