Saturday Night Live

Live from New York, it's Saturday Night!

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English     6.953     1975     USA

Overview

A late-night live television sketch comedy and variety show created by Lorne Michaels. The show's comedy sketches, which parody contemporary culture and politics, are performed by a large and varying cast of repertory and newer cast members. Each episode is hosted by a celebrity guest, who usually delivers an opening monologue and performs in sketches with the cast, and features performances by a musical guest.

Reviews

GenerationofSwine wrote:
It was good, then it was great, then it was good again and now it stinks. As of 2018 The edginess is gone. There are no risks in the jokes. They all consist of two things, 1. Trump is bad. and 2. This was a thing, remember it? Neither of those really work for me. Make fun of Trump all you want, but do it with a punch line. Most of the time they forget the punchline. Simply not liking him is NOT a punchline. You have to exaggerate something, make it satire, mock it in some way. I don't even care if it's a cruel mockery...so long as it doesn't seem like they are just stating an opinion. Opinions are NOT jokes. The same thing goes with their "remember this, this was a thing" jokes... They leave you sitting there waiting for them to say something funny about it. You're with them for a little while, "Yeah I remember it, go on..." then you realize that, no, that was the joke. That's not a joke, that's just asking me to remember something. Again, if they had a punch line, if they said something about what they were asking me to remember, then it might be funny...but they don't. The jokes are literally "this was a thing, laugh at it." and that's not funny. It has to be followed up with something. Like with Trump, an opinion is NOT a joke unless it is followed by something. The same thing with a memory, a memory is NOT a joke in and of itself. They both have to be followed by something
sethdozerman wrote:
Saturday Night Live will always be my comfort show. The longevity and influence SNL has had on the comedy scene is unmatched. It has been the catalyst for so many careers, e.g. Eddie Murphy, Bill Murray, Will Ferrell etc... The show has definitely had its ups and downs but, in taking a step back it is evident that the show has remained consistently mixed in it entire run. Not every season has had great writers or talent, some actors have been much more successful than others, and yet it has always found an audience. My favourite era of the show was the mid 2000s with Bill Hader and Andy Samberg, but most people have a a preference for whatever season they had as a teenager. The consistency of structure and crew unites all the different casts, creating a familiar image and sensibility, found in every season. There will always be a host monologue, musical guest, Weekend Update and most importantly, it will always be LIVE! The production process of a pitch meeting with the host, staying up all night on Tuesdays to write, read-through and dress rehearsal. Whether it's 1975 or 2023, everyone endures the same experience (although whether they have the aid of cocaine is certainly a difference!). The argument SNL hasnt been funny since the "insert previous ten years" is redundant. Every season of the show has been criticised for not being funny but every season of the show has produced hilarious sketches and shone a light on the new faces of comedy. In the 70s they had Dan Aykroyd and John Belushi, the 80s they had Julia Louis Dreyfus and Conan O'Brien, the 90s they had Will Ferrell and Eddy Murphy, the 2000s Tina Fey and Amy Poehler, the 2010s Kate McKinnon and Vanessa Bayer and finally in the 2020s we have Bowen Yang and Marcello Hernandez. The show continues to inspire and entertain the next generation of aspiring creatives with it's ground approach to sketch comedy. It is an American institution that will always hold a very dear place in my heart.

Similar

Blue Collar TV is a television program that aired on The WB Television Network with lead actors Jeff Foxworthy, Bill Engvall and Larry the Cable Guy. The show's humor dealt principally with contemporary American society, and especially hillbilly, redneck, and Southern stereotypes. The show was greenlighted on the heels of the success of the Blue Collar Comedy Tour, which the series' three lead actors toured with in the early-mid-2000s. It was created by Fax Bahr and Adam Small, in addition to J.P. Williams and Jeff Foxworthy. Blue collar is a US phrase used to describe manual laborers, as opposed to white collar for office or professional workers. Fellow Blue Collar Comedy Tour costar Ron White declined to star on Blue Collar TV due to a fear of being typecast as "blue collar." However, he guest-starred on many episodes of the show. On his 2006 comedy album, You Can't Fix Stupid, White jokingly cited his own lack of work ethic as a reason for not participating more on the show. Unlike most sketch comedy programs, each episode of Blue Collar TV was generally centered around a theme, which Foxworthy revealed at the start of each episode. Themes included "Food", "Kids", and "Stupidity", among others, with Foxworthy generally performing a short comedic monologue based on the theme. Most sketches in each episode featured at least one of the three Blue Collar Comedy Tour veterans in an acting role, but the second season saw more sketches featuring the 6 other cast members exclusively.

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Blue Collar TV
2004

Goodness Gracious Me is a BBC English language sketch comedy show originally aired on BBC Radio 4 from 1996 to 1998 and later televised on BBC Two from 1998 to 2001. The ensemble cast were four British Indian actors, Sanjeev Bhaskar, Kulvinder Ghir, Meera Syal and Nina Wadia. The show explored the conflict and integration between traditional Indian culture and modern British life. Some sketches reversed the roles to view the British from an Indian perspective, and others poked fun at Indian stereotypes. In the television series most of the white characters were played by Dave Lamb and Fiona Allen; in the radio series those parts were played by the cast themselves. The show's title and theme tune is a bhangra rearrangement of a hit comedy song of the same name. The original was performed by Peter Sellers and Sophia Loren reprising their characters from the 1960 film The Millionairess. The show's original working title was "Peter Sellers is Dead", but was changed because the cast generally liked Peter Sellers. In her 1996 novel Anita and Me, Syal had referred to British parodies of Asian speech as "a goodness-gracious-me accent". One of the more famous sketches featured the cast "going out for an English" after a few lassis. They mispronounce the waiter's name, order the blandest thing on the menu and ask for twenty-four plates of chips. The sketch parodies often-drunk English people "going out for an Indian", ordering chicken phall and too many papadums. This sketch was voted the 6th Greatest Comedy Sketch on a Channel 4 list show.

More info
Goodness Gracious Me
1996