A martfüi rém

Egynyári kaland

Szomszédok was a Hungarian television series, occasionally called the Hungarian Dallas, that ran from 1987–1999 and produced 331 episodes, airing its grand finale on December 31, 1999. The series was a soap opera, dealing with the lives of ordinary people, living and working in or around an average lakótelep. Its characters were explored, over time, in equal depth: ranging from elderly pensioners, busy middle aged professionals, up-and-coming young people, and children growing into their teens. Many consider Szomszédok to be the definitive Hungarian television series, being a period piece of sorts that covers the last few years of the communist era, the rendszerváltozás, and nearly a decade of the new market economy Hungary thereafter.

For Better or Worse is a daily prime time Hungarian soap opera.

Kutyil Ltd. is a continuation of the series Neighbours. But heroes are no longer Laszlo and Ildikó, but Lajos (Andy Kraus) and Tunde (Viki Ráková) Gyönörű. In addition, viewers will get to know not only them but also their daughter, Emese (Michaela Szoczová). Lajos works as a handyman and his repairs are always funny. There is also a magyarized slovak which often makes funny phrases.

A nagy ho-ho-horgász

Pom Pom meséi

Hungarian cartoon. Mikrobi is a robot that has three eyes, a stretchy neck and takes care of the three children traveling across the cosmos. The biggest problem Mikrobiego is a small urchin Pepe, who constantly wants to play with him and boredom reprogrammed the robot to fulfill his cravings.

Futrinka utca

Mintaapák

A story about two urban boys, who spend a summer at the romantic Kis-Balaton side with an old field keeper, and gradually change their point of view about their civilized life, and fall in love with the nature.

Hungarian Folktales is a Hungarian animated series. Each episode is based on a Hungarian folk tale. The creators paid special attention to using Hungarian folk motives in the episodes.

Vízipók-csodapók

Copenhagen thirtysomethings Nikolaj and Julie struggle with marriage, baby and work, plus friends of varying maturity.

Karrusel

Γιούγκερμαν

This thriller and coming-of-age drama follows the journey of an extraordinary young girl as she evades the relentless pursuit of an off-book CIA agent and tries to unearth the truth behind who she is. Based on the 2011 Joe Wright film.

会有天使替我爱你

Din is a good-natured orphan boy raised in a Buddhist temple. Apichat, a businessman, likes Din’s character and invites him to work at his company with Sai, Din’s female friend. Apichat wants to give his son and daughter, Akanee and Fahsai, life lessons, so he assigns a new project to four of them to invent a new lot of furniture promising a rocket sale. Fahsai starts to fall for Din during the challenge.

A North Holland amateur soccer team (Swiftboys 8) consists of boys who since childhood enjoy the game itself -only gay captain Bram, a lawyer, takes the trouble to spend time on official club business- less then the camaraderie as none has the making of anything resembling a star player, to put it kindly, so they usually end their season by demotion. The point is having fun on the field, in the locker-room, in the canteen, and whenever something happens in one's life one or more of the others are likely to get involved, which also goes for some players' female partners, while male bonding seems only to stimulate their flirtatious lust. The chairman is a cigar-smoking fat rat, who intends to exploit the various teams using his infrastructure, and comes to employ as barmaid ex-con Nadja, a red-hair harpy nevertheless considered sexy by most straight boys.

It sounds like the rehash version of William Shakespeare’s “The Taming of the Shrew” where the main girl must marry first before her younger sister can. It’s a romantic comedy. The same concept goes for Noon Woranuch and Vee Veeraphap’s upcoming lakorn “Sentai…Salai Soht (A deadline….to end being single)” for Ch7. Noon is playing a woman by the name of “Fah”, she has a younger sister who wants to get marry, but the main rule in their family is that Fah (being the eldest sister) must marry first before her younger sister can. Fah also has a pestering mother who badly wants her to get marry. Her mother even resorts to trickrey in order to do so, she lies to Fah that she dying and begged Fah to find a husband within 2 months. For the sake of her ‘ailing’ mother, Fah uses her talent as the head of the creative department in her company to find a husband. You can guess that Vee is playing the guy that Noon must snatch up to marry.