A Night Song

Is there a connection between bible stories of contacts with the gods and the modern day UFO phenomenon?

The voices of the 2013 Generation of the now extinct CUEC, talk about issues such as loneliness, growing up and decisions about the uncertain future they face when leaving to study Cinematography.

A making-of documentary of the analogue horror short film "Interchange" made by James Seed.

This documentary interweaves celluloid and voice recordings by Maya Deren, and colleagues who knew her firsthand: Jean Rouch, Jonas Mekas, Alexander Hammid, Cecile Starr etc. Maya Deren (1917-1961) was an experimental filmmaker. In the 1940s and 1950s she made several influential avant-garde films, such as Meshes of the Afternoon (1943). Images from this and her other work are used in this documentary. You can also hear her voice, as well as accounts by contemporaries such as Jean Rouch and Jonas Mekas.

With this two-part feature documentary, Shlomi Elkabetz shares a poignant love letter to his sister, the late actress and director Ronit Elkabetz, and delivers a rare cinematic experience.

Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.

A compilation of a filmmaker's discard footage, subtly narrating his point of view of the year 2020.

Backstage Bardo is a short documentary film that takes viewers on a unique journey into the daily life of morgue workers. The challenges of dealing with death are conveyed through an intimate, up-close perspective that offers insight into a world that is often shrouded in obscurity and misconception.

Confessions of people who have lost their sight during their lives. What are their feelings and how do they view their apparent handicap?

A young woman rediscovers a letter from an old friend, forcing her to reconcile with the past.

Hotel rooms are rarely the destination for pilgrimage. In one hotel room, an iconic picture was taken - the portrait of Theodor Herzl, the most renowned zionist leader. Filmmaker Matan Tal visits the room and explores how the connection between Herzl and the room, echos Herzl’s own ideology. Which raises the question: Can people and places be connected forever?

On September 30th, 2019; people rallied together to fight the system for climate change. This is the story of that rally, and the inevitable impact global warming will have on our planet.

A 25-year-old former cult member seeks out his family in a closed world of neon crosses, deadly alcoholism, and abuse.

A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.

Shot entirely from an apartment window during the first month of New York City’s “Shelter in Place” directive, this film is a winding conversation about the fears, anxieties, and hopes of the residents of Claremont Avenue, in Manhattan.

Brazil is going through a political crisis which even representatives of our institutions reproduce speeches that seek to criminalize social movements by framing them as terrorists. The short "Teto Pra Quem" seeks to question the brutality of common sense fueled by the conservative wave by opposing it to the reality of thousands of families and their struggles in the pursuit of one of their most basic human rights: living under a roof.

This film takes us on an emotional journey from sacred ground above Byron Bay to Antarctica, Indonesia to Pakistan, and is sure to light a fire under the strongest climate change denier. THE POWER OF ACTIVISM focuses on six highly spirited female activists as they are put under the microscope to ascertain the financial impact of their environmental solutions… and the results are astonishing. From shark conservation to indigenous practices, intensive farming to plastic pollution; all their ‘causes' fall under the umbrella of "climate change", but they should also fall under the umbrella of "saving tax payers hundreds of millions of dollars!”

Light Breaks Where No Sun Shines

A five-year visual ethnography of traditional yet practical orchestration of Semana Santa in a small town where religious woodcarving is the livelihood. An experiential film on neocolonial Philippines’ interpretation of Saints and Gods through many forms of rituals and iconographies, exposing wood as raw material that undergoes production processes before becoming a spiritual object of devotion. - A sculpture believed to have been imported in town during Spanish colonial conquest, locally known as Mahal na Señor Sepulcro, is celebrating its 500 years. Meanwhile, composed of non-actors, Senakulo re-enacts the sufferings and death of Jesus. As the local community yearly unites to commemorate the Passion of Christ, a laborious journey unfolds following local craftsmen in transforming blocks of wood into a larger than life Jesus crucified on a 12-ft cross.

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