The Lucy–Desi Comedy Hour

Desilu Productions

Comedy
English     8.8     1957     USA

Overview

The Lucy–Desi Comedy Hour is a collection of thirteen one-hour specials airing occasionally from 1957 to 1960, and originally served as part of Westinghouse Desilu Playhouse. Its original network title was The Ford Lucille Ball-Desi Arnaz Show for the first season, and The Westinghouse Desilu Playhouse Presents The Lucille Ball-Desi Arnaz Show for the following seasons. It was the successor to the classic comedy, I Love Lucy, and featured the same major cast members. The production schedule avoided the grind of a regular weekly series. Desilu produced the show, which was mostly filmed at their Los Angeles studios with occasional on-location shoots at Lake Arrowhead, Las Vegas and Sun Valley, Idaho. CBS reran the show under the "Lucy-Desi" title during the summers of 1962-1967, after which it went into syndication.

Similar

Dinner for Five is a television program in which actor/filmmaker Jon Favreau and a revolving guest list of celebrities eat, drink and talk about life on and off the set and swap stories about projects past and present. The program seats screen legends next to a variety of personalities from film, television, music and comedy, resulting in an unpredictable free-for-all. The program aired on the Independent Film Channel with Favreau the co-Executive Producer with Peter Billingsley. The show format is a spontaneous, open forum for people in the entertainment community. The idea, originally conceived by Favreau, originated from a time when he went out to dinner with colleagues on a film location and exchanged filming anecdotes. Favreau said, "I thought it would be interesting to show people that side of the business". He did not want to present them in a "sensationalized way [that] they're presented in the press, but as normal people". The format featured Favreau and four guests from the entertainment industry in a restaurant with no other diners. They ordered actual food from real menus and were served by authentic waiters. There were no cue cards or previous research on the participants that would have allowed him to orchestrate the conversation and the guests were allowed to talk about whatever they wanted. The show used five cameras with the operators using long lenses so that they could be at least ten feet away from the table and not intrude on the conversation or make the guests self-conscious. The conversations lasted until the film ran out. A 25-minutes episode would be edited from the two-hour dinner.

More info
Dinner for Five
2001