A Peaceable Kingdom

Life is ever-delightful — and ever-challenging — for a group of friends in their twilight years as they rediscover themselves through love and family.

Medical Center is a medical drama series which aired on CBS from 1969 to 1976. It was produced by MGM Television.

LAX is a television drama set at the Los Angeles International Airport and draws its name from the airport's IATA airport code, "LAX".

The cases of master criminal defense attorney Perry Mason and his staff who handled the most difficult of cases in the aid of the innocent.

Twenty years old and from Leicester, Nina moves to North London in 1982, to care for the two young boys of a working single mother, George, the editor of a London literary review.

Follow 26-year-old Harry Bosch during his earliest days as a rookie cop in 1991 Los Angeles, a city on the edge, teeming with racial tension, gang violence, and a fractured LAPD. Amid routine calls and growing unrest, Bosch finds himself drawn into a high-profile heist and a web of criminal corruption that will test his loyalty to the badge and shape his future as the detective who lives by the code, "Everybody counts or nobody counts."

A darkly comedic look at the world of Los Angeles storefront psychics and the organized crime syndicate that runs them. Former magician Charlie Haverford oversees a number of fortune telling parlors on behalf of his violent and domineering Romani kingpin boss, until a blow to the head jars him into a new mindset, making him question everything he has ever believed.

Sam Fox is a single, working actor with no filter trying to raise her three daughters – Max, Frankie and Duke – in Los Angeles. She is mom, dad, referee and the cops.

United States is a short-lived half-hour comedy-drama that NBC added to its Tuesday primetime schedule in March 1980. Larry Gelbart, the show's executive producer and chief writer, said the name United States was not a reference to the country but rather to "the state of being united in a relationship". Gelbart envisioned a series that would be "a situation comedy based on the real things that happen in my marriage and in the marriages of my friends". Episodes tackled such topics as marital infidelity, household debt, friends who drink too much, death within the family, and sexual misunderstandings. United States focused on Richard and Libby Chapin, an upwardly mobile couple who lived in a Los Angeles suburb. Beau Bridges played Richard, and Helen Shaver played Libby. Gelbart reverted to black-and-white script for the show's titles. He said that was to convey the mood of "a sophisticated '30s film." Gelbart also avoided use of background music and a laugh track. Scripts featured dialogue such as, "Just for once I'd like to be treated like a friend instead of a husband," and "Maybe you and Bob can go out and get yourselves one redhead with two straws." United States premiered at 10:30 p.m. on March 11, 1980. NBC pulled it from the schedule within two months, after only six of 13 episodes had aired. The remaining episodes were not broadcast until 1986, when the A&E cable channel aired United States.

Kate & Allie is an American television situation comedy which ran from March 19, 1984, to May 22, 1989. Kate & Allie first aired on CBS as a midseason replacement series and only six episodes were initially commissioned, but the favorable response from critics and viewers alike easily convinced CBS to commit to a full season in the fall of 1984. The series was created by Sherry Coben.

Cranky but likable L.A. PI Jim Rockford pulls no punches (but takes plenty of them). An ex-con sent to the slammer for a crime he didn't commit, Rockford takes on cases others don't want, aided by his tough old man, his lawyer girlfriend and some shady associates from his past.

The City of Angels is falling apart, and crime pervades the city to the core. The mayor is corrupt, the police are inept, the city needs a figure to take control of the situation. Then in the light of day Darcy Walker is a cop, but in the dark of night she becomes the Black Scorpion. She does with a mash what she can't do with a badge. This is vigilante justice, old school style.

When death is your business, what is your life? For the Fisher family, the world outside of their family-owned funeral home continues to be at least as challenging as—and far less predictable than—the one inside.

The Trevanion family decide to make a fresh start and emigrate to South Africa to set up an animal reserve.

Special Agent Simone Clark, the oldest rookie in the FBI, is a force of nature, the living embodiment of a dream deferred – and she works together with her new colleagues at the Los Angeles office of the Bureau to bring down the country’s toughest criminals.

The story of a dysfunctional blended family from New York who moves to a rural South African town and finds they must rely on each other more than they ever did back home.

Deputy Police Chief Brenda Leigh Johnson transfers from Atlanta to LA to head up a special unit of the LAPD that handles sensitive, high-profile murder cases. Johnson's quirky personality and hard-nosed approach often rubs her colleagues the wrong way, but her reputation as one of the world's best interrogator eventually wins over even her toughest critics.

The story of an inner-city Los Angeles police precinct where some of the cops aren't above breaking the rules or working against their associates to both keep the streets safe and their self-interests intact.

Set in the sprawling mecca of the rich and famous, Ray Donovan does the dirty work for LA's top power players, and makes their problems disappear. His father's unexpected release from prison sets off a chain of events that shakes the Donovan family to its core.

Rescue 77 is an American television series about the professional and personal lives of paramedics in Los Angeles, California. The show aired in the spring of 1999 on Monday nights on the WB network. The creator and executive producer was Gregory Widen, a former Southern California firefighter and paramedic, and the writer of the 1991 firefighting drama Backdraft. His goal for the show was to provide a more realistic depiction of the lives of firefighters and paramedics than previous emergency medical television series such as Emergency!.