A Cure For Terminal Loneliness

Sur la terre comme au ciel

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

A mother who writes children’s storybooks, ironically, doesn’t have enough time to create stories for her own son. The restless child finds a chance to create his own stories when his grandfather, comes up with a game. They fill an old milk can with pieces of paper, each containing a word which will be a “story-starter”. Tales of heroes and villains, magic and places fill up the child’s imagination. But the child’s made-up story is in need of a happy ending. Now, it depends on the storyteller mother to create the greatest ending of them all.

The intersecting lives of two otherwise unrelated people in a rural Bolivian village adjacent to the Uyani salt flats are presented. The first is Carlos, a poor salt miner. Unlike his colleagues, he is unwilling to take the one time compensation package from an American conglomerate who wants to purchase the mining rights. Carlos would rather get paid for doing actual work than risk living off a one time payment without a guarantee of any other work in the area. Carlos being the one holdout irks his fellow miners, who cannot get their compensation until Carlos also agrees to the terms. Carlos views all gringos in a bad light because of this situation. The second is Marc, an American doctor who has worked in various third world countries providing aide where needed. Marc is completing his term here. Carlos and Marc have a turbulent few meetings based on Carlos' feelings toward gringos and his want for a simple stable life.

Edward James Olmos narrates this multi-fest winner about an immigrant who recalls a vivid and momentous memory where he discovered his boundaries.

Three men hammer on an anvil and pass a bottle of beer around. Notable for being the first film in which a scene is being acted out.

Belly

Through a series of auditions, a young actor in New York City struggles with his identity.

A middle aged woman is desperately wondering in the streets looking for her daughter. A man finds her before she does.

The film tells the story of a man and woman who don't know each other. After being matched by a matchmaker, after going through a series of red tape, they were sent to the bridal chamber and began a difficult life as a couple. Despite the primitive shooting methods and lack of training of the actors, the film has a very important place in the history of Chinese film. The film has now been lost.

Adela has just settled in Madrid with her father, Claudio, a retired concert musician and a hermit. Both teach piano to small children in a quiet, sparsely-furnished flat in the centre of town.

Atasco

Oscar got caught spraying graffiti. Now doing community service at a nursing home, he meets Isabel who is suffering from dementia. At 84 years old, Isabel may be a little old school, but soon the entire block is covered with her pink tag.

Saori, a school girl, is molested on the notorious "molester train" of the Hanagawa line and rescued by another school girl who witnesses the act. The girl who rescues her turned out to be a new student of the same high school Saori attends. The mysterious new student Yuriko is rumoured to be a "parent killer". Yuriko then leads Saori and her friends to hunt molesters.

It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.

Overwhelmed by grief following the death of his wife, Donnelly shares a train carriage home with a troubled young man identified only as the 'Kid'. As the Kid becomes more agitated and foul-mouthed, the journey takes on a violent and dangerous hue – for the bereaved Donnelly and for other hapless passengers on the train. Academy Award Winner: Best Live Action Short Film – 2005

A road movie about three guys (two hitchhikers, one driver) and one woman.

The grail is not the gold, nor the books of ancient wisdom, but the 3,000 year old DNA of the mummies, which may lead to a cure for malaria.

When Roxanna discovers her fascination with lesbian sexuality, she finds herself dragged deeper and deeper into it. This leaves her at odds with her boyfriend, with tragic results.

Aïssa is a Congolese immigrant in France. She says that she is under eighteen but the authorities consider her an adult. To determine if she can be deported, a doctor must give her a physical examination.